Jiang Boyan™ works closely with some of the worlds most prestigious authors. We make use of big data and strategic thinking to develop insights and analyze international cultural trends to identify opportunities. We believe that the greatest stories have global reach and intersect with entertainment, media and culture.
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Italian publishing house born in 1988. Publishing non fiction for adults and children with passion and curiosity.
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The first book in English to deal exclusively with Duras' cinema, including such films as India Song, Le Camion, and Nathalie Granger. Provides a lucid and stimulating introduction to her films, which is accessible to a wide readerhip, both specialist and non-specialist.. Locates the films in their autobiographical as well as social and historical context, making the book broadly interesting to students and teachers in all areas of French Studies.. The book's empahasis on gender issues widens it's appeal to include those working in Women's Studies, Gender Studies and Gay and Lesbian Studies.
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This is the first full-length, published study of Beethoven's songs. All the composer's songs with piano are included, with full German texts and translations, together with comprehensive notes on the poetry and the music. The inclusion of unfinished songs gives a fascinating insight into Beethoven's compositional methods. An introductory essay considers reasons for the relative neglect of the songs, the significance of Beethoven's choice of texts, his crucial role in the development of German art-song and specific aspects such as choice of key. Throughout the book, poetic and musical texts are discussed in their historical context, and in the overall context of Beethoven's life and music. It is anticipated that this book, like its predecessor The Schubert Song Companion, will encourage the performance and study of an important but comparatively neglected aspect of the work of the world's most celebrated composer.
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This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality. Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press? Building on extensive archival research, the book examines how African and Mexican American men have been constructed as 'racial problems', investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.
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Berückend schön, unvorstellbar grausam. Boston in der Vorweihnachtszeit 1990: Lawrence, ein melancholischer, verletzlicher Buchverkäufer, der vergeblich versucht, über die Trennung von seinem Liebhaber hinweg zu kommen, ahnt nicht, daß die sehr attraktive junge Frau, die in sein Haus zieht, ein mächtiger Sukkubus ist – eine Kreatur des Bösen, die ihre Erscheinung wechselt und menschliche Seelen aufsaugt. Und so werden die Straßen von Boston zum Austragungsort eines uralten Kampfes zwischen zwei verfeindeten Kräften des Bösen.
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Swinging London – die Stadt ist ein einziges Beatles-Album: bunt, laut und fröhlich. Miniröcke beherrschen die Bürgersteige, Mini Cooper die Straßen. Die ganze Welt scheint nur noch aus Musik und Mode zu bestehen. Doch der Spaß ist nicht endlos: Unweit des Abbey Road Studios wird die Leiche einer jungen Frau gefunden. Auf der Suche nach ihrem Mörder lernen Detective Breen und seine Kollegin Tozer Londons düstere Kehrseite kennen. London, Oktober 1968: Die Jungen, Wilden und Schönen haben die Macht ergriffen. Sie haben ihre eigenen Fernsehprogramme und Radiosender, ihre Boutiquen und eine eigene Sprache. Die Röcke werden kürzer, die Hosen enger. Im Abbey Road Studio entstehen die wahrscheinlich wichtigsten Alben aller Zeiten. Und vor dem Studio warten Hunderte junge Frauen darauf, dass SIE erscheinen: die Beatles. Doch nur eine Straßenecke weiter zeigt sich ein anderes London. Die anonyme Leiche einer jungen Frau wird entdeckt. Der einzige Anhaltspunkt, den Detective Cathal Breen und seine Kollegin Helen Tozer haben: Sie muss ein Beatles-Fan gewesen sein. Ihre Ermittlungen führen die beiden vom Fan-Club der Fab Four zu einer Gerichtsverhandlung gegen John Lennon und zu George Harrisons Haus. Aber der wahre Grund, wieso das Mädchen sterben musste, ist viel tragischer, als sie es sich hätten träumen lassen.
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This collection of documents in translation brings together the seminal sources for the late Merovingian Frankish kingdom. It inteprets the chronicles and saint's lives rigorously to reveal new insights into the nature and significance of sanctity, power and power relationships. The book makes available a range of 7th- and early 8th-century texts, five of which have never before been translated into English. It opens with a broad-ranging explanation of the historical background to the translated texts and then each source is accompanied by a full commentary and an introductory essay exploring its authorship, language and subject matter. The sources are rich in the detail of Merovingian political life. Their subjects are the powerful in society and they reveal the successful interplay between power and sanctity, a process which came to underpin much of European culture throughout the early Middle Ages.
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