Books

Editions Stock (subsidiary of Hachette Livre SA)

Founded in 1708, Stock is one of the oldest publishing houses in France and has been part of the Hachette Group since 1961. In the prestigious series LA BLEUE, Stock publishes the finest multi-award winning writers from Françoise Sagan to Philippe Claudel, and new voices such as Adrien Bosc. Recently, it has expanded to include high-end women’s literary fiction. Its foreign fiction list (LA COSMOPOLITE series) includes great authors from Carson McCullers to Paolo Cognetti, from many languages. On the non-fiction side, the list is quite eclectic from philosophy (Louis Althusser) to thought-provoking investigation (Garance Le Caisne), and health with our best-selling author, Michel Cymes.
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Humanities & Social Sciences

March 2005

Charlemagne

Empire and society

by Edited by Joanna Story

The age of Charlemagne was a crucible for change in the history of Europe, bridging the divide between the medieval and the classical worlds and setting the political and cultural tone for centuries to come. This book focuses directly on the reign of Charlemagne, bringing together a wide range of approaches and sources from the diverse voices of fifteen of the top scholars of early medieval Europe. The contributors have taken a number of original aproaches to the subject, from the fields of archaeology and numismatics to thoroughly-researched essays on key historical texts. The essays are embedded in the scholarship of recent decades but also offer insights into new areas and new approaches for research. A full bibliography of works in English as well as key reading in European languages is provided, making the volume essential reading for experienced scholars as well as students new to the history of the early middle ages. ;

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Folk & traditional music

April 2005

The Kiss in history

by Edited by Karen Harvey

Writers have previously placed the action of kissing into categories: kisses of love, affection, peace, respect and friendship. Each of the essays in this fascinating book take a single kind of kiss and uses it as an index to the past. For rather than offering a simple history of the kiss, this book is about the kiss in history. In this collection, an eminent group of cultural historians have explored this subject using an exceptionally wide range of evidence. They explore the kiss through sources as diverse as canonical religious texts, popular prints, court depositions, periodicals, diaries and poetry. In casting the net so wide, these authors demonstrate how cultural history has been shaped by a broad concept of culture, encompassing more than simply the canons of art and literature, and integrating apparently 'historical' and 'non-historical' sources. Furthermore, this collections shows that by analyzing the kiss and its position - embedded as it is as part of our culture - history can use small gestures to take us to big issues concerning ourselves and others, the past and the present. With an afterword by Sir Keith Thomas, this book will be fascinating reading for cultural historians working on a wide range of different societies and periods.

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December 2012

Sandberg

Roman

by Joanna Bator, Esther Kinsky, Esther Kinsky

Auf dem Sandberg, einer Siedlung am Rande einer polnischen Kleinstadt regieren die Frauen. Sie träumen von einem Schwiegersohn aus Castrop-Rauxel, denn wenn sie selbst schon nicht das große Los gezogen haben, sollen wenigstens ihre Töchter glücklich werden. Aber die haben eigene Vorstellungen von Glück … Joanna Bator erzählt von den Träumen, Ängsten und Hoffnungen einer von Krieg und Flucht traumatisierten Generation und von der Rebellion und Freiheitssehnsucht ihrer Kinder.

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History of medicine

July 2017

Conserving health in early modern culture

by Series edited by Dr David Cantor. Edited by Sandra Cavallo, Tessa Storey. Contributions by Leah Astbury, Hannah Newton.

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Literature: history & criticism

July 2000

Writing Black Britain, 1948–98

An interdisciplinary anthology

by Edited by James Procter

The first anthology of its kind, this timely collection brings together a diverse range of black British literatures, essays and documents from across the post-war period within a single volume.. Spanning half a century, this rich archive of representations includes South Asian, African and Caribbean cultural production by both leading and lesser-known artists, critics and commentators:. Sam Selvon Salman Rushdie George Lamming Hanif Kureishi Stuart Hall Linton Kwesi Johnson Caryl Phillips Paul Gilroy Meera Syal Kobena Mercer James Berry E. R. Braithwaite Wilson Harris Farrukh Dhondy V. S. Naipaul Ben Okri Wole Soyinka Hazel Carby Kamau Braithwaite Isaac Julien C. L. R. James Dick Hebdige A. Sivanandan Buchi Emecheta Louise Bennett Grace Nichols Jackie Kay. Directed at a truly interdisciplinary market, accommodating popular and 'high' cultural materials from across the disciplines of literature, film, photography, history, sociology, politics, Marxism, feminism, cultural and communications studies.. Situated and contextualised within accessible historical and cultural frameworks and incorporating lucid introductions, a detailed chronology and extensive bibliography.

