Award Publications is an award-winning independent children’s publisher, producing exciting, creative and best-selling books for children from birth to 12 in more than 70 countries around the world since 1972. From picture books to board books, junior learning to activity, gift to reference, our aim is to bring joy, and to encourage, entertain and inspire children, and those who read with them, to build a life-long love of books and reading
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Popular Victorian women writers considers a diverse group of women writers within the Victorian literary marketplace. It looks at authors such as Ellen Wood, Mary Braddon, Rhoda Broughton and Charlotte Yonge as well as less well-known writers including Jessie Fothergill and Eliza Meteyard. Each essay sets the individual author within her biographical and literary context and provides refreshing insights into their work. Together they bring the work of largely unknown authors and new perspectives on known authors to critical and public attention. Accessible and informative, the book is ideal for students of Victorian literature and culture as well as tutors and scholars of the period. ;
False profits of ethical capital is a thought-provoking approach to understanding stakeholder capitalism. Rather than focusing on the inadequacies of corporate responsibility, sustainable investment and consumer politics, this book grapples with the technical and rhetorical functions of ethical capital for profit and accumulation. It provides a unique and eclectic analysis of the political dynamics between finance, capital and labour, offering a refreshing perspective on struggles interlocking social, ecological and economic crises, and suggesting new ways of thinking about sustainability politics.
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Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
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Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Buñuel and Polanski. The Deneuve star persona has attained such iconic status that it now symbolises the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies. ;
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Martha Gellhorn was the doyenne of twentieth century war correspondence. Opinionated, honest and unafraid, she covered conflicts from the Spanish Civil War to Reagan's wars in Central America in the 1980s. Martha Gellhorn: the war writer in the field and in the text is the first critical study of her Second World War fiction and journalism. Often overlooked in accounts of war literature is the writer's precise position in relation to battle and his or her resultant standing in the text. Kate McLoughlin traces Gellhorn's daring attempts to access the war zone and her constructions of the woman war correspondent in her despatches, novels, short stories and play. Drawing on unpublished letters, close attention is given to Gellhorn's rivalry with Ernest Hemingway (the two were married from 1940 to 1945) over reaching the Normandy beaches on D-Day and its textual outcome in the pages of Collier's magazine. McLoughlin goes on to examine Gellhorn's increasingly negative portrayals of the glamorous female war reporter and to suggests why such disillusionment might have set in. ;
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With the emergence of neo-liberalism in the 1980s as the dominant domestic and international political-economic orthodoxy, labour as both a social category and political movement tended to be written off or ignored by academics, politicians and commentators. However, at a time when the world's working class is growing faster than at any previous time in history and neo-liberalism is widely challenged, this orthodoxy is clearly inadequate. The spread of global production means that to ignore labour, its organisations, interests and politics, is to ignore one of the key components of that process. Labour organisations have not gone away and neither has the state: their relationship remains as significant as ever. The strategic relationship between trade unions and social movements, nationally and internationally, has also developed markedly, especially in the south. New patterns of resistance are emerging to challenge global capital and those who assert that globalisation is irresistible. ;
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This book charts the building of 1 Angel Square, the remarkable new head office for The Co-operative Group in Manchester's new NOMA district. Combining text and photographs to illustrate the building from commissioning to completion, Len Grant has interviewed the whole project team - clients, architects, engineers, project managers and builders - and has had unreserved access to document the creation of this already award-winning structure. The design of 1 Angel Square by the architects 3DReid, is currently the UK's highest BREEAM (Building Research Establishment's Environmental Assessment Method) rated office building to date, and it is set to be one of the most sustainable buildings in Europe. 1 Angel Square, the book, is an intimate record of this fascinating building. Some of the impressive facts include: 3,157 internal and external window panels make up the façade; there are 10,500 data and power outlets; it sits on 539 foundation piles, with an average depth of 18 metres below ground; and there are approximately 22km of power cables. This book will be required reading for students of architecture and construction, sustainability studies and urban planning, and for those with an interest in the history of one of the world's great businesses. ;
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This book is the first full-length study of contemporary American fiction of passing. Its takes as its point of departure the return of racial and gender passing in the 1990s in order to make claims about wider trends in contemporary American fiction. The book accounts for the return of tropes of passing in fiction by Phillip Roth, Percival Everett, Louise Erdrich, Danzy Senna, Jeffrey Eugenides and Paul Beatty, by arguing meta-critical and meta-fictional tool. These writers are attracted to the trope of passing because passing narratives have always foregrounded the notion of textuality in relation to the (il)legibility of "black" subjects passing as white. The central argument of this book, then, is that contemporary narratives of passing are concerned with articulating and unpacking an analogy between passing and authorship. The title promises to inaugurate dialogue on the relationships between passing, postmodernism and authorship in contemporary American fiction.
