Bradt Travel Guides Ltd
Bradt Travel Guides have a reputation as the pioneering publisher for tackling ‘unusual’ destinations, and producing colourful guidebooks which are entertaining as well as useful.
View Rights PortalBradt Travel Guides have a reputation as the pioneering publisher for tackling ‘unusual’ destinations, and producing colourful guidebooks which are entertaining as well as useful.
View Rights PortalThis book is an enthralling account of a legal scandal, which erupted in colonial Senegal in 1890 and reached the French metropolitan press and the parliament. The murder of a colonial administrator, Abel Jeandet, by one of his soldiers led to the brutal and illegal executions without trial of the killer and two local dignitaries. The volume follows the fascinating story of Ndiereby Ba, the widow of one of the dignitaries, who with the help of powerful métis men in the capital Saint Louis sued the French administrators who had supervised the executions for the murder of her husband. Through this captivating tale the book articulates the French expansion into West Africa, the resistance to colonial rule both violent and non-violent, and the lack of interest on the part of French politicians in the brutal conquest of a territory they know nothing about.
The construction, control and preservation of the Official Record is inherently contested. Those seeking greater openness and (democratic) accountability argue 'sunlight is [...] the best of disinfectants', while others seek stricter information control because, to their mind, sound government arises when advice and policy are formulated secretly. This edited volume explores the intersection of the Official Record, oversight, national security and democracy. Through US, UK and Canadian case studies, this volume will benefit higher level undergraduate readers and above to explore the Official Record in the context of the national security operations of democratic states. All chapters are research-based pieces of original writing that feature a document appendix containing primary documents (often excerpts) that are key to a chapter's narrative. As a result, this book interrogates the boundaries between national security, accountability, oversight, and the Official Record.
This book sets out to answer what it means to hold a formal title as one of the eight 'Arctic states'; is there such a thing as an Arctic state identity, and if so, what does this mean for state personnel? It charts the thoughtful reflections and stories of state personnel from three Arctic states: Norway, Iceland, and Canada, alongside analysis of documents and discourses. This book shows how state identities are narrated as both geographical and temporal - understood through environments, territories, pasts and futures - and that any identity is always relational and contextual. As such, demonstrating that to understand Arctic geopolitics we need to pay attention to the people whose job it is to represent the state on a daily basis. And more broadly, it offers a 'peopled' view of geopolitics, introducing the concept and framework of 'state identity'.
In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science. Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War. Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, the book examines a wide range of objects, from painted fans "of the ruins of Rome for a sequin apiece" and the Pope's "bless'd beads", to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narratives.
Concepts of 'race' and racism are central to British history. They have shaped, and been shaped by, British identities, economies and societies for centuries, from colonialism and enslavement to the 'hostile environment' of the 2010s. Yet state and societal racism has always been met with resistance. This edited volume collects the latest research on anti-racist action in Britain, and makes the case for a multifaceted, historically contingent 'tradition' of British anti-racism shaped by local, national and transnational contexts, networks and movements. Ranging from Pan-Africanist activism in the 1890s to mutual aid women's groups in the 1970s, from anti-racist trade union marches in Scotland to West African student groups in North East England - this book explores the continuities and interruptions in British anti-racism from the nineteenth century to the present day.
With its fantasy of magical travel and inexhaustible riches, Thomas Dekker's Old Fortunatus is the quintessential early modern journeying play. The adventures of Fortunatus and his sons, aided by a magical purse and wishing-hat, offers the period's most overt celebration of the pleasures of travel, as well as a sustained critique of the dangers of intemperance and prodigality. Written following a period of financial difficulty for Dekker, the play is also notable for its fascination with the symbolic, mercantile and ethical uses of gold. This Revels Plays edition is the first fully annotated, single-volume critical edition of Old Fortunatus. It offers scholarly discussion of the play's performance and textual history, including attention to the German version printed and performed in the early seventeenth century. It provides a long overdue critical reappraisal of this unjustly neglected play.
