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        The Arts
        April 2011

        Screen/Space

        The projected image in contemporary art

        by Amelia Jones, Tamara Trodd, Marsha Meskimmon

        Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks. ;

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        The Arts
        March 2000

        From page to screen

        Adaptations of the classic novel

        by Erica Sheen, Robert Giddings

        This book critically examines the long established tradition of adapting classic novels to film or TV screen.. An emerging area of interest - the relationship between film and literature and the way cinema and television have translated classic novels into moving pictures from the 30s to the 90s.. A wide-ranging but focused collection that is bang up to date and free of media jargon that looks at both the film and the book.. Includes discussion of: The English Patient, Pride and Prejudice and Middlemarch, Pickwick Papers, Dracula, Dickens, Conrad, Hardy and Waugh. ;

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        The Arts
        December 2025

        New Basque Gothic

        Trauma, screen media and transnationalism

        by Rebecca Wynne-Walsh

        This monograph addresses the twenty-first century upsurge in Gothic screen media emanating from the Autonomous Basque Community, Euskadi, in Northern Spain. The book focuses on online video sharing, streaming and social media platforms, demonstrating the impact of multi-national co-production and distribution on the development of Basque film production; looking to the future of regional production in the digital era. This monograph fills a critical gap, presenting Basque Gothic screen media as a regionalist challenge to national models of cinema and identity. Wynne-Walsh establishes Basque Gothic as an expression of transgenerational trauma engendered by a history of state-suppression and socio-political violence. This regional iteration of the mode is addressed as a window into community perception and projection. While this project centres a Basque case study, it establishes a model for the reimagination of critical approaches to global, twenty-first century screen cultures.

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        The Arts
        July 2025

        The Fairy Tales of Jim Henson

        Keeping the best place by the fire

        by Andrea Wright

        The Fairy Tales of Jim Henson: The best place by the fire is the first book to specifically consider Henson, best known for the immensely popular The Muppet Show, as an important creator of screen fairy tales. In a chronological overview of Henson's career from the late 1950s to his death in 1990, it explores key themes, artistic practices and innovations that make his contribution to the genre unique. Drawing upon a range of fairy tale scholarship, it also situates Henson's work within the wider context of the genre, specifically its conventions, themes and inherent intertextuality.

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        Literature & Literary Studies
        June 2016

        Open graves, open minds

        by Sam George, Bill Hughes

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        The Arts
        March 2026

        Acting and performance in Hitchcock

        by Adrian Garvey, Victoria Lowe

        Hitchcock's professed disdain for actors is belied by the extraordinary range and depth of performances featured in his films. It might even be argued that many stars gave their richest and most complex performances in his work. Hitchcock's films are also imbued with the theme of performance, as when his fugitive men and errant women assume fragile new identities and move between roles. Actors and other performers also often feature as characters. However, the exhaustive academic literature on Hitchcock has to date produced surprisingly little work about acting and performance in his films. The collection includes contributions from a range of leading scholars on Hitchcock, performance, stardom, and British Cinema, including Charles Barr, David Greven, Mark Glancy, Lucy Bolton, Lawrence Napper and Michael Williams, and an interview with leading composers/accompanists Neil Brand and Stephen Horne on scoring performance in Silent Hitchcock.

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        The Arts
        September 2022

        Screen borders

        by Michael Gott

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        Humanities & Social Sciences
        November 2014

        The Open University

        by Daniel Weinbren

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        Literature: history & criticism
        July 2013

        Beckett on Screen

        by Jonathan Bignell

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        The Arts
        June 2021

        Genre and performance: film and television

        by Christine Cornea

        Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.

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