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      • Trusted Partner
        Museums & museology
        November 2017

        Disturbing pasts

        Memories, controversies and creativity

        by Edited by Leon Wainwright

      • Trusted Partner
        Teaching, Language & Reference
        December 2017

        Sustainable art communities

        Contemporary creativity and policy in the transnational Caribbean

        by Leon Wainwright, Kitty Zijlmans

        This collection sets out a range of perspectives on the challenges that the Caribbean is facing today, showing how the arts hold a crucial role in forging a more sustainable Caribbean community. It forcefully attests to the view that visual art in particular has a specific contribution to make and that this in turn means striving to foster a sustainable arts community that can contend with an environment of uneven infrastructure, opportunity and public awareness. Spanning the scholarly, artistic and professional fields of arts and heritage, this book compares two of the Caribbean's key linguistic regions - the Anglophone and the Dutch - to address the themes of global-local relations, capital, patronage, morality, contestation, sustainability and knowledge exchange. The result is a milestone of collaboration from diverse global settings of the Caribbean and its diaspora, including Jamaica, the Bahamas, Barbados, Suriname, Curaçao, the Netherlands, United Kingdom, Germany and the United States.

      • Trusted Partner
        Humanities & Social Sciences
        March 2007

        ‘Chords of freedom’

        Commemoration, ritual and British transatlantic slavery

        by J. R. Oldfield

        How should we as Britons remember transatlantic slavery? How has slavery been remembered in the past? 'Chords of freedom' sets out to answer these questions and, in doing so, traces the way in which British transatlantic slavery has been absorbed into the nation's collective memory. By combining two current historiographical preoccupations - the construction of public memory and British transatlantic slavery - this fascinating book focuses on the way in which the British traditionally have been taught to view transatlantic slavery through the moral triumph of abolition. The author traces the construction of this national history through a number of case studies, including visual images, literary memorials (the competing accounts of the anti-slavery movement produced by Thomas Clarkson and Robert and Samuel Wilberforce), monument-memorials, galleries and museums, and commemorative rituals from the nineteenth century to the present day. A separate chapter also considers how Britain's example in abolishing first the slave trade (1807) and then colonial slavery (1833-34) impacted on the rituals of the American anti-slavery movement, and served as a convenient symbol of the potential of freedom in the British West Indies. 'Chords of freedom' offers valuable new insights into the way in which a 'culture of abolition' took root in Britain, and how our views of transatlantic slavery and figures like William Wilberforce have been revised and amended to reflect the changing demands of a series of 'present days'. Its cross-disciplinary approach will appeal to a broad spectrum of specialists, as well as to undergraduates and postgraduates. ;

      • Trusted Partner
        Teaching, Language & Reference
        December 2018

        Curatopia

        Museums and the future of curatorship

        by Philipp Schorch, Conal McCarthy

        What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.

      • Trusted Partner
        The Arts
        April 2018

        Windows for the world

        Nineteenth-century stained glass and the international exhibitions, 1851–1900

        by Jasmine Allen, Bill Sherman, Christopher Breward

        Windows for the world focuses on the display and reception of nineteenth-century British stained glass in a secular exhibition context. International in scope, the book focuses on the global development of stained glass in this period as showcased at, and influenced by, these exhibitions. The book recognises those who made and exhibited stained glass for display at the international exhibitions, and demonstrates the long-lasting impact of the classification and modes of displaying stained glass at these events. A number of stained glass exhibits are illustrated in colour and are analysed in relation to stylistic developments, techniques and material innovations, as well as the broader iconographies of nation and empire in the nineteenth century. Windows for the world will appeal to those interested in the history of stained glass as well as nineteenth-century history, art and architecture.

      • Trusted Partner
        The Arts
        April 2018

        Windows for the world

        Nineteenth-century stained glass and the international exhibitions, 1851–1900

        by Jasmine Allen, Bill Sherman, Christopher Breward

      • Trusted Partner
        The Arts
        April 2018

        Windows for the world

        Nineteenth-century stained glass and the international exhibitions, 1851–1900

        by Jasmine Allen, Bill Sherman, Christopher Breward

        Introduction 1. Exhibiting stained glass: classification, organisation and status 2. A multitude of displays 3. Stylistic eclecticism in nineteenth-century stained glass 4. Competition and exchange: exhibitors and their networks 5. Stained glass as propaganda Conclusion: Reappraising nineteenth-century stained glass Appendix Bibliography Index

      • Trusted Partner
        Teaching, Language & Reference
        December 2018

        Curatopia

        Museums and the future of curatorship

        by Philipp Schorch, Conal McCarthy

        What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.

      • Trusted Partner
        Teaching, Language & Reference
        December 2018

        Curatopia

        Museums and the future of curatorship

        by Philipp Schorch, Conal McCarthy

        What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.