The West must wait presents a new perspective on the development of the Irish Free State. It extends the regional historical debate beyond the Irish revolution and raises a series of challenging questions about post-civil war society in Ireland. Through a detailed examination of key local themes - land, poverty, politics, emigration, the status of the Irish language, the influence of radical republicans and the authority of the Catholic Church - it offers a probing analysis of the socio-political realities of life in the new state. This book opens up a new dimension by providing a rural contrast to the Dublin-centred views of Irish politics. Significantly, it reveals the level of deprivation in local Free State society with which the government had to confront in the west. Rigorously researched, it explores the disconnect between the perceptions of what independence would deliver and what was achieved by the incumbent Cumann na nGaedheal administration.
Richard Haass and Mitchell Reiss, as autonomous diplomats in the George W. Bush State Department, were able to alter US intervention in Northern Ireland and play critical roles in the post-1998 peace process. Their contributions have not been fully appreciated or understood. The restoration of Northern Ireland's power-sharing government in 2007 was made possible by State Department-led intervention in the peace process. There are few references to Northern Ireland in work examining the foreign policy legacy of the George W. Bush presidency. Moreover, the ability to control US foreign policy towards the region brought one of George W. Bush's Northern Ireland special envoys into direct diplomatic conflict with the most senior actors inside the British government. This book will uncover the extent of this fall-out and provide original accounts on how diplomatic relations between these old allies became so fraught.
This international and interdisciplinary volume investigates Protestant devotional identities in sixteenth- and seventeenth-century England. Divided into two sections, the book examines the 'sites' where these identities were forged - the academy, printing house, household, theatre and prison - and the 'types' of texts that expressed them - spiritual autobiographies, religious poetry and writings tied to the ars moriendi - providing a broad analysis of social, material and literary forms of devotion during England's Long Reformation. Through archival and cutting-edge research, a detailed picture of 'lived religion' emerges, which re-evaluates the pietistic acts and attitudes of well-known and recently discovered figures. To those studying and teaching religion and identity in early modern England, and anyone interested in the history of religious self-expression, these chapters offer a rich and rewarding read.
This book challenges the idealised narrative of Canada as an antislavery haven for self-liberated people to explore Canada's complicated relationship with slavery. Examining advertisements, abolitionist texts and narratives about slavery in Canadian newspapers and the texts that were printed alongside them, it shows how Canadian readers and enslavers developed an image of themselves as belonging to an antislavery community even while recognising their own complicity in slavery. The book explores narratives that depict the lives of Black settlers in Canada and how slave narratives circulated in Canada. Canada's relationship with slavery is far more complicated than seeing it as either an antislavery haven or a slaveholding space. Canada was connected to Britain, France, the Caribbean and the United States and this was central to how Canadians and Canadian readers fashioned their self-image in relation to slavery.
In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.
Drawing on recently released documents and private papers, this is the first book-length study to examine the intimate relationship between the Attlee government and Britain's intelligence and security services at the start of the Cold War. Often praised for the formation of the modern-day 'welfare state', Attlee's government also played a significant, if little understood, role in combating communism at home and overseas, often in the face of vocal, sustained opposition from its own backbenches. This book tells the story of Attlee's Cold War. From Whitehall vetting to secret operations in Eastern Europe and the fallout of Soviet atomic espionage on both sides of the Atlantic, it provides a fresh interpretation of the Attlee government, making it essential reading for anyone interested in the Labour Party, intelligence, security and Britain's foreign and defence policy at the start of the Cold War.
