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      • Gerstenberg Verlag GmbH & Co. KG

        The Publishing House and its History Established in St. Petersburg in 1792, today Gerstenberg is one of Germany’s oldest publishing houses. A family business, the publishing house moved to new headquarters in Hildesheim in 1796 and to this day occupies the same address in the old city marketplace as it did then. The most important branch of the publishing business, however, was the Hildesheimer Allgemeine Zeitung, which, incidentally, is the oldest daily newspaper still in existence in Germany. Today, the name of Gerstenberg is synonymous with delightful, innovative books of aesthetic design and high-quality content for children and young adults that compete very successfully also on the international market. An adult range comprising illustrated books, non-fiction and cookery books also forms part of the Gerstenberg portfolio.   Program Gerstenberg publishes board picture books, picture books, children’s and young adult narrative literature and non-fiction. With Eric Carle’s »The Very Hungry Caterpillar« (»Die kleine Raupe Nimmersatt«) and Rotraut Susanne Berner’s ›discovery picture books‹ (›Wimmelbücher‹), Gerstenberg became one of the best-known children’s book publishers. In 1999, the anthology of poetry »Dunkel war’s, der Mond schien helle«, came out as the first in Gerstenberg’s series of household compendiums, a segment that has since developed into a main pillar of the program. The publishing house has brought out some highly respected developments of its own in the children’s knowledge-book series ›Abenteuer! Maja Nielsen erzählt‹.

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      • NORLA

        Books from Norway is a website providing you with information in English about Norwegian literature in all genres: Fiction, Non-fiction and Children and Young Adults’ literature.NORLA - Norwegian Literature Abroad, promotes the export of Norwegian literature through active profiling work and translation subsidies. The organisation disseminates knowledge about Norwegian books and authors abroad, and operations are financed by the Norwegian Ministry of Culture.

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        July 2013

        Across the margins

        Cultural Identity and Change in the Atlantic Archipelago

        by Glenda Norquay

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        Literature & Literary Studies
        March 2018

        The Judas kiss

        by Gerry Smyth

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        Literature & Literary Studies
        May 2015

        The Judas kiss

        by Gerry Smyth, Rebecca Mortimer

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        Science & Mathematics
        September 2024

        Pistols in St Paul's

        by Fiona Smyth

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        November 2008

        Der Bingo-Palast

        Roman

        by Louise Erdrich, Edith Nerke, Jürgen Bauer

        Lulu Lamartine steckt eines Tages das Fahndungsfoto ihres Sohnes Gerry in einen Bilderrahmen und schickt es ihrem Enkel Lipsha Morrisey, der sich in Fargo herumtreibt. Er soll nicht enden wie sein Vater, sondern nach Hause zurückkehren, ins Reservat der Chippewas. Dort hat Lipshas Onkel das Sagen. Ein reicher Unternehmer, der nicht davor zurückschreckt, auf heiligem Boden, am Ufer des Sees Matchimanito, ein großes Kasino zu errichten, den Bingo-Palast. In Lipsha findet er einen Partner, der seine Leidenschaft für große Geschäfte teilt – und für Shawnee Ray Toose, deren Hochzeit mit dem Onkel erst verschoben, dann abgesagt wird.

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        January 1986

        Freedom of Speech: Basis and Limits

        Association for Legal and Social Philosophy. 12th Annual Conference at the University of Glasgow 29th–31th March 1985

        by Herausgegeben von Maher, Gerry

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        The Arts
        February 2012

        Transforming folk

        Innovation and tradition in English folk-rock music

        by Rob Burns

        English folk-rock, a former progressive rock music style, remains a stimulus for further change in folk music and has enabled English folk-rock to become regarded as popular music by a new audience with diverse musical tastes. From musicological and historical perspectives, this book maintains that folk music performance continues to be influenced by rock and other popular music styles. From a cultural studies perspective, this book also demonstrates how the popularity of folk music presented at world music festivals has stimulated significant growth in folk music audiences since the mid-1990s and consequently the UK is experiencing a new phase of revivalism - the third folk revival. The book contains contributions from Martin Carthy (The Imagined Village), Simon Nicol (Fairport Convention), Ashley Hutchings (The Albion Band), Gerry Conway (Fairport Convention) and Rick Kemp (Steeleye Span). ;

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        Literature & Literary Studies
        March 1994

        Siete cuentos

        by P. Beardsall

        One of the core authors of the '60s boom in Latin American fiction, Julio Cortázar made a contribution of international importance to the development of the short story as a literary form. This collection spans his writing career and includes La Noche Boca Arriba and Final del Juego (1956), Las Babas del Diablo (1959), La Isla a Mediodia (1966), Recortes de Prensa and Queremos Tanto a Glenda (1981) and Botella al Mar (1982). Of the seven stories, some are famous examples of his contribution to the genre of 'fantastic' literature, while others demonstrate his social and political concerns. Cortázar can be a challenging and demanding writer. Peter Beardsell's edition, with its comprehensive introduction and notes to the text, selected vocabulary and discussion section suggests that he is also enjoyable and accessible to readers at all levels. ;

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        October 2022

        Lore Olympus - Teil 1

        Der Nummer-1-NEW-YORK-TIMES-Bestseller-Webtoon

        by Rachel Smythe

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        October 2022

        Lore Olympus - Teil 2

        Der Nummer-1-NEW-YORK-TIMES-Bestseller-Webtoon

        by Rachel Smythe

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        Plays, playscripts
        August 2012

        The Tide Tarrieth No Man

        by George Wapull

        by Peter Happe

        This volume is a photographic facsimile from the copy of the play by George Wapull in the Harry Ransom Centre.It was originally printed in 1576 by Hugh Jackson, and is one of only five extant copies. The introduction discusses the place of this play in Jackson's output, including two other interludes printed by him shortly afterwards. Besides compositorial practice and some irregularities, it addresses the identity of the author, historical detail about the surviving copies, and the editorial contribution of John Payne Collier. The text is rich in stage directions and aspects of performance are discussed including the doubling scheme for four players and the active role of the Vice. The play was written at a time when interludes designed for small acting troupes were popular and exhibited remarkable theatrical expertise. The intellectual context is considered, and in particular the place of this play among the considerable number of surviving interludes from London which focus upon wealth and its abuses and other matters of economic importance at the time.

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