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September 2023

Being Able to Stop

Against the delusion of permanent growth

by Edited by Jean-Pierre Wils

We moderns were the inhabitants of an age of impetuous forward movement and voracious discontent. Our main virtue was to increase our reach. Increasing our having and accelerating our being were the signposts towards the future. We just could not get enough. Using the blinkers of ignorance and self-anaesthesia, however, we managed to forget the tremendous costs incurred by this intoxication. Now disillusionment has set in. We look to the future with anxiety. We know that we have long since crossed a line and that a revision of our lifestyle is imminent. We have a bad feeling, and doubts about progress often give way to anger and rebellion. Which stocks of the modern narrative should we defend; which would we do better to let go? How will we even "be able to stop"? The path to a different society needs an attractive goal, because without the prospect of a different, better life, we will not move forward. We should start practising immediately. There is no time to lose.

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July 2015

End of empire and the English novel since 1945

by Edited by Rachael Gilmour and Bill Schwarz

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2023

Food Composition Table for the Practice

The small Souci/Fachmann/Kraut

by Founded by S.W. Souci, W. Fachmann and H. Kraut. Revised by Dr. Petra Steinhaus. Edited by the Leibniz Institute of Food Systems Biology at the Technical University of Munich.

■ How many omega-3 fatty acids does salmon contain? ■ Which dairy product contains the most calcium? ■ How iron-rich is spinach, really? Whether calories, vitamins or amino acids – whether in field beans, bananas, eggs, chicken, parmesan cheese or onion – it is all here. The compact edition of the time-tested „large SFK [Souci/Fachmann/Kraut]“ offers tested data on over 70 ingredients in more than 360 foods, systematically structured according to food groups. This edition with thousands of values has been completely revised and updated by the Leibniz Institute of Food Systems Biology at the Technical University of Munich. Extra: 32 summary tables cover more than 300 other, less common foods and allow for targeted, clear comparisons. 16 orientation tables provide information about foods with particularly high or low amounts of ingredients. Nutritional values, energy content, main components and ingredients displayed in uniform systematics and a practical format – just look it up!

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Literary studies: from c 1900 -

August 2016

Writing otherwise

Experiments in cultural criticism

by Edited by Jackie Stacey, Janet Wolff

Writing otherwise is a collection of essays by established feminist and cultural critics interested in experimenting with new styles of expression. Leading figures in their field, such as Marianne Hirsch, Lynne Pearce, Griselda Pollock, Carol Smart, Jackie Stacey and Janet Wolff, all risk new ways of writing about themselves and their subjects. Aimed at both general and academic readers interested in how scholarly writing might be more innovative and creative, this collection introduces the personal, the poetic and the experimental into the frame of cultural criticism. This collection of essays is highly interdisciplinary and contributes to debates in sociology, history, anthropology, art history, cultural and media studies and gender studies.

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Art: Financial Aspects

The rise of the modern art market in London

1850–1939

by Edited by Pamela Fletcher and Anne Helmreich

Now available in paperback for the first time, this study of the modern London art market establishes the central importance of London for the development of the modern retail market in fine art. Leading experts track the emergence and development of the structures and practices that have come to characterize the commercial art system, including the commercial art gallery, the professional dealer, the exhibition cycle and its accompanying rhetoric of press coverage and publicity, and an international network for the circulation of goods. This new commercial system involved a massive transformation of the experience of viewing art; of the relationships between artists, dealers, collectors, art objects and audiences; and of the very criteria of aesthetic value itself. Its history is thus a vital part of the history of modern art, and this anthology will be of interest to art historians as well as scholars of Victorian Studies, Museum Studies, and Social History.

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2020

History of the German Language

A textbook for German studies; Part 1: Introduction, prehistory and history; Part 2: Old High German, Middle High German and Early New High German

by Wilhelm Schmidt, Edited by Dr. Elisabeth Berner and Prof. Dr. Dr. h.c. Dr. h.c. Norbert Richard Wolf

The 12th revised and updated version of the History of the German language – long regarded as an indispensable standard work for German Studies, has just been published. From now on, this comprehensive textbook on the history of the language is divided into two volumes. In addition to introducing questions about historical linguistics, the first volume provides a detailed account of the prehistory and history of German right up to the present day. Based on extensive source analyses, the focus is on aspects of culture and social history; only the chapters on the Indo-Germanic and Germanic language include key information about structural history. The second part contains concise, but readily understandable accounts of Old, Middle and Early New High German in terms of phonology, graphemics, morphology and syntax. Not only are synchronous descriptions given of the particular language period, but also the development of German language construction at all structural levels is explained. The association of grammatical synchrony and structural diachrony is a particular characteristic of this second part of Schmidt’s work on the history of language.

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Social & cultural history

November 2013

British queer history

by Edited by Brian Lewis

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Humanities & Social Sciences

October 2014

Writing imperial histories

by Edited by Andrew Thompson

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Non-graphic art forms

May 2012

The 'do-it-yourself' artwork

Participation from Fluxus to New Media

by Edited by Anna Dezeuze

Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.

