Edizioni Sonda
Italian publishing house born in 1988. Publishing non fiction for adults and children with passion and curiosity.
View Rights PortalItalian publishing house born in 1988. Publishing non fiction for adults and children with passion and curiosity.
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View Rights PortalIn Miriam Körners "Ice Song" wird die Geschichte der 15-jährigen Emmylou entfaltet, die zunächst widerwillig in Churchill, Kanada, ankommt. Als Ort, der für seine Nähe zu Eisbären bekannt ist, bietet Churchill eine karge und eiskalte Umgebung, die Emmylou zunächst fremd ist. Ihre Sichtweise beginnt sich zu ändern, als sie Barnabas, einen jungen Inuk, trifft, der intensiv seine Schlittenhunde auf das anspruchsvolle Arctic Quest, ein herausforderndes Schlittenhunderennen, vorbereitet. Die Begegnung mit einem bezaubernden Welpen aus dem Rudel weckt nicht nur ihre Zuneigung für die Tiere, sondern auch tiefergehende Gefühle. Der Roman kombiniert Elemente der Romance mit dem aufregenden Kontext des Schlittenhundrennens und bietet Einblicke in die Kultur der Inuit. Durch Körners authentische Darstellung der arktischen Landschaft und die Verwendung ihrer persönlichen Erfahrungen, entsteht eine packende Lektüre, die sowohl bildend als auch unterhaltsam ist. Authentische Darstellung: Bietet fundierte Einblicke in die Inuit-Kultur und das Schlittenhunderennen, angereichert durch die realen Erfahrungen der Autorin. Fesselnde Handlung mit Romance: Verbindet das Abenteuer in der Arktis mit einer jugendlichen Liebesgeschichte, ideal für Leser*innen ab 12 Jahren. Resilienz und Selbstfindung: Inspiriert junge Leser*innen dazu, Herausforderungen zu meistern und sich selbst sowie neue Leidenschaften zu erkunden. Bildungswert: Bietet neben einer fesselnden Story auch wichtige Erkenntnisse über Umweltschutz und traditionelle Lebensweisen. Perfekt für Tier- und Naturfreunde: Ein Muss für junge Leser, die eine Leidenschaft für Tiere, insbesondere Schlittenhunde, und die Natur haben.
The first book in English to deal exclusively with Duras' cinema, including such films as India Song, Le Camion, and Nathalie Granger. Provides a lucid and stimulating introduction to her films, which is accessible to a wide readerhip, both specialist and non-specialist.. Locates the films in their autobiographical as well as social and historical context, making the book broadly interesting to students and teachers in all areas of French Studies.. The book's empahasis on gender issues widens it's appeal to include those working in Women's Studies, Gender Studies and Gay and Lesbian Studies.
This is the first full-length, published study of Beethoven's songs. All the composer's songs with piano are included, with full German texts and translations, together with comprehensive notes on the poetry and the music. The inclusion of unfinished songs gives a fascinating insight into Beethoven's compositional methods. An introductory essay considers reasons for the relative neglect of the songs, the significance of Beethoven's choice of texts, his crucial role in the development of German art-song and specific aspects such as choice of key. Throughout the book, poetic and musical texts are discussed in their historical context, and in the overall context of Beethoven's life and music. It is anticipated that this book, like its predecessor The Schubert Song Companion, will encourage the performance and study of an important but comparatively neglected aspect of the work of the world's most celebrated composer.
This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality. Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press? Building on extensive archival research, the book examines how African and Mexican American men have been constructed as 'racial problems', investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.