Murray Books has been responsible for many creative book concepts and ideas since 1983. We have crafted books and gifts for over 30 countries and in 22 languages. We specialise in creating products for the retail customer or publisher and every one of our creations is exclusive.
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Bestari Buana Murni is a publisher that has established partnerships with several countries, proven by always holding IIBF (International Indonesia Book Fair) and has 12 branches spread in Sumatra, Java and Makassar. We publish books from toddlers - adults, and from the Islamic to the general.
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In this book Tatjana van Strien, the author of the Dutch Eating Behavior Questionnaire (DEBQ), presents a scientific alternative for all the ‘miracle solutions’ to lose weight. Based on more than 25 years of scientific research, she offers a self-test-method which enables readers to explore what is the cause of their eating problem, what they can do about it, and ultimately lose weight and keep it off. Target Group: people who want to lose weight, dieticians, doctors, psychologists.
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Massacres in Early Modern Drama analyses the dynamically ambivalent meanings constructed by the language and action of massacre on the early modern stage. Informed by theories drawn from massacre studies, the monograph challenges orthodoxies about senseless violence, illuminates archaic forms of massacres, and attests to their brutally diverse stage representations. Anchored by the contention that the St Bartholomew's Day Massacre in Paris (1572) was instrumental to early modern understandings of massacre, the book uses this atrocity, and its most famous dramatic depiction - Christopher Marlowe's The Massacre at Paris - as a hook to explore larger concerns about massacre in plays by Robert Greene, George Chapman, John Fletcher, and William Shakespeare. Thus, Massacres in Early Modern Drama considers how early modern drama forms part of a continual cultural process of trying to piece together the contentious and traumatic phenomenon of massacre.
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On 9 October 1934, terrorists murdered King Alexander I of Yugoslavia in a Marseille street. The Croatian ultranationalist Ustashe was behind the attack. The Ustashe hoped that the king's death would cause the collapse of Yugoslavia and the liberation of the Croat people. This book examines the circumstances, processes, and trajectories that shaped the Ustashe terrorists and their attack in Marseille. It brings questions about contemporary terrorism to bear on a historical attack: what prompts people to join terrorist organisations? How are these people 'radicalised' to commit violence? What roles do women play in terrorism? Murder in Marseille bridges the scholarly gap between historical and contemporary terrorism, paying attention to, and often guided by, current concerns, ideas, theories, and notions about terrorist violence.
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This volume presents a modernised edition of Christopher Marlowe's critical engagement with one of the bloodiest and traumatic episodes of the French Wars of Religion, the wholesale massacre of French Huguenots in Paris in August, 1572. Sensorily shocking and intellectually gripping, the play's dramatic action spans a tumultuous two decades in French history to unfold for its audience the tragic consequences of religious fanaticism, power politics, and dynastic rivalry. Comprehensively introduced and containing full commentary notes, this edition opens up this frequently neglected but historically significant and dramatically powerful play to student and scholar alike. The introduction examines such topics as the history of the massacre, the play's treatment of its sources, the play's dramatisation of trauma, and the play's exploration of notions of religious toleration.
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This volume presents a modernised edition of Christopher Marlowe's critical engagement with one of the bloodiest and traumatic episodes of the French Wars of Religion, the wholesale massacre of French Huguenots in Paris in August, 1572. Sensorily shocking and intellectually gripping, the play's dramatic action spans a tumultuous two decades in French history to unfold for its audience the tragic consequences of religious fanaticism, power politics, and dynastic rivalry. Comprehensively introduced and containing full commentary notes, this edition opens up this frequently neglected but historically significant and dramatically powerful play to student and scholar alike. The introduction examines such topics as the history of the massacre, the play's treatment of its sources, the play's dramatisation of trauma, and the play's exploration of notions of religious toleration.
