We are a small publishing house that publishes the collection of children's books "The Adventures of Txano and Oscar". Our collection is available in paper and digital and the first book in the collection has more than 400,000 downloads in ebook.
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Based in Barcelona, at Zahorí Books we are specialized in highly illustrated books and novelty books. Our catalogue outlines a number of titles covering a wide range of mostly non-fiction subjects attractive to children and adults alike.
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This book is a result of the author's search for these facts and truths as a student and farmer and his endeavor as a teacher to present them in a simple manner to others. The object in presenting the book to the general public is the hope that it may be of assistance to farmers, students and teachers, in their search for the fundamental truths and principles of farming.
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The construction, control and preservation of the Official Record is inherently contested. Those seeking greater openness and (democratic) accountability argue 'sunlight is [...] the best of disinfectants', while others seek stricter information control because, to their mind, sound government arises when advice and policy are formulated secretly. This edited volume explores the intersection of the Official Record, oversight, national security and democracy. Through US, UK and Canadian case studies, this volume will benefit higher level undergraduate readers and above to explore the Official Record in the context of the national security operations of democratic states. All chapters are research-based pieces of original writing that feature a document appendix containing primary documents (often excerpts) that are key to a chapter's narrative. As a result, this book interrogates the boundaries between national security, accountability, oversight, and the Official Record.
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This remarkable study represents a completely original presentation of the language and imagery used by the Orangists in the critical period in the mid-seventeenth century Netherlands as they sought the restoration of the stadholderate in the person of the young prince William III. Stern argues that the Orangists had no desire for the prince to become a monarch, rather that they viewed the stadholderate as an essential component of the Dutch constitution, the Union of Utrecht, and fulfilling a key role as defender of the rights and privileges of the citizenry against an overwheening urban oligarchy. Source material is drawn not only from books and political pamphlets but also from contemporary drama, poetry, portraits, prints, and medals. This enables the author to examine the imagery used by the supporters of the House of Orange, in particular the symbols of rebirth and regeneration which were deployed to propagate the restoration of the stadholderate in the person of William III. ;
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The Island Book of Records brings the early years of this iconic record label to life. A fifteen-year labour of love, the volumes will fully document the analogue era of Island. Offering a comprehensive archive of album cover design and photography, together with the voices of the musicians, designers, photographers, producers, studio engineers and record company personnel that worked on each project, the volumes show in unique depth the workings of the label, covering every LP. Featuring material from recent interviews and from media interviews of the time, and each including a comprehensive discography of 45s, the books are lavishly illustrated with gig adverts (very many at venues which no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera. These LP-sized editions are a collector's dream, offering a truly unparalleled resource for those interested in music history and a perfect gift for any music lover.
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This innovative critical volume brings the study of Margery Kempe into the twenty-first century. Structured around four categories of 'encounter' - textual, internal, external and performative - the volume offers a capacious exploration of The Book of Margery Kempe, characterised by multiple complementary and dissonant approaches. It employs a multiplicity of scholarly and critical lenses, including the intertextual history of medieval women's literary culture, medical humanities, history of science, digital humanities, literary criticism, oral history, the global Middle Ages, archival research and creative re-imagining. Revealing several new discoveries about Margery Kempe and her Book in its global contexts, and offering multiple ways of reading the Book in the modern world, it will be an essential companion for years to come.
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This innovative critical volume brings the study of Margery Kempe into the twenty-first century. Structured around four categories of 'encounter' - textual, internal, external and performative - the volume offers a capacious exploration of The Book of Margery Kempe, characterised by multiple complementary and dissonant approaches. It employs a multiplicity of scholarly and critical lenses, including the intertextual history of medieval women's literary culture, medical humanities, history of science, digital humanities, literary criticism, oral history, the global Middle Ages, archival research and creative re-imagining. Revealing several new discoveries about Margery Kempe and her Book in its global contexts, and offering multiple ways of reading the Book in the modern world, it will be an essential companion for years to come.
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The very smallest children can identify and name objects from their homes in this award-winning, large-format board book. Magdalena Skala’s fantastic illustrations use bright colours and clear forms to depict the most important objects from the nursery, kitchen, garden, lounge, bathroom – in short from children’s everyday worlds: a great start into the world of words – and books! Magdalena Skala was awarded the 2019 Meefisch Prize and the Marktheidenfeld Prize for picture book illustration for THINGS. MY 200-PICTURE BOOK.
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Sanctity and pornography in medieval culture exposes the complexity of bodily exposure in medieval devotion and contemporary pornographic cultures. Through readings of texts and images, sacred and profane, from preimodern France and Italy as well as Anglo-American modernity, the book makes a case for paying closer attention to the surfaces of our bodies and the desires that those surfaces can articulate and arouse. From the Old French life of Saint Alexis to the work of writer-filmmaker Miranda July, from Wakefield Poole to Pietro Aretino, these are texts and images that diminish the distance between premodern Europe and contemporary California, between the sacred and the profane, as they demonstrate how, in the end as in the beginning, the surface of things is never simple. ;
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From Diane Abbott to Hugo Young via Keynesianism and Thatcherism, from Major to Millbank and from New Labour to Norman Tebbitt, this book is the ultimate student reference guide to British politics. The 2nd edition has been fully updated to take account of all the changes that have taken place in British politics since 2004. With over one thousand entries, the book covers the personalities, policies and institutions that have shaped British politics, with special emphasis on developments since the beginning of the twentieth century. This is the ideal instant reference book on British politics. It provides the reader with short, authoritative explanations and definitions of key terms, institutions, offices of state, political events, processes and policies as well as biographies of well known politicians, political thinkers, movements and theorists. Any student unsure of a term, an event, the details of the life of a prominent politician, or the inner workings of an institution can turn to this book for immediate assistance. ;
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Representations of British motoring provides important new insights into the established discourses of British motoring. Based on the patterns of representation that have mediated between the trade, owners and society, particularly the myths and realities generated by the advertising campaigns and motoring journals, it identifies the landmarks of change and innovation. It is not about great images as such, although some are, but particular attention has been directed towards the creative intervention of the artist-illustrators. Part One emphasises the critical significance of the emerging concerns and aspirations of the first decade of motoring, while the two subsequent parts provide a clear understanding of how the continuity of the public debate has shaped the concepts of modern and popular motoring. The new models, motorists and motoring landscape are the central themes through which it has been possible to track the preoccupation with questions regarding speed and safety, the idea of being British, the aesthetics of the car and motoring, and the family, women and the car. As such it is a design history that redefines and extends the parameters of the history of motoring, providing an overview of the place of the motor-car and motoring in British society that is relevant to undergraduate and postgraduate studies and the motoring enthusiast. ;
