Greenlight Press was launched in November 2012. We are the home of numerous Book Series (Sci-Fi, Fantasy and Crime), lots of them Award-Winners. On the German market, our series are published as E-Book, Print and Audio Books
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Founded in 1984, Chelsea Green Publishing is recognized as a leading publisher of books on the politics and practice of sustainable living, publishing authors who bring in-depth, practical knowledge to life, and give readers hands-on information related to organic farming and gardening, ecology and the environment, healthy food, sustainable economics, progressive politics, and, most recently, integrative health and wellness. Chelsea Green has offices in Vermont and London and become 100% employee owned in 2020.
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In 'Digging up stories', James Thompson explores the problems of theatre practice in communities affected by war and exclusion. Each chapter or 'story' is written in a lively and accessible style and draws on a range of contemporary performance theories. The chapters discuss: - participatory theatre in refugee camps - theatre workshop and stories of a massacre - traditional dance-dramas in an insurgent controlled village - 'Forum' theatre with the Mahabharata - ethical issues - the struggle to teach the author to dance 'Digging up stories' documents a range of theatre practice and includes project reports, ethnographic accounts, performance analysis and diary-style reflection. Taken from Thompson's research and practice in Sri Lanka, these diverse examples question the link between applied theatre, traditional performance and performances in everyday life. The book blurs lines between research and travel writing to create rich and provocative accounts of applying theatre in a troubled setting. ;
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In one of the first monographs of its kind to focus on the aesthetic and emotional impact of lighting in cinema, Lara Thompson looks at the way light informs the cinematic experience, from constructing star identities, sculpting natural light and creating imaginary worlds, to the seductive power of darkness, fading representations of the past and arresting twilight encounters. This groundbreaking and accessible introductory study offers a unique insight into the way illumination has transcended its diffuse functional boundaries and been elevated to a position of narrative and emotional importance, transforming it from an unobtrusive element of film style to an expressive and essential component. It includes analyses of over fifty renowned international films, discussed in inventive and illuminating combinations, from cinema's earliest moments to its most recent digital manifestations, and is essential reading for all those who want to understand what film light means and how it makes us feel. ;
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Zweifellos ist es ein verlegerisches Wagnis, DʼArcy Thompsons legendäres Buch im Zeitalter des Quasi-Ausschließlichkeitsanspruchs von Biochemie und Molekularbiologie in einer Neuauflage und dazu in deutscher Sprache herauszubringen. Wer von den jungen Biologen verbindet heute noch mit Thompsons Namen einen Begriff? Wer war dieser Mann? Was macht sein Werk noch heute druckenswert? Man könnte vielleicht aphoristisch sagen: DʼArcy Thompson war einer jener Polyhistores, von denen man meinte, sie seien mit dem Verklingen des Barock ausgestorben und in späterer Zeit nicht einmal mehr denkbar. Mithin ein verspäteter Barock-Gelehrter? Keineswegs, sondern einer der Pioniere der modernsten Biologie! Er vereinigte in sich das Denkvermögen des Mathematikers und Physikers mit dem des Linguisten und des Biologen, und er verfügt über das Handwerkliche aller drei dieser – ach doch so verschiedenen – Wissensgebiete. Dieses Buch hat eine widersprüchliche Geschichte: 1917 erschien die erste Auflage – damals vollendete Ketzerei – mit 793 Seiten Umfang, 1942 eine Erweiterung auf 1116 Seiten. Die posthume Neuauflage von Bonner – sie liegt der Übersetzung zugrunde – knüpft an die erste Auflage an, läßt vieles aus (weil es nicht mehr aktuell ist) und bringt zahlreiche Kommentare des Herausgebers. Es handelt sich also bei der vorliegenden Ausgabe um eine »Klassikeredition in Auswahl und mit Kommentar versehen«. Dies ist bei einem Buch mit einer erst 55jährigen Geschichte bemerkenswert. Um es vorwegzunehmen: von Thompsons Konzeption ist nichts Wesentliches verlorengegangen, und die Kommentare machen die Orientierung für denjenigen, der die Literatur nicht selbst kennt, leichter. (So. J.H. Scharf, Halle, 1974 in seiner Besprechung der deutschen Erstausgabe.)
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Brown am Abend vor Weihnachten in einem Pariser Hotel mit Husten krank im Bett liegt, kommt ihm das nicht ganz ungelegen: Seine Frau wollte dieses Jahr unbedingt im Kreise der Großfamilie auf dem englischen Familiensitz feiern, doch er hat ganz und gar keine Lust, am kommenden Tag früh dorthin aufzubrechen. Mrs. Brown will keine Ausflüchte gelten lassen, und damit ihr Mann rasch wieder zu Kräften kommt, verspricht sie ihm einen Senfwickel, der seinen Husten mildern soll. Doch woher mitten in der Nacht in einem fremden Hotel Senf nehmen? Mrs. Brown irrt durch die dunklen Gänge, doch als es ihr endlich gelingt, den Senfwickel anzulegen, erlebt sie eine Überraschung … Eine herrlich vergnügliche Weihnachtsgeschichte der etwas anderen Art mit bestem britischen Humor von Anthony Trollope.
