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      • gestalten

        gestalten continues to actively reimagine the way in which we approach publishing. With our extensive range of titles, we not only seek to enhance and to enrich our reader's lives, but to continually engage with the surrounding creative landscape. Our origin story began with a focus on the aesthetic, particularly that of graphic design and, over the last two decades, the scope of both our content and our expertise has widened. Today, using a myriad of observations of culture, people, art, and other intimate, inspirational informants, we document and anticipate vital movements in architecture, visual culture, design & fashion, escapism, food & beverages, travel, and contemporary art. In 2014, Little Gestalten joined the literary ranks and ensured that there was a place for readers of all ages within the world of gestalten. The gestalten narrative exists beyond the textual realm; regardless of the medium at hand, gestalten wishes to inform and inspire our community. We welcome you to enter gestalten's world of creative culture, whether between our pages, indulging in images and films online or at one of our international events. We look forward to the result: mutual inspiration.

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      • Books From Australia

        Each year the APA coordinates an Australian Collective Stand at Frankfurt Book Fair, supporting independent Publishers in attendance at the world’s largest book fair.

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        The Arts
        January 2019

        Algerian national cinema

        by Guy Austin

        This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the 'black decade' of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.

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        The Arts
        December 2008

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike. ;

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        The Arts
        January 2019

        Claude Chabrol

        by Guy Austin

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        The Arts
        August 2016

        Algerian national cinema

        by Guy Austin

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        The Arts
        June 2021

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        The Arts
        January 2019

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        October 2008

        Die Geheimnisse von Paris

        Vollständige Ausgabe. Zwei Bände in Kassette

        by Eugène Sue, Helmut Kossodo, Helmut Kossodo

        Paris 1838: Ein geheimnisvoller deutscher Herzog kämpft in den verrufensten Gegenden der Stadt für Gerechtigkeit, denn im Labyrinth der nächtlichen Gassen treiben so allerhand finstre Gestalten ihr Unwesen. Eugène Sue (1804-1857) gehört zu den meistgelesenen Autoren des 19. Jahrhunderts. Die Geheimnisse von Paris wurden bei Erscheinen 1843 schlagartig zum Bestseller. Einer der spannendsten und furiosesten Romane der europäischen Literatur!

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        Documentary films
        July 2013

        Watching the World

        by Thomas Austin

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        The Arts
        June 2012

        Watching the World

        Screen documentary and audiences

        by Thomas Austin

        Screen documentary has experienced a marked rise in visibility and popularity in recent years. What are the reasons for the so-called 'boom' in documentaries at the cinema? How has television documentary met the challenge of new formats? And how do audiences engage with documentaries on screen? Watching the world extends the reach of documentary studies by investigating recent instances of screen documentary and the uses made of them by audiences. The book focuses on the interfaces between textual mechanisms, promotional tactics, and audiences' viewing strategies. Key topics of inquiry are: film and televisual form, truth claims and issues of trust, the pleasures, politics and the ethics of documentary. Case studies include Capturing the Friedmans, Être et Avoir, Paradise Lost, Touching the Void, and wildlife documentaries on television. This compelling and accessible book will be of interest to both students and fans of documentary. ;

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        October 2008

        Das Auge des Osiris

        Ein klassischer Kriminalroman aus dem Jahre 1911

        by Freeman, R. Austin

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        October 2002

        »Wenn ich auf mein bisheriges Leben zurückblicke, dann muß ich leider sagen«

        Jurek Becker 1937–1997

        by Karin Kiwus, Wolfgang Trautwein, Karin Kiwus

        Karin Kiwus, geboren 1942 in Berlin, lebt dort. Sie war Verlagslektorin in Frankfurt a. M. und Hamburg, Dozentin in Austin/Texas und Berlin sowie Sekretär der Sektion Literatur an der Akademie der Künste Berlin. Karin Kiwus, geboren 1942 in Berlin, lebt dort. Sie war Verlagslektorin in Frankfurt a. M. und Hamburg, Dozentin in Austin/Texas und Berlin sowie Sekretär der Sektion Literatur an der Akademie der Künste Berlin.

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        February 2018

        Die Philosophie des Laufens

        by M. W. Austin, Peter Reichenbach

        Schuhe an und los: Es gibt gute Gründe dafür, warum Laufen Volkssport Nummer 1 geworden ist. Ob im Wald, im Park, auf der Straße, ob vor oder nach der Arbeit, im Sommer, im Winter und natürlich bei Wettkämpfen – laufen kann man überall und jederzeit, es ist vielseitig und für jeden einfach und günstig machbar. Aber es steckt noch mehr dahinter. Laufen schult unseren Charakter und verhilft uns zu größerer Freiheit, erweitert unseren Horizont und lehrt uns viel über uns selbst und die Welt um uns herum. Davon erzählen hier kenntnisreich internationale Autoren aus verschiedenen Disziplinen – Philosophen, Journalisten und Sportler. Sie erklären uns, wieso Freundschaften unter Läufern auch für andere Bereiche des Lebens wichtig sind, berichten vom Laufen mit Apps und davon, welchen Unterschied es macht, auf einem Laufband oder im Freien zu laufen. Sie schildern uns die Parallele zwischen Schmerz und Freude beim Laufen und im Leben, erzählen, wie es sich anfühlt, zum ersten Mal an einem Marathon teilzunehmen – und zeigen, warum ein kurzer Trainingslauf am Wochenende genauso glücklich machen kann.

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        October 1983

        Sprechakte

        Ein sprachphilosophischer Essay

        by John R. Searle, Rolf Wiggershaus, Renate Wiggershaus

        Searles Essay über Sprechakte steht in der Tradition der angelsächsischen ordinary language philosophy, die sich - nach dem Scheitern der Versuche, eine ›ideale‹ empiristische Wissenschaftssprache zu konstruieren - darauf konzentriert, das faktische Funktionieren der natürlichen Sprache zu beschreiben. Austin hatte bemerkt, daß wir mit bestimmten Äußerungen (wie Grüßen, Danken oder Versprechen) zugleich eine Handlung vollziehen, und hatte diesen ›performativen‹ Charakter später auf alle sprachlichen Äußerungen ausgedehnt. Searle knüpft an diese Entdeckung an und liefert mit dem vorliegenden Werk einen Entwurf jener von Austin geforderten »neuen Theorie, die vollständig und allgemein darlegt, was man tut, wenn man etwas sagt«.

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        March 2003

        Unaussprechliches gestalten

        Über Psychoanalyse und Kreativität

        by Herausgegeben von Rohde-Dachser, Christa

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