Between the Lines
Livres Canada Books
View Rights PortalA poet's quest to understand the deep past and uncertain future of his homeland. After inheriting his great-grandfather's Davy lamp, poet Jake Morris-Campbell sets out on a pilgrimage across his homeland. Travelling from the Holy Island of Lindisfarne to Durham Cathedral, he asks what new ways might be made through the old north. This region, a hub of early Christian Britain and later strongly defined by industry and class, now faces an uncertain future. But it remains a unique and starkly beautiful part of the country, with a deep history that is intimately entwined with the idea of Englishness. Jake's journey along the 'Camino of the North' sees him explore the shifting nature of individual and regional identity across thirteen-hundred years of social change. At the same time, it challenges him to reconsider his own trade of writer and how it relates to the lives of the people he meets along the way. Between the salt and the ash asks what stories the North East can tell about itself in the wake of Christianity and coal. Rejecting the damaging trope of 'left behind' communities, Jake uncovers neglected seams of culture and history, while offering a heartfelt celebration of the place he calls hyem.
Cultures of decolonisation combines studies of visual, literary and material cultures in order to explore the complexities of the 'end of empire' as a process. Where other accounts focus on high politics and constitutional reform, this volume reveals the diverse ways in which cultures contributed to wider political, economic and social change. The book demonstrates the transnational character of decolonisation, thereby illustrating the value of comparison - between different cultural forms and diverse places - in understanding the nature of this wide-reaching geopolitical change. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art and interior design, alongside institutions such as artists' groups, language agencies and the Royal Mint, across Africa, Asia, the Caribbean and Europe.
This volume brings together insights which look at the intersection of governance, culture and conflict resolution in India and the European Union. Two very different but connected epistemic, cultural and institutional settings, which have been divided by distance, colonialism and culture; yet have recently been brought closer together by ideas and practices of what is known as liberal peace, neoliberal state and development projects. The differences are obvious in terms of geography, culture, the nature and shape of institutions, and historical forces: and yet the commonalities between the two are surprising. This is the first book to compare contemporary Indian and European Union approaches to peace and is based on strong case studies and rigorous analysis. Postgraduate students, peace and conflict researchers, policy-makers and practitioners will benefit immensely from insights provided in this book. ;
The essential message of the 'two regimes' model is that the social politics of fatherhood have taken on a global significance and that the USA and Sweden represent two ends of an international continuum of ways of thinking about fatherhood. The key selling points of the two regimes model are its topicality, originality, its global appeal, and its particularised appeal to readers in the USA, the Nordic countries, Great Britain, Ireland, the European Union, Japan and China. The book offers students a comparative analytical framework and new insights into why some welfare states have 'father-friendly' social policies and others do not. The book makes an original contribution to the growing fields of welfare regime and gender studies by linking the epochal decline of patriarchal fatherhood to welfare state expansion over the course of the twentieth century and it raises new questions about the legitimacy of religiously inspired neo-patriarchy.
Während der Sommerferien auf dem Landgut der Eltern seines Schulfreundes wird der dreizehnjährige Leo zum Überbringer heimlicher Liebesbotschaften zwischen Ted, dem Pächter und Marian, der schönen Tochter des Schloßherrn, deren Verlobung mit Lord Trimingham kurz bevorsteht. Doch gegen seinen Willen zieht es Leo immer tiefer in den Strudel des gefährlichen Spiels von Verlangen und Verrat, von versprochener und verbotener Liebe und schließlich steht er vor der ersten großen Gewissensentscheidung seines jungen Lebens. The Go-Between ist ein raffiniert konstruierter Roman über die Strapazen des Erwachsenwerdens und die Gefühlsverwirrungen der Jugend, eine fein beobachtete Gesellschaftsanalyse und eine wunderbare Liebesgeschichte.
Collects together the best articles by key historians, literary critics, and anthropologists on the cultures of colonialism in the British Empire in the nineteenth and twentieth centuries.. A substantial introduction by the distinguished historian, Professor Catherine Hall, discusses new approaches to the history of empire and establishes a narrative frame through which to read the essays which follow.. The volume is clearly divided into three sections: theoretical, emphasising concepts and approaches; the colonisers 'at home', focusing on how empire was lived in Britain; and 'away' - the attempt to construct new cultures through which the colonisers defined themselves and others in varied colonial sites. A useful guide to recent scholarship on the culture of imperialism. ;
Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.