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How has it happened that from being politely ignored or marginalized just half a century ago, women writers in Italy are now at the centre of literary activity? To what extent does writing by women reflect the successes and failures of Italy in the post-war period? What form did the feminist movement in Italy take, and how did this affect what - and how - women wrote? And how are women who write responding to a more fragmented post-modern age? These are just some of the questions asked of the relationship between women and fiction in post-war Italy in this anthology. It includes stories by Cialente, Ginzburg, Ortese, Morante, Romano, Maraini and Duranti as well as Bompiani, Sanvitale, Mizzau, Scaramuzzino, Capriolo and Petrignani. The thirteen stories presented offer a range of style and content indicative of the wealth and diversity of writing by women, and their reading is supported by critical notes and an extensive vocabulary. This is a clear and challenging introduction to the rich field of women and fiction in Italy. ;
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This is a clearly written, comprehensive and topical textbook on UK government and politics for AS and A Level students. It is suitable for the A Level Edexcel, OCR and AQA exam boards. The content of the book is structured according to the boards' specifications. It covers: political power, participation and democracy; the UK constitution; elections and referenda; MPs, parties and pressure groups; Parliament and government; the courts, judges and civil liberties; local government and devolution; and the European Union. All key terms and concepts are highlighted and succinctly defined. The book has an accessible style and very user-friendly format. It includes sample exam questions with answers, and fun quizzes with answers, plus features such as 'Talking Point' and 'Analyse This' to encourage class discussion and exploration of core topics. Each chapter begins with a summary of contents and ends with sample exam questions and useful websites.
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These essays written to celebrate the distinguished career of Renassiance scholar, Professor Malcolm Quainton, confirm the idea that the sixteenth-century in France was deeply marked by conflict, but readers expecting to find a volume wholly devoted to studies of war and religious disputation will be intrigued to discover that these rare not the only topics discussed. A number of subtle analyses reveal the stresses of internal conflict experienced by writers and woven into the fabric of their compositions. The three sections focus respectively on living and writing in conflict, the Wars of Religion, and intertextuality as conflict. Subjects include Ronard, Baïf, Du Bellay, D'Aubigné, sonnets by Mary Queen of Scots and the political role of court festivities, while a previously unknown riposte to Clément Marot is first published here. This book will appeal to scholars and students of French language, literature and culture, and sixteenth-century European history.
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Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.
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They hear you thinking. But you can’t understand them. Not yet! After a terrifying experience on a school trip to the forest, Noomi isn’t the same anymore. Fragments of memories that are as thrilling as they are disturbing continually lead her back to this same day in the forest. Something has happened to her since then and she has to find out what went on there. Why can’t she remember? Why does she now feel so close to animals? One secret experiment. Four young offenders. Animals acting like humans in the forest. Evolution at a turning point - FEEL NATURE! Atmospheric, enigmatic and disturbing – the new novel from the prize-winning author duo Ella Blix, consisting of Antje Wagner and Tania Witte. 2019 literary awards: the Mannheim Feuergriffel (Fire Pen) for Tania Witte and the town of Wetzlar’s Fantasy Prize. Printed on recycled paper and certified with the Blue Angel.
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This book is the first edited collection to focus on the work of contemporary author Hari Kunzru. It contains major new essays on each of his novels - The Impressionist, Transmission, My Revolutions, Gods Without Men, White Tears and Red Pill - as well as his short fiction and non-fiction writings. The collection situates Kunzru's work within current debates regarding postmodernism, postcolonialism, and post-postmodernism, and examines how Kunzru's work is central to major thematic concerns of contemporary writing including whiteness, national identity, Britishness, cosmopolitanism, music, space, memory, art practice, trauma, Brexit, immigration, covid-19, and populist politics. The book engages with current debates regarding the politics of publishing of ethnic writers, examining how Kunzru has managed to shape a career in resistance of narrow labelling where many other writers have struggled to achieve long-term recognition.
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In the 1930s and 1940s - amid the crises of totalitarianism, war and a perceived cultural collapse in the democratic West - a high-profile group of mostly Christian intellectuals met to map out 'middle ways' through the 'age of extremes'. Led by the missionary and ecumenist Joseph H. Oldham, the group included prominent writers, thinkers and activists such as T. S. Eliot, John Middleton Murry, Karl Mannheim, John Baillie, Alec Vidler, H. A. Hodges, Christopher Dawson, Kathleen Bliss and Michael Polanyi. The 'Oldham group' saw faith as a uniquely powerful resource for social and cultural renewal, and it represents a fascinating case study of efforts to renew freedom in a dramatic confrontation with totalitarianism. The group's story will appeal to those interested in the cultural history of the Second World War and the issue of applying faith to the 'modern' social order.
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Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.
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People with dementia experience their condition as a big change in which, for example, new events are not linked to existing experiences and wishes, thoughts, and actions can no longer be connected to each other. This kind of experience of the self, due to the intergative function of the brainbeing temporarily or permanently lost, is called dissociative self-experience. Based on this understanding of dementia, the author develops an approach to effectively understand and support people with dementia in everyday activities. Typical everyday situations and behaviours are presented and reflected on in a practical context.
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This remarkable study represents a completely original presentation of the language and imagery used by the Orangists in the critical period in the mid-seventeenth century Netherlands as they sought the restoration of the stadholderate in the person of the young prince William III. Stern argues that the Orangists had no desire for the prince to become a monarch, rather that they viewed the stadholderate as an essential component of the Dutch constitution, the Union of Utrecht, and fulfilling a key role as defender of the rights and privileges of the citizenry against an overwheening urban oligarchy. Source material is drawn not only from books and political pamphlets but also from contemporary drama, poetry, portraits, prints, and medals. This enables the author to examine the imagery used by the supporters of the House of Orange, in particular the symbols of rebirth and regeneration which were deployed to propagate the restoration of the stadholderate in the person of William III. ;
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Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
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Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in unexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval film will be of interest to medievalists working in disciplines including literature, history, art history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
