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Colonialism & imperialismMay 2017Hong Kong and British culture, 1945–97
by Mark Hampton. Series edited by Andrew S. Thompson, John Mackenzie
This book examines the British cultural engagement with Hong Kong in the second half of the twentieth century. It shows how the territory fit unusually within Britain's decolonisation narratives and served as an occasional foil for examining Britain's own culture during a period of perceived stagnation and decline. Drawing on a wide range of archival and published primary sources, Hong Kong and British culture, 1945-97 investigates such themes as Hong Kong as a site of unrestrained capitalism, modernisation, and good government, as well as an arena of male social and sexual opportunity. It also examines the ways in which Hong Kong Chinese embraced British culture, and the competing predictions that British observers made concerning the colony's return to Chinese sovereignty. An epilogue considers the enduring legacy of British colonialism.
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Political ideologiesMay 2017Neoliberal power and public management reforms
by Professor Peter Triantafillou. Series edited by Mark Haugaard
This book examines the links between major contemporary public sector reforms and neoliberal thinking. The key contribution of the book is to enhance our understanding of contemporary neoliberalism as it plays out in the public administration and to provide a critical analysis of generally overlooked aspects of administrative power. The book examines the quest for accountability, credibility and evidence in the public sector. It asks whether this quest may be understood in terms of neoliberal thinking and, if so, how? The book makes the argument that while current administrative reforms are informed by several distinct political rationalities, they evolve above all around a particular form of neoliberalism: constructivist neoliberalism. The book analyses the dangers of the kinds of administrative power seeking to invoke the self-steering capacities of society and administration itself.
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Biography & True StoriesMay 2025Mrs Dalloway
Biography of a novel
by Mark Hussey
A compelling biography of one of the most celebrated novels in the English language. The fourth and best-known of Virginia Woolf's novels, Mrs Dalloway is a modernist masterpiece that has remained popular since its publication in 1925. Its dual narratives follow a day in the life of wealthy housewife Clarissa Dalloway and shell-shocked war veteran Septimus Warren Smith, capturing their inner worlds with a vividness that has rarely been equalled. Mrs Dalloway: Biography of a novel offers new readers a lively introduction to this enduring classic, while providing Woolf lovers with a wealth of information about the novel's writing, publication and reception. It follows Woolf's process from the first stirrings in her diary through her struggles to create what was quickly recognised as a major advance in prose fiction. It then traces the novel's remarkable legacy to the present day. Woolf wrote in her diary that she wanted her novel 'to give life & death, sanity & insanity. to criticise the social system, & to show it at work, at its most intense.' Mrs Dalloway: Biography of a novel reveals how she achieved this ambition, creating a book that will be read by generations to come.
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Humanities & Social SciencesNovember 2024Culture is bad for you
by Orian Brook, Dave O'Brien, Mark Taylor
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Humanities & Social SciencesMarch 2026Negotiating identity conflicts in a fragmenting world order
by Paul Willem Meerts, Mark Anstey
At every level of human interaction new levels of identity-based tension are in evidence. Contributors to this book explore facets of fragmentation processes within systems of state and interstate organisation, how they influence the use of negotiation, and how negotiation might be used to effect renewed coherence. Following Anstey's (Ch1) introductory chapter framing the nature and shape of fragmentation dynamics, Zartman (Ch 2) argues that the use of negotiation as a process of conflict resolution is deeply shaped by identity groups whose internal coherence is dependent on sustaining a negative identity of others. International relations are no longer solely the realm of experienced diplomats but are shaped as Meerts (Ch3) points out by politicians seeking to be responsive to voting publics rather than wider concerns. Anstey digs into problems of fragmentation (Ch. 4) and Troitskiy (Ch 5) points out how a reluctant acceptance of the power of 'the other' can lead to a form of strategic stability in relations. Anstey and Meerts (Ch 6) point out in their analysis of the Israeli-Palestinian case as an identity conflict turned very bad. Guggenbuhl (Ch 7 ) reveals how structures and processes have been designed within the EU to prevent, contain and regulate conflicts to limit risks of confrontation and fragmentation. Schuessler (Ch 8) to advocates a shift away from a template or roadmap approach to EU membership to a cohesion based on non-dominance. There is still a strong desire on the part of some states, like Northern Macedonia, to become EU members, as reflected in Manton's (Ch 9). Paula Garzon and Frans Schram explain the success of the Colombia Peace Negotiations (Ch 10), while Odigie and da Rocha (Ch 11) analyse the struggle faced by ECOWAS to influence coup leaders in Mali to return to constitutional government and changes of government by constitutional means. Liang (Ch12) discusses how the internet as the modern vehicle of inter-state, inter-group and interpersonal communication has become weaponised. In Ch 13 Anstey draws some lessons from contributions to the compilation.
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The ArtsSeptember 2020Science in performance
Theatre and the politics of engagement
by Simon Parry
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.
