Studies in Photography
Publishing, books, journals and photographic prints
View Rights PortalBearport Publishing specializes in creating high-interest, visually appealing books that focus on fun and unusual topics that young readers love.
View Rights PortalIn the middle of the woods, in the middle of Germany: Wolfgang Büscher‘s fascinating journey into its very core. Night after night, a boy stands at the window of his parents’ house and watches the sun as it disappears from view behind the rolling hills in the west. He roams through the woods with his friends, building wooden shacks which the foresters destroy. It’s the early sixties. Decades later, Wolfgang Büscher makes his childhood dream come true. He moves to the woods and experiences spring, summer and autumn there. An aristocratic family on the border of Hessen and Westphalia where Büscher grew up allows him to stay in a hunting lodge in the middle of the woods, in the middle of Germany. This is where he puts up his camp bed. He has no electricity or running water. He prepares himself for quiet times alone, chopping wood and making fires, the odd hunting expedition, hiking, a marksmen’s festival, extreme loneliness and a nighttime blackness never seen in the city. The year takes an unexpectedly dramatic turn as storms, heat and plagues of beetles kill half of the woods. And something else happens which turns everything on its head: Büscher’s mother dies that summer, meaning the house he grew up in is left empty, but full of memories. This is a homecoming more existential than he could have imagined. A book far removed from the deafening din of today‘s world. An exploration of a nation, floods of memories and a “sentimental education” all rolled into one - literary, perceptive and overwhelming.
Do dogs belong with humans? Scientific accounts of dogs' 'species story,' in which contemporary dog-human relations are naturalised with reference to dogs' evolutionary becoming, suggest that they do. Dog politics dissects this story. This book offers a rich empirical analysis and critique of the development and consolidation of dogs' species story in science, asking what evidence exists to support it, and what practical consequences, for dogs, follow from it. It explores how this story is woven into broader scientific shifts in understandings of species, animals, and animal behaviours, and how such shifts were informed by and informed transformative political events, including slavery and colonialism, the Second World War and its aftermath, and the emergence of anti-racist movements in the twentieth and twenty-first centuries. The book pays particular attention to how species-thinking bears on 'race,' racism, and individuals.
In the company of wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety of perspectives on the cultural significance of wolves, wild children and werewolves as portrayed in different media and genres. We begin with the wolf itself as it has been interpreted as a cultural symbol and how it figures in contemporary debates about wilderness and nature. Alongside this, we consider eighteenth-century debates about wild children - often thought to have been raised by wolves and other animals - and their role in key questions about the origins of language and society. The collection continues with essays on werewolves and other shapeshifters as depicted in folk tales, literature, film and TV, concluding with the transition from animal to human in contemporary art, poetry and fashion.
There he stands, the man the whole of Spain cheered, before whom the most catholic regents Isabella and Ferdinand rose to their feet, his eyes on his ship Capitana, devoured by shipworm, stranded off Jamaica. Some of the crew mutiny, the locals can no longer be fobbed off with glass beads, the Spanish on the nearby island of Hispaniola do not help, the world doesn‘t want anything to do with him, the demanding whinger. He, Christopher Columbus, is a John Lackland, a king without land, a conqueror without conquest. Between fiction and historical truth, Wolfgang Wissler recounts the legendary sailor‘s last expedition in an entirely new way – and what a story it is!
Bees, butterflies, ladybirds! So many insects are out and about in our native meadows. This puzzle book is full of little informative texts, animal stickers and pictures to colour in which not only educate but also promote early awareness about the environment and conservation. The pedagogical concept works through age-appropriate tasks and a clear structure: true-to-nature picture book illustrations on the left-hand side with a short factual text that can be read aloud or independently, plus a quiz question, then on the right-hand side are stickers and a puzzle to colour in. Testing knowledge is good. But this goes further: encouraging children to be inquisitive and imaginative about nature. At the end each animal sticker book with the little honey bee will look different. However you want it to be.
From insects to fish as well as birds and primates: the use of tools is amazingly widespread in the animal kingdom. It’s a misnomer to presume that humans are distinguished by tool use and conscious capacity. So where is culture initiated? The biologist Peter-René Becker has evaluated numerous studies and cites plenty of evidence for the use of the hammer and anvil, lances, bait or sponges. Animals also use “tools as social implements”. Ultimately, the depth of man’s conscience singles him out from other animals.