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Throughout the 1990s, Médecins Sans Frontières (MSF) was forced to face the challenges posed by the genocide of Rwandan Tutsis and a succession of outbreaks of political violence in Rwanda and its neighbouring countries. Humanitarian workers were confronted with the execution of almost one million people, tens of thousands of casualties pouring into health centres, the flight of millions of people who had sought refuge in camps and a series of deadly epidemics. Drawing on various hitherto unpublished private and public archives, this book recounts the experiences of the MSF teams working in the field. It is intended for humanitarian aid practitioners, students, journalists and researchers with an interest in genocide and humanitarian studies and the political sociology of international organisations.
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On 16 March 1968, two US infantry companies entered a Vietnamese village and in the course of a single morning killed over 400 of its unarmed, unresisting inhabitants . . . This is the first book to examine the response of American society to the My Lai massacre and its ambiguous place in American national memory. Kendrick Oliver argues that the massacre revelations left many Americans untroubled. It was only when the soldiers most immediately responsible came to be tried that opposition to the conflict grew, for these prosecutions were regarded by supporters of the war as evidence that the national leaders no longer had the will to do what was necessary to win. Oliver goes on to show that, contrary to interpretations of the Vietnam conflict as an unhealed national trauma or wound, many Americans have assimilated the war and its violence rather too well, and they were able to do so even when that violence was most conspicuous and current. US soldiers have been presented as the conflict's principal victims, and this was true even in the case of My Lai. It was the American perpetrators of the massacre and not the Vietnamese they brutalized who became the central object of popular concern. Both the massacre and its reception reveal the problem of human empathy in conditions of a counter-revolutionary war - a war, moreover, that had always been fought for geopolitical credibility, not for the sake of the Vietnamese. This incisive enquiry into the moral history of the Vietnam war should be essential reading for all students of the conflict, as well as others interested in the war and its cultural legacies. ;
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An imaginative investigation into a historical crime that sheds new light on Jewish history. In 1734 a pedlar turned smuggler named Jacob Harris slit the throats of three people in a pub in Sussex. This triple-murder, for which he was hanged and gibbeted, remains the most violent crime ever committed by a British Jew. Yet today it is all but forgotten. In The Jewish pedlar, Tony Kushner goes in search of the enigmatic Harris. Digging into a remarkable range of sources, from law records and newspaper reports to ballads and folktales, he follows the traces of Harris's legend across three hundred years of British history. In doing so, he reconstructs the world of Jewish pedlars and criminals across many continents. The lives these figures eked out at the margins of society paint a picture of persistent antisemitism - but also of remarkable integration. Intellectually bold and deeply humane, The Jewish pedlar takes a new, grassroots approach to the history of Jews in the modern world, shedding light on everyday lives from the Enlightenment to the Holocaust and beyond.
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Schweigen bedeutet Unrecht. Reden bedeutet die Gefahr, alles zu verlieren. Für was würdest du dich entscheiden? Schreiben ist Josies Leben. In Texten kann sie ihre Gedanken fliegen lassen und ihr inneres Sorgenkarussell anhalten. Als die 17-Jährige einen Schreibwettbewerb gewinnt, darf sie ein Filmteam auf eine Pressetour durch die USA begleiten. Doch auf der Reise erfährt Josie etwas Ungeheuerliches: Ein gefeierter Regisseur belästigt Mädchen und Frauen am Set - und kommt offenbar schon lange damit durch. Schnell wird die ersehnte Reise zu ihrer größten Herausforderung, denn was kann ein Mädchen wie sie schon ausrichten? Es gibt so viele Gründe, zu schweigen. Es gibt so viele Gründe, nichts zu sagen. Und doch muss Josie den Mut finden, den Text zu schreiben, der alles verändern wird. In „Off the Record“ gibt Camryn Garrett all den mutigen und kämpferischen Menschen ein Gesicht, die sich für Gerechtigkeit einsetzen und deren Geschichten doch zu oft unsichtbar bleiben. „Selten habe ich einen Menschen, der sich selbst als ängstlich bezeichnet, so für seinen Mut bewundert, wie Josie Wright. Ihre Story macht Mut. Sie geht uns alle an - und dieser Roman ist ganz großes Kino.“ (Isabel Abedi)