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Social classes

July 2013

West Indian intellectuals in Britain

by Edited by Bill Schwarz

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February 1994

Joanna

Roman

by Lisa St Aubin de Terán, Ebba D. Drolshagen

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History of Art / Art & Design Styles

December 2006

Model and supermodel

The artists' model in British art and culture

by Edited by Jane Desmarais, Martin Postle and Martin Vaughan

Over the last twenty years there have been flurries of interest in the artist's model, and recent exhibitions have stimulated new activity in this area. Model and Supermodel extends the discussion about the social and cultural significance of the model in British art and culture. A fascinating collection of essays and interviews, it examines the persistent mythology of the artist's model and some of the ambiguities involved in depicting the body. The volume begins with Martin Postle's survey of the profession of the model during the period c.1840-1940. Elizabeth Prettejohn considers the Pre-Raphaelite model and Alison Smith examines the lives of some nineteenth-century models who achieved fame and notoriety in their own right. Jane Desmarais looks at the model from a literary perspective and Reena Suleman presents the work of Edward Linley Sambourne. Michael Hatt's essay examines the aesthetic and ethical aspects of Tuke's use of boy models for his paintings of nude bathers, and William Vaughan reflects on the British figurative tradition from Sickert to Freud. Catherine Wood brings the volume up to date with her essay on the found model in contemporary art, and the volume concludes with two interviews with the artist, Peter Blake, and a life model, Susannah Gregory. The book offers a series of lively takes on the phenomenon of the artist's model. It will make fascinating reading for those interested in modern art and the wider aspects of British culture and society.

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Plays, playscripts

November 2016

The Tragedy of Antigone, The Theban Princesse

by Thomas May

by Edited by Matteo Pangallo. Series edited by Paul Dean

Thomas May's The Tragedy of Antigone (1631), edited by Matteo Pangallo, is the first English treatment of the story made famous by Sophocles. This edition contains a facsimile of the copy held at the Beinecke Library of Yale University, making the play commercially available for the first time since its original publication. The extensive introduction discusses, among other things, the ownership history of existing copies and their marginal annotations, and of the play's topical political implications in the light of May's wavering between royalist and republican sympathies. Writing during the contentious early years of Charles I's reign, May used Sophocles' Antigone to explore the problems of just rule and justified rebellion. He also went beyond the scope of the original, adding content from a wide range of other classical and contemporary plays, poems and other sources, including Shakespeare's Romeo and Juliet and Macbeth. This volume will be essential reading for advanced students, researchers and teachers of early English drama and seventeenth-century political history.

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British & Irish history

January 2013

Irish Journalism Before Independence

by Edited by Kevin Rafter

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History of Art / Art & Design Styles

January 2017

Leonora Carrington and the international avant-garde

by Edited by Jonathan P. Eburne, Catriona McAra

Leonora Carrington (1917-2011) was an English surrealist artist and writer who emigrated to Mexico after the Second World War. As the first comprehensive examination of Carrington's writing and art, this volume approaches her as a major international figure in modern and contemporary art, literature and thought. It offers an interdisciplinary exploration of the intellectual, literary and artistic currents that animate her contribution to experimental art movements throughout the Western Hemisphere, including surrealism and magical realism. In addition to a substantive editorial introduction, the book contains nine chapters from scholars of modern literature and art, each focusing on a major feature in Carrington's career. It also features a visual essay drawn from the 2015 Tate Liverpool exhibition Leonora Carrington: Transgressing Discipline, and two experimental essays by the novelist Chloe Aridjis and the scholar Gabriel Weisz, Carrington's son. This collection offers a resource for students, researchers and readers interested in Carrington's works, and contributes to her continued rise in global recognition.

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Empire and society

by Edited by Joanna Story

by Edited by Karen Harvey

Roman

by Joanna Bator, Esther Kinsky, Esther Kinsky

by Series edited by Dr David Cantor. Edited by Sandra Cavallo, Tessa Storey. Contributions by Leah Astbury, Hannah Newton.

An interdisciplinary anthology

by Edited by James Procter

Against the delusion of permanent growth

by Edited by Jean-Pierre Wils

by Edited by Rachael Gilmour and Bill Schwarz

The small Souci/Fachmann/Kraut

by Founded by S.W. Souci, W. Fachmann and H. Kraut. Revised by Dr. Petra Steinhaus. Edited by the Leibniz Institute of Food Systems Biology at the Technical University of Munich.

Experiments in cultural criticism

by Edited by Jackie Stacey, Janet Wolff

1850–1939

by Edited by Pamela Fletcher and Anne Helmreich

A textbook for German studies; Part 1: Introduction, prehistory and history; Part 2: Old High German, Middle High German and Early New High German

by Wilhelm Schmidt, Edited by Dr. Elisabeth Berner and Prof. Dr. Dr. h.c. Dr. h.c. Norbert Richard Wolf

by Edited by Brian Lewis

by Edited by Andrew Thompson

Participation from Fluxus to New Media

by Edited by Anna Dezeuze

by Edited by Bill Schwarz

Roman

by Lisa St Aubin de Terán, Ebba D. Drolshagen

The artists' model in British art and culture

by Edited by Jane Desmarais, Martin Postle and Martin Vaughan

by Thomas May

by Edited by Matteo Pangallo. Series edited by Paul Dean

by Edited by Kevin Rafter

by Edited by Jonathan P. Eburne, Catriona McAra

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