This study of the British colonial administrator James Tod (1782-1835), who spent five years in north-western India (1818-22) collecting every conceivable type of material of historical or cultural interest on the Rajputs and the Gujaratis, gives special attention to his role as a mediator of knowledge about this little-known region of the British Empire in the early nineteenth century to British and European audiences. The book aims to illustrate that British officers did not spend all their time oppressing and inferiorising the indigenous peoples under their colonial authority, but also contributed to propagating cultural and scientific information about them, and that they did not react only negatively to the various types of human difference they encountered in the field.
The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;
The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature.
This edition of Two lamentable tragedies, a quarto printed in 1601 by Richard Read for Matthew Law, and ascribed on the title-page to Robert Yarington, is the first to be published since 1913. It offers a photographic facsimile of the copy in the British Library (C.34.e.23), one of only five to have survived. The play combines a plot based on a real-life London murder case of 1594 with one deriving from an Italian tale of an evil father and his son. The introduction contains an up-to-date consideration of many aspects of the text, including a detailed bibliographical analysis of types, page dimensions, headlines, watermarks and paper; an analysis of compositorial divisions, and of a range of books printed and published by Read and Law; and the nature of the copy-text, which can be deduced from the visualised stage directions and other indications of imaginative staging. There has long been controversy surrounding the authorship of the play, and a full discussion of the issues is provided, including possible identifications of Yarington in contemporary documents, and the question of collaboration. The volume will be essential reading for students of Renaissance drama, book history, and bibliography. ;
Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
“My parents wouldn’t dream of separating!” Of that, Cleo is certain. It hits her like a stroke of lightning, when that is exactly what her parents do. Cleo is overwhelmed by the situation; she is sad, angry, and thinks that she herself is to blame. She is certain that she can bring her parents back together. With her best friend, Finn, she concocts a plan to remind her parents how much they love each other. But things go wrong ... This book is written in a way that is sensitive to the worries and needs of children who are confronted with their parents’ separation. The book is an excellent way to provide support for children who are going through their parents’ separation, to give them courage and strength as they find their way in a world that is no longer familiar. For: • children of elementary school age (between 6 and 12 years of age) who are suffering because of their parents’ separation• parents, relatives• therapists
Sexual politics in revolutionary England recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture.
Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit Fake-Date oder große Liebe – wer weiß das schon so genau? Jamie Westenberg und Bea Wilmot haben rein gar nichts gemeinsam außer den traumatischen Erinnerungen an ihre erste Begegnung. Doch als die Menschen, die ihnen am nächsten stehen, versuchen Amor zu spielen und sie zu einem Date überreden, wird den beiden klar, dass sie noch eine Gemeinsamkeit haben: ein unbestreitbares Bedürfnis nach Rache. Bald steht ihr Plan fest: Sie wollen ein falsches Date vortäuschen und ihre Freunde davon überzeugen, dass sie total verliebt sind. Es folgt ein spektakulär inszeniertes Schlussmachen, um dem Verkupplungswahn ein für alle Mal ein Ende zu setzen. Jamie und Bea legen den Auftritt ihres Lebens hin – doch je länger sie die Liebenden spielen, desto einfacher wird es. Lovestory zum Mitfiebern voll spannender Kontraste: „Two Wrongs make a Right“. Autorin Chloe Liese ließ sich von Shakespeares romantischer Komödie „Viel Lärm um nichts“ inspirieren – und schrieb eine sehr moderne, absolut hinreißende Story. Für New Adults ab 16 Jahren: sexy Liebesgeschichte um verbotene Gefühle und vermeintliche Gegensätze, die zu Verbündeten werden. Dieses Buch bringt dich mit viel Herzenswärme und Humor gleichzeitig zum Lachen und zum Weinen, denn: „Every way you were my opposite only made me want you more“. Eine neue BookTok-Entdeckung für alle Fans der Liebesromane von Ali Hazelwood und Helen Hoang. Genial ausgestattet in der Erstauflage: Softcover mit Klappen, trendig illustriertem Buchschnitt und coolem Lesezeichen zum Abtrennen.