In "Without a Word" von Jennifer Schumann begegnet die junge, ambitionierte Schauspielerin Madeleine während einer Auszeit im Café ihrer Freundin einem geheimnisvollen Stammgast. Dieser Mann, der weder spricht noch Madeleine direkt ansieht, übt eine unerklärliche Faszination auf sie aus. Trotz seiner abweisenden Haltung lässt Madeleine nicht locker und bemüht sich, ihm näher zu kommen. Nach und nach enthüllt sich ihr der Grund für sein Verhalten, und sie erkennt, dass Liebe nicht immer Worte benötigt, um wahr und tief zu sein. Die Geschichte erzählt von der langsamen, aber intensiven Annäherung zwischen Madeleine und dem jungen Mann, der sich später als Eden herausstellt. Trotz der sprachlosen Kommunikation entwickelt sich zwischen ihnen eine tiefe Verbundenheit, die zeigt, wie stark nonverbale Interaktionen sein können. Madeleine lernt dabei nicht nur Edens Geheimnis kennen, sondern auch, dass Liebe Hindernisse überwinden kann, die auf den ersten Blick unüberwindbar scheinen. Durch ihre Hartnäckigkeit und ihr offenes Herz entdeckt sie eine neue Art der Liebe – eine Liebe, die ohne Worte auskommt, dafür aber umso eindrücklicher spricht. "Without a Word" ist eine bewegende Geschichte über die Kraft der Liebe, die auch die tiefsten Barrieren durchbrechen kann. Berührende Liebesgeschichte, die zeigt, dass wahre Liebe auch ohne Worte tief und bedeutungsvoll sein kann. Faszinierende Charakterentwicklung: Erlebe Madeleines Reise von einer ehrgeizigen Schauspielerin zu einer einfühlsamen Partnerin, die die Kraft der nonverbalen Kommunikation entdeckt. Unerwartete Wendungen und emotionale Tiefe, die den Leser von der ersten bis zur letzten Seite fesseln. Einzigartiges Setting in einem Café, das als Bühne für die zarte Annäherung zwischen Madeleine und dem geheimnisvollen Eden dient. Behandelt wichtige und sensible Themen wie Krankheit, Tod und Trauer auf eine respektvolle und berührende Weise. Perfekte Mischung aus Romantik und Realismus, die zum Nachdenken anregt und gleichzeitig das Herz erwärmt. Wechselnde Perspektiven zwischen Madeleine und Eden ermöglichen einen tiefen Einblick in ihre Gedanken und Gefühle, wodurch die Geschichte eine außergewöhnliche Intimität erhält. Emotional packendes Leseerlebnis, das zum Weinen und zum Nachdenken über die Bedeutung von Liebe und Verlust anregt. Positive Leserrezensionen heben hervor, wie einfühlsam und mitreißend die Geschichte erzählt wird, und empfehlen das Buch für Fans emotionaler Liebesromane. Das Buch bietet neben der romantischen Geschichte auch wertvolle Lebenslektionen über das Überwinden von Hindernissen und die Bedeutung des im Jetzt zu leben.
In the first monograph to fully examine the intersecting networks of Jacobites and travellers to the continent, Filet considers how small states used official diplomacy and deployed soft power - embodied by educational academies - to achieve foreign policy goals. This work uses little-known archival materials to explain how and why certain small states secretly supported the Jacobite cause during the crucial years surrounding the 1715 rising, while others stayed out of Jacobite affairs.At the same time, the book demonstrates how early modern small states sought to cultivate good relations with Britain by attracting travellers as part of a wider trend of ensuring connections with future diplomats or politicians in case a Stuart restoration never came.This publication therefore brings together a study of Britain, small states, Jacobitism, and educational travel, in its nexus at continental academies.
Samuel Hall Young, a Presbyterian clergyman, met John Muir when the great naturalist's steamboat docked at Fort Wrangell, in southeastern Alaska, where Young was a missionary to the Stickeen Indians. In "Alaska Days With John Muir" he describes this 1879 meeting: "A hearty grip of the hand and we seemed to coalesce in a friendship which, to me at least, has been one of the very best things in a life full of blessings." This book, first published in 1915, describes two journeys of discovery taken in company with Muir in 1879 and 1880. Despite the pleas of his missionary colleagues that he not risk life and limb with "that wild Muir," Young accompanied Muir in the exploration of Glacier Bay. Upon Muir's return to Alaska in 1880, they traveled together and mapped the inside route to Sitka. Young describes Muir's ability to "slide" up glaciers, the broad Scotch he used when he was enjoying himself, and his natural affinity for Indian wisdom and theistic religion. From the gripping account of their near-disastrous ascent of Glenora Peak to Young's perspective on Muir's famous dog story "Stickeen," Alaska Days is an engaging record of a friendship grounded in the shared wonders of Alaska's wild landscapes.