Lorenza Estandia Literary Agency
The Catalogue has 114 titles, picture books, illustrated stories and novels poetry, plays, series, and non-fiction, and by readers age from 0 to 18+ years.
View Rights PortalThe Catalogue has 114 titles, picture books, illustrated stories and novels poetry, plays, series, and non-fiction, and by readers age from 0 to 18+ years.
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View Rights PortalAn innovative & different princess story! • The three princesses love to quarrel • Original and incredibly witty • Written by Ursula Poznanski and stunning illustrations by Sabine Büchner • Translation Grant! Bianca, Violetta and Rosalind are three adorable princesses. But they share a tiny quirk: they love to argue! One day a visitor asks for entrance into the castle. Prince Waldomir doesn’t enjoy hunting dragons anymore and rather prefers to get married know. Of course each princess is convinced to be the best choice and the prince’s one and only. So a rat race is launched before they have even met the puny prince for the first time…
Help the animals to find their letters ... easy as ABC!• By best-selling author Ursula Poznanski• Get a first feeling for letters and words!• Humorously illustrated, with funny details!After a big storm in the jungle, the little monkey collects many funny-looking things. “That are letters,” knows the smart parrot. “Somebody must have lost them”. And indeed, monkey and parrot come across strange animals that seem like something is missing. A "iger", a "nake", a "at" … An exciting letter story for reading aloud and early reading, guessing and poetizing by yourself!
The basis for successful advice is having a sound knowledge of the effect and application of medicines, but also an instinct for the individual needs and characteristics of the person asking for your help. This skill can be trained! Entertaining explanations and numerous case examples taken from everyday pharmacy practice help with this. They show how pharmacy staff can react empathetically, avoid misunderstandings, and manage delicate situations with confidence. The 5th edition has become more colourful! This applies not only to the illustrations, but also to the team and customers of our model pharmacy. A personality model with distinctive colours representing the different characters promises exciting insights. Good communication creates satisfied customers who want to come back again and again!
Ruby Fairygale and the Island of Magic Ruby Fairygale's first adventure - lovingly and excitingly told, with many atmospheric illustrations• Feel-good fantasy for Story Time, Early Readers and Fans of "Ruby Fairygale"!• Written by Marlene Jablonski (“Liliane Susewind” Chapter book series), based on a synopsis by Kira Gembri• Strong female protagonist and lovingly developed characters, with a high sympathy factor8-year-old Ruby Fairygale lives on a small island near the west coast of Ireland. After school, she always helps her grandmother, who works as a veterinarian. But the two of them have a big secret: they know that there are not only animals on the island, but also magical mythical creatures that need their help.Summer vacation at last! Now Ruby can spend the whole day helping her grandma. The two of them not only take care of animals, but also fairies, goblins and other mythical creatures! It's not easy to keep this secret - especially from Briana, the most unfriendly girl in Ruby's class. When Bri's father's fishing nets are destroyed, Briana suspects a pack of seals and is determined to drive them away. But Ruby suspects that something else is behind this. Something completely magical ... And indeed: a little mermaid had become entangled in the fishing net! Can Ruby still stop Bri without revealing her secret?
Intervening at the crossroads of philosophy, politics, and cinema, this book argues that the career of Robert Guédiguian, director of Marius et Jeannette (1997) and other popular auteurist films, can be read as an original and coherent project: to make a committed, historically-conscious cinema with friends, in a local space, and over a long period of time. Illustrated with comprehensive readings of all of Guédiguian's films.
Christine Nöstlingers "Hundegeschichten vom Franz" ist ein lebendiges und unterhaltsames Kinderbuch, das jungen Lesern im Alter von 8 bis 10 Jahren die lustigen und manchmal herausfordernden Erlebnisse des Jungen Franz mit dem Hund Berta nahebringt. Nachdem Franz immer Angst vor Hunden hatte, verändert sich sein Leben, als der Hund seiner besten Freundes Eberhard zu ihnen kommt. Die Geschichten bieten eine spannende Mischung aus Humor und Lernmomenten, besonders über die Überwindung von Ängsten und das Knüpfen neuer Freundschaften. Nöstlinger verwendet eine ansprechende, kindgerechte Sprache, die junge Leser fördert und motiviert. Die Serie "Lesestarter" von Oetinger, zu der dieses Buch gehört, unterstützt zudem Leseanfänger mit vielen Bildern und Rätseln, die das Lesenlernen vereinfachen und Spaß machen. Ermutigt Leseanfänger: Einfach zu verstehen und unterstützt durch die "Lesestarter"-Reihe, die speziell darauf ausgerichtet ist, Lesekompetenz spielerisch zu fördern. Überwindung von Ängsten: Franz' Geschichte bietet eine wertvolle Lektion darüber, wie man persönliche Ängste überwinden und neue Freundschaften schließen kann. Fesselnde Handlung und Humor: Bietet eine unterhaltsame Mischung aus Abenteuer und Spaß, die Kinder dazu anregt, weiterzulesen und sich mit dem Buch zu beschäftigen. Beliebte Autorin: Christine Nöstlinger ist bekannt für ihre Fähigkeit, alltägliche Themen ansprechend und kindgerecht zu verarbeiten. Unterstützt soziale und emotionale Entwicklung: Die Geschichten fördern Empathie und das Verständnis sozialer Interaktionen. Ideal für Zuhause und Schule: Das Buch ist sowohl für den privaten Gebrauch als auch als Lehrmittel in Schulen geeignet.
Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.