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      • Nanmeebooks Co., Ltd.

        Founded in September 1992, Nanmeebooks is one of the leading publishers in Thailand, which publish both fiction and non-fiction for people at all ages licensed from around the world. We are known for educational books for children and youth literature including Harry Potter. Our outstanding and bestselling titles are including books from J.K. Rowling, Paolo Coelho, Yu Hua, Yi Zhongtian, Dr. Tom Wu and Nobel writer Mo Yan. We are also honored to publish the work of HRH Princess Sirindhorn, as well as various Nobel Prize literatures.

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      • Nanjing University Press

        Nanjing University Press Co., Ltd. (NJUP) is a leading comprehensive academic publishing house among the 108 Chinese publishers subordinate to universities. NJUP was founded in 1984 and supervised by Nanjing University. More than 200 employees were under the editing, marketing, production, warehousing, human resources and accounting departments. We publish around 1500 titles each year including nearly 100 translation works. Most of them focus on Philosophy, Aesthetics, Literature, History, Modern Culture and Mass Media. Our backlist comprises over 16,000 titles in total.

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      • Trusted Partner
        Die Gefangene
        June 2009

        Die Gefangene

        Nach Motiven von Marcel Proust

        by Chantal Akerman

        Als »Epiker der Innenschau«, so der Filmjournalist Thilo Wydra, gelte Proust gemeinhin als unverfilmbar. Dennoch wagte sich die belgische Regisseurin Chantal Akerman an den fünften Band der Recherche. Tatsächlich handele es sich um »eine freie, sehr freie Adaption«, antwortet sie im Interview. Akerman verlegt die Handlung ins Paris der Gegenwart, verzichtet weitgehend auf jede Psychologie, behält lediglich die Konstellation bei. Simon (wie Marcel im Film heißt) lebt mit Ariane (Albertine) in Paris und verfolgt sie auf Schritt und Tritt, wobei Akerman mit Hitchcocks Vertigo ein Meisterwerk zitiert, das ebenfalls dem Thema Obsession gewidmet ist. Indem sie entschieden auf die Mittel des Films setzt, anstatt die der Sprache nachzuahmen, zeige Akerman anderen Proust-Interpreten, »wie’s gemacht wird« (Fritz Göttler).

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