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— True crime stories from the morgue — Famous deaths and autopsy stories resolved, such as Antarctic explorer Sir Ernest Shackleton and the case of Anne Greene, who survived her execution by hanging The post-mortem examination. A glimpse inside the interior of the human being. Many find the idea fascinating; for others it is creepy or even repugnant. There are still numerous myths and horror stories surrounding the autopsy, many of them associated with primal human fears such as that of being buried alive, which have existed since Antiquity. It is precisely for this reason that it is important to carry out the post-mortem examination with the utmost conscientiousness. Pathologist Roland Sedivy provides an exciting insight into his profession. Profound and with tremendous humour, he tells us about the early days of the autopsy, and shares with us some macabre and some mysterious cases.
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Hyde Park (1632) is one of the best-loved comedies of James Shirley, considered to be one of the most important Caroline dramatists. The play showcases strong female characters who excel at rebuking the outlandish courtship of various suitors. Shirley's comic setting, London's Hyde Park, offers ample opportunity for witty dialogue and sport - including foot and horse races - across three love plots. This is the first critical edition of the play, including a wide-ranging introduction and extensive commentary and textual notes. Paying special attention to the culture of Caroline London and its stage, the Revels Plays edition unpicks Shirley's politics of courtship and consent while also underlining the play's dynamics of class and power. A detailed performance history traces productions from 1632, across the Restoration to the present day, including that of the Royal Shakespeare Company in 1987. A textual history of the play's first quarto determines how it was printed and what relationship Hyde Park has to other texts by Shirley from the same publishers.
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Hyde Park (1632) is one of the best-loved comedies of James Shirley, considered to be one of the most important Caroline dramatists. The play showcases strong female characters who excel at rebuking the outlandish courtship of various suitors. Shirley's comic setting, London's Hyde Park, offers ample opportunity for witty dialogue. This is the first critical edition of the play, including a wide-ranging introduction and extensive commentary and textual notes. Paying special attention to the culture of Caroline London and its stage, the volume unpicks Shirley's politics of courtship and consent while also underlining the play's dynamics of class and power. A detailed performance history traces productions from 1632, across the Restoration to the present day, including that of the Royal Shakespeare Company in 1987. A textual history of the play's first quarto determines how it was printed and what relationship Hyde Park has to other texts by Shirley.
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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. An electronic version of this book is also available under a Creative Commons (CC-BY-NC-ND) license, thanks to the support of the Wellcome Trust. Coalmining was a notoriously dangerous industry and many of its workers experienced injury and disease. However, the experiences of the many disabled people within Britain's most dangerous industry have gone largely unrecognised by historians. This book looks at British coal through the lens of disability, using an interdisciplinary approach to examine the lives of disabled miners and their families. A diverse range of sources are used to examine the economic, social, political and cultural impact of disability in the coal industry, looking beyond formal coal company and union records to include autobiographies, novels and existing oral testimony. It argues that, far from being excluded entirely from British industry, disability and disabled people were central to its development. The book will appeal to students and academics interested in disability history, disability studies, social and cultural history and representations of disability in literature.
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The extraordinary twentieth-century writer Barbara Comyns led a life as captivating as the narratives she spun. This pioneering biography reveals the journey of a woman who experienced hardship and single-motherhood before the age of thirty but went on to publish a sequence of novels that are unique in the English language. Comyns turned her hand to many jobs in order to survive, from artist's model to restoring pianos. Hundreds of unpublished letters reveal an occasionally desperate but resourceful and witty woman whose complicated life ranged from enduring poverty when young to mixing with spivs, spies and high society. While working as a housekeeper in her mid-thirties, Comyns began transforming the bleak episodes of her life into compelling fictions streaked with surrealism and deadpan humour. The Vet's Daughter (1959), championed by Graham Greene, brought her fame, although her use of the gothic and macabre divided readers and reviewers. This biography not only excavates Comyns's life but also reclaims her fiction, providing a timely reassessment of her literary contribution. It sheds new light on a remarkable author who deftly captured the complexities of human life.
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The age of steam was the age of Britain's global maritime dominance, the age of enormous ocean liners and human mastery over the seas. The world seemed to shrink as timetabled shipping mapped out faster, more efficient and more reliable transoceanic networks. But what did this transport revolution look like at the other end of the line, at the edge of empire in the South Pacific? Through the historical example of the largest and most important regional maritime enterprise - the Union Steam Ship Company of New Zealand - Frances Steel eloquently charts the diverse and often conflicting interests, itineraries and experiences of commercial and political elites, common seamen and stewardesses, and Islander dock workers and passengers. Drawing on a variety of sources, including shipping company archives, imperial conference proceedings, diaries, newspapers and photographs, this book will appeal to cultural historians and geographers of British imperialism, scholars of transport and mobility studies, and historians of New Zealand and the Pacific. ;
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