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Humanities & Social SciencesSeptember 2023The break-up of Greater Britain
by Stuart Ward, Christian Pedersen
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Humanities & Social SciencesJuly 2023Now that's what I call a history of the 1980s
by Lucy Robinson
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Humanities & Social SciencesAugust 2002The rise of the Nazis
by Conan Fischer, Mark Greengrass
How and why did the Nazis seize power in Germany? Nearly seventy years on, the question remains heated and important discoveries continue to challenge long standing assumptions. Beginmning with an overview of the historical context within which Nazism grew, looking at the foreign relations, politics and society of Weimar and in particular at the role of the elites in the rise of Nazism. The book questions the anatomy of Nazism itself: What lent Nazi ideology its coherence and credibility? What distinguished the Nazi's programme from their competitors' and how did they project it so effectively? How was Hitler able to put together and fund an organisation so quickly and effectively that it could launch a sustained assault on Weimar? Who supported the Nazis and what were their motives? Where, precisely, does Nazism belong in the history of Europe?. Since the publication of the first edition, important new works have appeared and this new scholarship has been incorporated into the text. ;
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The ArtsMarch 2026Acting and performance in Hitchcock
by Adrian Garvey, Victoria Lowe
Hitchcock's professed disdain for actors is belied by the extraordinary range and depth of performances featured in his films. It might even be argued that many stars gave their richest and most complex performances in his work. Hitchcock's films are also imbued with the theme of performance, as when his fugitive men and errant women assume fragile new identities and move between roles. Actors and other performers also often feature as characters. However, the exhaustive academic literature on Hitchcock has to date produced surprisingly little work about acting and performance in his films. The collection includes contributions from a range of leading scholars on Hitchcock, performance, stardom, and British Cinema, including Charles Barr, David Greven, Mark Glancy, Lucy Bolton, Lawrence Napper and Michael Williams, and an interview with leading composers/accompanists Neil Brand and Stephen Horne on scoring performance in Silent Hitchcock.
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The ArtsDecember 2024The picture politics of Sir Francis Carruthers Gould
Britain's pioneering political cartoonist
by Mark Bryant
This is the first major study of Britain's pioneering graphic satirist, Sir Francis Carruthers Gould (1844-1925), the first staff political cartoonist on a daily newspaper in Britain, and the first of his kind to be knighted. Written by the distinguished media historian, Colin Seymour-Ure, it is essential reading for anyone interested in cartoons, caricature and illustration and will also be welcomed by students of history, politics and the media. It examines Gould's career in Fleet Street until his retirement after the First World War. It also discusses his illustrations for magazines and books and there is an analysis of his use of symbolism and literary allusion to lampoon such eminent politicians as Gladstone and Joseph Chamberlain. As Lord Baker says in his Foreword, this book is 'a major contribution to our knowledge of British cartooning.'
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Humanities & Social SciencesNovember 2007Public issue television
World in Action' 1963–98
by Peter Goddard, John Corner, Kay Richardson
Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada's World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series' development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change - technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades. ;
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Humanities & Social SciencesMarch 2017Sunningdale, the Ulster Workers' Council strike and the struggle for democracy in Northern Ireland
by David McCann, Cillian McGrattan
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Business, Economics & LawNovember 2024
The Island Book of Records Volume II
1969-70
by Neil Storey
The second volume of this highly collectable series, covering the pivotal years of 1969-70. The Island Book of Records Volume II documents the years 1969-70, during which Island sought to build on its success with the Spencer Davis Group by seeking out new British rock talent. By the end of the period, Island was emerging as a major British label, one that could boast releases from Jethro Tull, Nick Drake, King Crimson, John and Beverley Martyn, Fairport Convention and Cat Stevens. Featuring material from recent interviews and from media interviews of the time, and including a comprehensive discography of 45s, The Island Book of Records Volume II is lavishly illustrated with gig adverts (very many at venues that no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera collector's dream.
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The ArtsJune 2026
The picture politics of Sir Francis Carruthers Gould
Britain's pioneering political cartoonist
by Colin Seymour-Ure, Mark Bryant
This is the first major study of Britain's pioneering graphic satirist, Sir Francis Carruthers Gould (1844-1925), the first staff political cartoonist on a daily newspaper in Britain, and the first of his kind to be knighted. Written by the distinguished media historian, Colin Seymour-Ure, it is essential reading for anyone interested in cartoons, caricature and illustration and will also be welcomed by students of history, politics and the media. It examines Gould's career in Fleet Street until his retirement after the First World War. It also discusses his illustrations for magazines and books and there is an analysis of his use of symbolism and literary allusion to lampoon such eminent politicians as Gladstone and Joseph Chamberlain. As Lord Baker says in his Foreword, this book is 'a major contribution to our knowledge of British cartooning.'
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The ArtsSeptember 2025Do It Yourself
Making political theatre
by Common Wealth
A unique guide to creating political theatre, produced by one of the UK's most exciting companies. Do It Yourself is a vital resource for anyone interested in exploring theatre culture grounded in and produced by working-class, multi-racial communities. Designed for artists, activists and community organisers, the book offers a step-by-step guide to creating political theatre that is relevant, impactful and rooted in the lives of everyday people. Common Wealth have spent fifteen years working at the cutting edge of political theatre. In Do It Yourself, they share their experimental and activist approach to performance-making, based on DIY principles and the belief that ground-breaking theatre can be made with anyone, anywhere, in ways that truly resonate with the communities it serves. Do It Yourself introduces Common Wealth's artistic and political ethos, provides unique insights into their most significant performances and offers practical exercises for creating your own work. But this is not just a manual. It is a celebration of culture as a collective endeavour, one that can challenge the status quo and inspire change.
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Biography & True StoriesSeptember 2024Bedsit land
The strange worlds of Soft Cell
by Patrick Clarke
A rich and revealing examination of the legendary pop duo Soft Cell. Soft Cell are not your average pop band. Marc Almond and Dave Ball may be best known for the string of hits they released in 1981, but the powerful first phase of their collaboration embraced a staggering array of sounds, influences and innovations that would change the face of music to come. In Bedsit land, Patrick Clarke plunges into the archives and interviews more than sixty contributors, including the band members themselves, to follow Soft Cell through the many strange and sprawling worlds that shaped their extraordinary career. They lead him from the faded camp glamour of the British seaside to the dizzying thrills of the New York club scene. From transgressive student performance art to the sleaze and squalor of pre-gentrified Soho. From the glitz of British showbiz to the drug-addled chaos of post-Franco Spain. He emerges on the other side with the most in-depth, innovative and entertaining account of the duo ever written.
