Sustainable art communities
Contemporary creativity and policy in the transnational Caribbean
by Leon Wainwright, Kitty Zijlmans
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Afghanistan, Aland Islands, Albania, Algeria, American Samoa, Andorra, Angola, Anguilla, Antarctica, Antigua and Barbuda, Argentina, Armenia, Aruba, Australia, Austria, Azerbaijan, Bahamas, Bahrain, Bangladesh, Barbados, Belarus, Belgium, Belize, Benin, Bermuda, Bhutan, Bolivia, Bosnia and Herzegovina, Botswana, Bouvet Island, Brazil, British Indian Ocean Territory, British Virgin Islands, Brunei, Bulgaria, Burkina Faso, Burundi, Cambodia, Cameroon, Canada, Cape Verde, Cayman Islands, Central African Republic, Chad, Chile, China, Christmas Island, Cocos [Keeling] Islands, Colombia, Comoros, Congo [DRC], Congo [Republic], Cook Islands, Costa Rica, Cote d'Ivoire, Croatia, Cuba, Cyprus, Czech Republic, Denmark, Djibouti, Dominica, Dominican Republic, Ecuador, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Ethiopia, Falkland Islands [Islas Malvinas], Faroe Islands, Fiji, Finland, France, French Guiana, French Polynesia, French Southern Territories, Gabon, Gambia, Georgia, Germany, Ghana, Gibraltar, Greece, Greenland, Grenada, Guadeloupe, Guam, Guatemala, Guernsey, Guinea, Guinea-Bissau, Guyana, Haiti, Heard Island and McDonald Islands, Honduras, Hong Kong, Hungary, Iceland, India, Indonesia, Iran, Iraq, Ireland, Isle of Man, Israel, Italy, Jamaica, Japan, Jersey, Jordan, Kazakhstan, Kenya, Kiribati, Kuwait, Kyrgyzstan, Laos, Latvia, Lebanon, Lesotho, Liberia, Libya, Liechtenstein, Lithuania, Luxembourg, Macau, Macedonia [FYROM], Madagascar, Malawi, Malaysia, Maldives, Mali, Malta, Marshall Islands, Martinique, Mauritania, Mauritius, Mayotte, Mexico, Micronesia, Moldova, Monaco, Mongolia, Montenegro, Montserrat, Morocco, Mozambique, Myanmar [Burma], Namibia, Nauru, Nepal, Netherlands, New Caledonia, New Zealand, Nicaragua, Niger, Nigeria, Niue, Norfolk Island, Northern Mariana Islands, North Korea, Norway, Oman, Pakistan, Palau, Palestinian Territories, Panama, Papua New Guinea, Paraguay, Peru, Philippines, Pitcairn Islands, Poland, Portugal, Puerto Rico, Qatar, Reunion, Romania, Russia, Rwanda, Saint Helena, Saint Kitts and Nevis, Saint Lucia, Saint Pierre and Miquelon, Saint Vincent and the Grenadines, Samoa, San Marino, Sao Tome and Principe, Saudi Arabia, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Slovakia, Slovenia, Solomon Islands, Somalia, South Africa, South Georgia and the South Sandwich Islands, South Korea, Spain, Sri Lanka, Sudan, Suriname, Svalbard and Jan Mayen, Swaziland, Sweden, Switzerland, Syria, Taiwan, Tajikistan, Tanzania, Thailand, Timor-Leste, Togo, Tokelau, Tonga, Trinidad and Tobago, Tunisia, Turkey, Turkmenistan, Turks and Caicos Islands, Tuvalu, U.S. Minor Outlying Islands, U.S. Virgin Islands, Uganda, Ukraine, United Arab Emirates, United Kingdom, United States, Uruguay, Uzbekistan, Vanuatu, Vatican City, Venezuela, Vietnam, Wallis and Futuna, Western Sahara, Yemen, Zambia, Zimbabwe, Bonaire, Sint Eustatius, Saba, Curaçao, Saint Barthélemy, Saint Martin, French part, Sint Maarten (Dutch Part), South Sudan
Endorsements
Perhaps one of the most lively and yet troubled cultural landscapes today anywhere in the world is the Caribbean, making up a transnational diaspora of people living on all the shores of the Atlantic and beyond. This collection sets out a range of contemporary perspectives on the challenges that Caribbean communities face and shows why the arts hold a crucial role in forging a more sustainable community for the Caribbean by creating a shared ground of experience, enjoyment and understanding. It attests forcefully to the view that visual art in particular has a specific contribution to make in enhancing the Caribbean's networks and in reflecting on its bonds of connection. In turn that involves addressing how to foster a sustainable arts community, in an environment of uneven infrastructure, opportunity and public awareness. This book grants original attention to a topic that spans the scholarly, artistic, curatorial and professional fields of art and heritage. It explores constructive comparisons between key linguistic regions - namely the Anglophone and the Dutch - and poses new parallels and contestations on the themes of global-local relations, capital, patronage, morality, sustainability and the benefits of knowledge exchange. Based on a major international project funded by research councils and arts organisations in Europe, the book pursues the case for social justice in the arts within a complex and little-studied global geography. The results mark a milestone of collaboration between artists, policymakers, arts organisers, art historians and critics drawn from diverse settings that include Jamaica, The Bahamas, Barbados, Suriname, Curaçao, the Netherlands, United Kingdom, Germany and the United States.
Reviews
Perhaps one of the most lively and yet troubled cultural landscapes today anywhere in the world is the Caribbean, making up a transnational diaspora of people living on all the shores of the Atlantic and beyond. This collection sets out a range of contemporary perspectives on the challenges that Caribbean communities face and shows why the arts hold a crucial role in forging a more sustainable community for the Caribbean by creating a shared ground of experience, enjoyment and understanding. It attests forcefully to the view that visual art in particular has a specific contribution to make in enhancing the Caribbean's networks and in reflecting on its bonds of connection. In turn that involves addressing how to foster a sustainable arts community, in an environment of uneven infrastructure, opportunity and public awareness. This book grants original attention to a topic that spans the scholarly, artistic, curatorial and professional fields of art and heritage. It explores constructive comparisons between key linguistic regions - namely the Anglophone and the Dutch - and poses new parallels and contestations on the themes of global-local relations, capital, patronage, morality, sustainability and the benefits of knowledge exchange. Based on a major international project funded by research councils and arts organisations in Europe, the book pursues the case for social justice in the arts within a complex and little-studied global geography. The results mark a milestone of collaboration between artists, policymakers, arts organisers, art historians and critics drawn from diverse settings that include Jamaica, The Bahamas, Barbados, Suriname, Curaçao, the Netherlands, United Kingdom, Germany and the United States.
Author Biography
Leon Wainwright is Lecturer in Art History at the Open University;
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date December 2017
- ISBN/Identifier 9781526117281 / 1526117282
- Publication Country or regionUnited Kingdom
- Primary Price 100 USD
- ReadershipGeneral/trade; College/higher education; Professional and scholarly
- Publish StatusPublished
- Dimensions240 X 170 mm
- Reference Code8892
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