Tales of EUkraine
Tales of EUkraine (TEUk) will bring books to Ukrainian children refugees while helping the Ukrainian publishing sector with the support of the European Commission
View Rights PortalTales of EUkraine (TEUk) will bring books to Ukrainian children refugees while helping the Ukrainian publishing sector with the support of the European Commission
View Rights PortalFounded in 2002, Talcott Notch Literary is a five-member, full-service literary agency representing the freshest voices in both adult and juvenile fiction and nonfiction. With an impressive list of New York Times, Wall Street Journal, USA Today, and #1 Amazon bestsellers as well as a vast array of award-winning fiction and nonfiction, our agents proudly represent the newest rising stars and acclaimed established authors.
View Rights PortalThe age of Charlemagne was a crucible for change in the history of Europe, bridging the divide between the medieval and the classical worlds and setting the political and cultural tone for centuries to come. This book focuses directly on the reign of Charlemagne, bringing together a wide range of approaches and sources from the diverse voices of fifteen of the top scholars of early medieval Europe. The contributors have taken a number of original aproaches to the subject, from the fields of archaeology and numismatics to thoroughly-researched essays on key historical texts. The essays are embedded in the scholarship of recent decades but also offer insights into new areas and new approaches for research. A full bibliography of works in English as well as key reading in European languages is provided, making the volume essential reading for experienced scholars as well as students new to the history of the early middle ages. ;
Narrative art Narrating is an art that is gifted to everyone. Narrative, for Hermann Bausinger, begins from the moment we wait together for the bus. When we complain of it being late again and the stories that emerge about travel by bus. The well-known cultural academic is also luckily a gifted narrator. His book is an extremely vivid and descriptive account of the multiple varieties of narrative. He takes us into the rich world of storytelling of fairy tales and fables, invoking the wit of language, focusing on narrative theory and the special significance of narrative in the online age. Full of variety and wonderful examples, Bausinger lets the narrative, and the stories shine. Because for him storytelling, our relationship with language, is what defines us as human beings.
This invigorating study places medieval romance narrative in dialogue with theories and practices of gift and exchange, opening new approaches to questions of storytelling, agency, gender and materiality in some of the most engaging literature from the Middle Ages. It argues that the dynamics of the gift are powerfully at work in romances: through exchanges of objects and people; repeated patterns of love, loyalty and revenge; promises made or broken; and the complex effects that time works on such objects, exchanges and promises. Ranging from the twelfth century to the fifteenth, and including close discussions of poetry by Chaucer, the Gawain-Poet and romances in the Auchinleck Manuscript, this book will prompt new ideas and debate amongst students and scholars of medieval literature, as well as anyone curious about the pleasures that romance narratives bring.
The short fiction that flourished in nineteenth-century France has attracted relatively little critical attention compared with the novel. This study focuses on some key stories by major authors of contes and nouvelles from the late 1820s to the 1890s, taking as a starting-point, aspects of narrative technique as a way of exploring not just characteristic strategies of short fiction, but also the ends to which they were put: recurrent themes, and the vision of mankind. Each chapter looks in some detail at three or four stories, referring briefly to other tales for illustration. The underlying point that emerges from this study is that the interest of a tale lies in the telling, not the events. ;
Little Grey Rabbit and Sam Pig are just two of the inspired characters created by Alison Uttley, loved by millions and still very popular today. But who was the real woman spinning enchanting tales of country life and lore, magic and friendship? Alison Uttley gathered much of the inspiration for her stories from the fond memories of her Derbyshire childhood and her love of the countryside. A talented and prolific writer, she was still producing stories in her late eighties. Yet she was often plagued by self-doubt, and extremely possessive over her close friends, family and work. Tragically, Alison's husband committed suicide before her writing successes. She soon developed a smothering relationship with her only child John, even convincing him to jilt his first fiancée and escape to Scotland - the honeymoon destination. With exclusive and unrestricted access to her personal diaries and private letters, Denis Judd paints an intriguing portrait of one of the most successful, creative and troubled children's authors of modern times. ;
This illuminating study of The Winter's Tale in performance in the twentieth and early twenty-first centuries contributes to understanding the growth during that time of high critical esteem forwhat is now one of Shakespeare's frequently performed plays. Writing about performance as a richly collaborative living art, the author learns from and gives voice to the work of actors, directors, designers and other theatre professionals whose labor and interpretive discoveries have made it possible for audiences to experience the play's multiple potentialities in the theatre. She does this in part by citing from her interviews with directors like Trevor Nunn and Peter Hall and with actors engaged in some of the most significant twentieth-century productions of The Winter's Tale. Dunbar connects her scholarly research, including fresh use of materials in theatrical archives, to her direct experience of those productions she has able to see in performance and, at times, to see develop in rehearsal. Her in-depth analysis of selected significant twentieth-century productions, including cross-cultural productions of The Winter's Tale by the Royal Dramatic Theatre of Sweden (directed by Ingmar Bergman), and the Maly Drama Theatre of Europe, in St. Petersburg (directed by Declan Donnellan), explores how theatre artists have approached the play's most crucial theatrical and interpretive challenges. The book's last chapter, by distinguishedtheatre scholar and performance critic Carol Chillington Rutter, contributes a richly layered and highly engaging comparative analysis of eight of the most important recent British productions of the play. Dunbar makes a significant contribution to understanding The Winter's Tale which will be of great interest to scholars, teachers, and students of Shakespeare, to theatre lovers, and to all involved in productions of the play. ;
The Narrative Exposure Therapy manual is an effective, short-term, culturally universal intervention for trauma victims - including the latest insights and new treatments for dissociation and social pain. Narrative Exposure Therapy (NET) is a successful and culturally universal intervention for the treatment of survivors of multiple and severe traumatic events, such as organized violence, torture, war, rape, and childhood abuse. Field tests in contexts of ongoing adversity and disaster areas, as well as controlled trials in various countries, have shown that three to six sessions can be sufficient to provide considerable relief. The first part of the book describes the theoretical background. The second part shows how to use the NET approach step by step, with practical advice and tools, including how to deal with special issues (such as dealing with challenging moments, defense mechanisms for the therapist, and ethical issues). Appendices include an informed consent form, and checklists for the therapist. Target Group: Trauma therapists, clinical psychologists, counselors, psychiatrists, aid workers in conflict regions.
Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures.
— An extraordinary story of migration — Contemporary history of the 70s and backgrounds to India, Afghanistan, Iran, Turkey, Bulgaria, the former Yugoslavia, the GDR and the Federal Republic of Germany He was the son of the Sikh priest, a successful 400-meter runner and, eventually, a migrant. In 1979, Bagicha Singh turned his back on his homeland and set off with a head full of dreams on the long, turbulent overland journey from India to Germany. It was the year the Soviet Union invaded Afghanistan and the Islamic Revolution raged in Iran. A year whose aftermath continues to shape the world to this day. More than 40 years later, his daughter tells the story of Bagicha's adventurous journey. The result is a touching document on origin, contemporary history, and the meaning of migration.
Lange vor der Veröffentlichung von »Finnegans Wake« (1939) wurden bereits einige Teile daraus separat in Buchform veröffentlicht – darunter nicht nur das berühmte Kapitel »Anna Livia Plurabelle« (1928), sondern auch »Tales Told of Shem and Shaun« (1929). Der Keim der Entstehung dieser drei Geschichten liegt in einer Fehde zwischen den Schriftstellern James Joyce und Wyndham Lewis, die sich bei gemeinsamen Zechtouren durch Paris kennengelernt hatten. Joyce beantwortet eine heftige Attacke Lewis’ auf den »Ulysses« (»ein Monument wie ein Rekorddurchfall«) und auf das entstehende »Finnegans Wake« (»Kinderspielchen à la Gertrude Stein«). Es gibt in »Finnegans Wake« bekanntlich keinen ›eigentlich gemeinten‹ Sinn, sondern ein Geflecht aus vielen fragmentarischen Sinnebenen, die sich gegenseitig ergänzen, durchdringen und auch aufheben; eben dies ist die besondere Qualität des Buches. Ziel des Übersetzers Friedhelm Rathjen war es, so viele der im Original vorhandenen Bedeutungen wie irgend möglich wiederzugeben, und zwar in eben der Abfolge und Verschränkung, in der sie im Original erschienen: »›Finnegans Wake‹ ist ein kühnes Buch für kühne Leser, und das Amt des Übersetzers kann es nur sein, dafür zu sorgen, daß beide zusammenfinden.«
There he stands, the man the whole of Spain cheered, before whom the most catholic regents Isabella and Ferdinand rose to their feet, his eyes on his ship Capitana, devoured by shipworm, stranded off Jamaica. Some of the crew mutiny, the locals can no longer be fobbed off with glass beads, the Spanish on the nearby island of Hispaniola do not help, the world doesn‘t want anything to do with him, the demanding whinger. He, Christopher Columbus, is a John Lackland, a king without land, a conqueror without conquest. Between fiction and historical truth, Wolfgang Wissler recounts the legendary sailor‘s last expedition in an entirely new way – and what a story it is!
— Philosophy for beginners — For philosophy enthusiasts — A pleasant read This truly brilliant book tells of the sometimes sublime, sometimes exhilarating efforts of philosophers to maintain their attitude in everyday life without forgetting the meaning of their own words – and how they ultimately failed to do so. The minor, sometimes bizarre events in the lives of the great philosophers fit so aptly in the picture of the respective philosophy that one has to assume they could have been conceived to keep the associated intellectual giant in a strange and memorable mood. A book of cheerful science, full of wit, narrative and linguistic eloquence.
A smart, incisive toolkit for understanding how the framing of information influences the way we think about it. In today's chaotic media landscape, working out who and what to believe is a daunting task. Lies and misinformation are only part of the problem - often the way a story is presented has just as much effect on us as what the story is. In Framing, sociologist Mikael Klintman offers a cutting-edge toolkit for exposing and analysing the rhetoric that saturates our everyday lives. Combining insights from the social sciences, economics and evolutionary biology, he lays out a four-part approach to understanding how information is 'framed' for us, built around the key elements of texture, temperature, position and size. Demonstrating this approach through an array of real-world examples, from climate change denial to the subtle messaging of caviar ads, Klintman reveals how canny communicators mislead us without relying on overt deception. At the same time, he probes the deeper evolutionary and cultural roots of our susceptibility to frames.
Between 1831 and 1866, Théophile Gautier published two dozen tales which can be designated contes fantastiques or contes merveilleux. These works are examined in chronological sequence, in French, in order to follow the development of Gautier as a writer of fantastic stories. The analysis concentrates in particular on problems of genesis and intertextuality, and highlights the thematic continuity of this aspect of Gautier's work. ;
Readers and Mistresses: Kept Women in Victorian Literature identifies kept mistresses in British Victorian narrative and offers ways to understand their experiences. The author discusses kept women characters in Charles Dickens' Oliver Twist, Elizabeth Gaskell's Mary Barton and Ruth, Anne Brontë's The Tenant of Wildfell Hall, and George Eliot's Daniel Deronda, and examines the methods their authors use to encourage reader empathy. This book also usefully demonstrates how to identify kept women when they are less visible in texts. I look at primary women characters in Charlotte Brontë's Jane Eyre, Dickens' Hard Times and Dombey and Son, and George Gissing's The Odd Women.