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Humanities & Social SciencesMarch 2017Exporting empire
Africa, colonial officials and the construction of the British imperial state, c.1900–39
by Christopher Prior, Andrew Thompson, John M. MacKenzie
For Africans, rank and file colonial officials were the most visible manifestation of British imperial power. But in spite of their importance in administering such vast imperial territories, the attitudes of officials who served between the end of the nineteenth century and the Second World War, as well as what shaped such attitudes, have yet to be examined in any systematic way. In this original and revisionist work, Prior draws upon an enormous array of private and official papers to address some key questions about the colonial services. How did officials' education and training affect the ways that they engaged with Africa? How did officials relate to one another? How did officials seek to understand Africa and Africans? How did they respond to infrastructural change? How did they deal with anti-colonial nationalism? This work will be of value to students and lecturers alike interested in British, imperial and African history.
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Humanities & Social SciencesFebruary 2013Exporting empire
by Christopher Prior, Andrew Thompson, John Mackenzie, Rebecca Mortimer
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Humanities & Social SciencesJune 2015Exporting empire
by Christopher Prior, Andrew Thompson, John Mackenzie
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International relationsFebruary 2015Gorbachev's export of Perestroika to Eastern Europe
by Helen Hardman
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Literature & Literary StudiesJune 2025Critical games
On play and seriousness in academia, literature and life
by Tim Beasley-Murray
Critical Games is about the games we play (whether we know it or not), the ways we play them (for fun, but also to win, and to gain approval from others), and what happens when they get out of hand. The book interrogates the theory of play and gaming, with a particular focus on the games played by literary authors and literary critics. Drawing on (often self-critical) autobiography, as well as readings in texts across a range of languages, Tim Beasley-Murray plays with academic conventions to highlight what is at stake in them, turning to the Game of Literature, from Kafka to Carrère, to seek models and warnings of the outcomes of taking games too seriously, or not taking them seriously enough.
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Teaching, Language & ReferenceFebruary 2012Workers, state and development in Brazil
Powers of labour, chains of value
by Benjamin Selwyn
How do changing class relations contribute to processes of capitalist development? Within development studies the importance of class relations is usually relegated to lesser status than the roles of states and markets in generating and allocating resources. This book argues that the changing class relations are central to different patterns of capitalist development and that processes and outcomes of class struggle co-determine the form that development takes. Workers, State and Development in Brazil, nominated for the International Political Economy Group (IPGG) Book Prize 2013 and now available in paperback, illuminates these claims through a detailed empirical investigation of class dynamics and capitalist development in North East Brazil's São Francisco valley. It details how workers in the valley's export grape sector have won significant concessions from employers, contributing to a progressive pattern of regional capitalist development. The book will appeal to students and researchers interested in processes of capitalist development, agrarian political economy and international political economy. ;
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Humanities & Social SciencesNovember 2018Academic ambassadors, Pacific allies
by Alice Garner, Diane Kirkby, J. Simon Rofe
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Humanities & Social SciencesOctober 2010The Northern Ireland experience of conflict and agreement
A model for export?
by Robin Wilson
The Northern Ireland Experience of Conflict and Agreement presents a salutary warning to the international community against the fashionable view that there is an 'Irish model' which can be exported to cauterise ethnic troubles around the globe. The book draws on extensive archive research in London and Dublin on the 1970s power-sharing experiment, and on interviews with senior officials and political figures from the two capitals-as well as reconciliation practitioners-about the negotiation and chequered implementation of the Belfast agreement. It shows how stereotyped conceptions of the problem as a product of 'ancient hatreds', allied to solutions based on Realpolitik, have failed to transform Northern Ireland from a fragile peace, following the exhaustion of protracted paramilitary campaigns, to genuine reconciliation. The book concludes with practical proposals for constitutional reforms which would favour genuine power-sharing-rather than merely sharing power out-and set Northern Ireland on the road to the 'normal', civic society its long-suffering residents desire. It will be essential reading not only for academics and postgraduates interested in ethnic conflict but also for policy-makers who confront it in practice. ;
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The ArtsJune 2012Alejandro Amenábar
by Barry Jordan, Nuria Triana-Toribio, Andy Willis
Since the release of his first feature (Tesis) in 1996, Alejandro Amenábar has become the 'golden boy' of Spanish filmmaking, its 'King Midas', - a bankable star director - whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the biggest grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim (including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004). With Alejandro Amenábar, Jordan provides the first full-length study in English of Amenábar's shorts and feature films. Known for his spectacular imagery, sophisticated editing, memorable sound-tracks and challenging subject matter, Jordan shows how Amenábar makes a serious and socially aware, exportable 'middlebrow' cinema, designed for global audiences. There is also a detailed analysis of his engagement with popular film genres as the basis for an auteur cinema, and Jordan incorporates a reappraisal of Amenábar's auteurism as fundamentally decentred and shared. The book will be an essential resource for teachers, students, scholars and fans of Amenábar. It will also appeal to a wider readership, such as those who work in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and World cinema. ;
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Humanities & Social SciencesJune 2026Knowledge Diplomacy
Regional perspectives and future trends
by J. Simon Rofe
Knowledge Diplomacy examines particular and cultural antecedents to the development of the field; and its predominance in western thinking and critiques. Crucially, it does so not just from the perspective of scholars but also by consciously drawing on the perspectives of practitioners. The development of Knowledge Diplomacy allows for increased understanding of the role of research, innovation and higher education institutions as actors in international relations; shaping knowledge as they do. As such Knowledge Diplomacy presents a meaningful means of understanding how understanding knowledge impacts scholars, students and decisions makers as those who use knowledge in their practice.
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The ArtsJanuary 2019Negotiating the auteur
Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux
by Julia Dobson
This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts.
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The ArtsFebruary 2022"I am Jugoslovenka!"
Feminist performance politics during and after Yugoslav Socialism
by Jasmina Tumbas, Amelia Jones, Marsha Meskimmon
"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
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