      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
        Teaching, Language & Reference
        September 2020

        Dividing the spoils

        Perspectives on military collections and the British empire

        by Henrietta Lidchi, Stuart Allan, Alan Lester

        At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. Combining approaches from the fields of material anthropology, imperial and military history, this book argues for a deeper examination of these collections within a range of intercultural histories that include alliance, diplomacy, curiosity and enquiry, as well as expropriation and cultural hegemony. As museums across Europe reckon with the post-colonial legacies of their collections, Dividing the Spoils explores how the amassing of objects was understood and governed in British military culture, and considers how objects functioned in museum collections thereafter, suggesting new avenues for sustained investigation in a controversial, contested field.

      • Trusted Partner
        Teaching, Language & Reference
        September 2020

        Dividing the spoils

        Perspectives on military collections and the British empire

        by Henrietta Lidchi, Stuart Allan, Alan Lester

        At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. Combining approaches from the fields of material anthropology, imperial and military history, this book argues for a deeper examination of these collections within a range of intercultural histories that include alliance, diplomacy, curiosity and enquiry, as well as expropriation and cultural hegemony. As museums across Europe reckon with the post-colonial legacies of their collections, Dividing the Spoils explores how the amassing of objects was understood and governed in British military culture, and considers how objects functioned in museum collections thereafter, suggesting new avenues for sustained investigation in a controversial, contested field.

      • Trusted Partner
        The Arts
        October 2020

        Development, architecture and the formation of heritage in late-twentieth century Iran

        A vital past

        by Ali Mozaffari, Nigel Westbrook

        In developing contexts, competing ideas of the past have played a vital role in understanding the present and imagining the future. This vitality is discerned in both politics and culture but importantly, in cultural expressions such as architecture. This book interprets development as a globalizing project that instigates complex processes of historical consciousness in developing nations. The tangible effect of this consciousness is a deliberate reappraisal and appropriation of past practices and forms to renegotiate present conditions. This selective and conscious use of the past in the present suggests heritage at work. Architectural design is an exemplar of this cultural process. Focusing on Iran between the 1970s and early 1990, this book illustrates how architecture became a conduit for the production of heritage at large in a modernizing Muslim society, and how that process has been entangled with development and intellectual debates before and after the Islamic Revolution.

      • Trusted Partner
        Teaching, Language & Reference
        September 2020

        Dividing the spoils

        Perspectives on military collections and the British empire

        by Henrietta Lidchi, Stuart Allan, Alan Lester

        At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. Combining approaches from the fields of material anthropology, imperial and military history, this book argues for a deeper examination of these collections within a range of intercultural histories that include alliance, diplomacy, curiosity and enquiry, as well as expropriation and cultural hegemony. As museums across Europe reckon with the post-colonial legacies of their collections, Dividing the Spoils explores how the amassing of objects was understood and governed in British military culture, and considers how objects functioned in museum collections thereafter, suggesting new avenues for sustained investigation in a controversial, contested field.

      • Trusted Partner
        Teaching, Language & Reference
        May 2020

        Curatopia

        Museums and the future of curatorship

        by Philipp Schorch, Conal McCarthy

        What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.

      • Trusted Partner
        Teaching, Language & Reference
        June 2022

        Mummified

        The stories behind Egyptian mummies in museums

        by Angela Stienne

        Mummified explores the curious, unsettling and controversial cases of mummies held in French and British museums. From powdered mummies eaten as medicine to mummies unrolled in public, dissected for race studies and DNA-tested in modern laboratories, there is a lot more to these ancient remains than first meets the eye. This book takes you on a journey from Paris to London, Leicester and Manchester, from the apothecaries of the Middle Ages to the dissecting tables of the eighteenth century, and finally behind the screen of today's computers, to revisit the stories of these bodies that have fascinated Europeans for so long. Mummified investigates matters of life and death, of collecting and viewing, and of interactions - sometimes violent and sometimes emotional - that question the essence of what makes us human.

      • Trusted Partner
        Teaching, Language & Reference
        June 2022

        Mummified

        The stories behind Egyptian mummies in museums

        by Angela Stienne

        Mummified explores the curious, unsettling and controversial cases of mummies held in French and British museums. From powdered mummies eaten as medicine to mummies unrolled in public, dissected for race studies and DNA-tested in modern laboratories, there is a lot more to these ancient remains than first meets the eye. This book takes you on a journey from Paris to London, Leicester and Manchester, from the apothecaries of the Middle Ages to the dissecting tables of the eighteenth century, and finally behind the screen of today's computers, to revisit the stories of these bodies that have fascinated Europeans for so long. Mummified investigates matters of life and death, of collecting and viewing, and of interactions - sometimes violent and sometimes emotional - that question the essence of what makes us human.

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