With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.
'Realist film theory and cinema' embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken's work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.
Der Mensch ist das mit Vernunft begabte Lebewesen, das animal rationale. So will es die philosophische Überlieferung. Geschichte und Gegenwart des Menschen legen jedoch die Vermutung nahe, dass in seinem Denken und Handeln mehr Unvernunft steckt, als ihm selbst lieb sein kann. Zwei Weltkriege und unzählige andere (menschliche) Katastrophen sowie die massive Zerstörung seines Lebensraums lassen den Menschen als »animal irrationale« erscheinen. Der Evolutionstheoretiker Franz M. Wuketits spürt die (natur-)historischen Wurzeln der Unvernunft auf und kommt zu dem Schluss, dass jene Portion Irrationalität, die sich der Steinzeitmensch leisten durfte, seinen Nachfahren in unserer komplexen Welt immer wieder zum Verhängnis wird.
Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).
Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.
Today everyone’s talking about honeybees. Because they are endangered, because we need them, because we want to protect them. This lovingly narrated picture book story will help pre-schoolers to understand why bees are so important to us. How is bee society organised? Why do bees collect nectar? How is honey made? Knowledge is important to help ensure we have an early receptiveness to environmental questions.
It is said that all the ladies in Königsberg had a crush on Kant. How one coifs one’s intellectual giants, one’s occidental luminaries. Although at the time, Kant employed a Huguenot wigmaker to style his hair. Of whom not much is known. Except that he would have liked to get rid of the wigs and replace them with a short back and sides. And that he tried to comply practically with the idea of enlightenment. But with Kant’s sentences the great philosopher only ever addressed the enlightenment-driven rulers of Europe, and never the people of Africa, whose diff erent skin colour alone proved to Kant that they could not reach a higher level of civilisation on their own. But he and Kant only really fell out seriously over Esther, the pleasing and seductive maid...
Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
Humans are rapidly changing the conditions of evolution, and while many species have not yet been discovered, the extinction of numerous species is becoming more and more dramatic. In this book, Matthias Glaubrecht contrasts the impending “end of evolution”, of which the evolutionary biologist writes in his bestseller of the same name, with the beauty, diversity and also the whims of nature. In 36 short chapters, the zoologist presents the animal and the all-tooanimal from the curiosity cabinet of evolution, easy to understand and with a good touch of humour – from dinosaurs with four wings to the annual new “Minnelied” hit of the humpback whale to the women’s communes of bonobos who use sex as a form of social bonding.
Alternatives or supplements to conventional medicine for cats and dogs? Yes, homoeopathy provides holistic therapeutic approaches for our four-legged friends too! Whether they are suffering from anxiety, conjunctivitis, or a tick bite, this book describes the appropriate homoeopathic remedies. The author draws on her many years of experience as an animal healer and presents the most important symptoms and their treatment using homoeopathy.This handy paperback fits into a lab coat pocket and provides:- Basic information on homoeopathy for dogs and cats- Symptoms from A to Z- Characteristics of the most important single-remedy homoeopathic preparations
Born into a civil service family in India in 1907, Helen Muspratt was a lifelong communist, a member of the Cambridge intellectual milieu of the 1930s, and a working mother at a time when such a role was unusual for women of her class. She was also a pioneering photographer, creating an extraordinary body of work in many different styles and genres. In partnership with Lettice Ramsey she made portraits of many notable figures of the 1930s in the fields of science and culture. Her experimental photography, using techniques such as solarisation and multiple exposure, bears comparison with the innovations of Man Ray and Lee Miller. This book reproduces some of Helen Muspratt's most important photographic images, including documentary records of the Soviet Union and the Welsh valleys. The accompanying text by Jessica Sutcliffe is an intimate and revealing memoir of her mother that offers a fascinating insight into her life, work and politics. ;
European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.
Where do bees get the wax for their honeycombs from? What does the bee dance mean? Why are bees important for us humans? General knowledge for primary school children! Who will be quiz king? The life of the little honeybee and its environment is full of surprises. Do you know your way around the native animal world? Discover their secrets, research how animals live and what distinguishes them. One quiz question – three possible answers. Plus all sorts of fascinating facts on the reverse page. For one or more players aged 6+.