Museums & museology
November 2017
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Teaching, Language & ReferenceDecember 2017Sustainable art communities
Contemporary creativity and policy in the transnational Caribbean
by Leon Wainwright, Kitty Zijlmans
This collection sets out a range of perspectives on the challenges that the Caribbean is facing today, showing how the arts hold a crucial role in forging a more sustainable Caribbean community. It forcefully attests to the view that visual art in particular has a specific contribution to make and that this in turn means striving to foster a sustainable arts community that can contend with an environment of uneven infrastructure, opportunity and public awareness. Spanning the scholarly, artistic and professional fields of arts and heritage, this book compares two of the Caribbean's key linguistic regions - the Anglophone and the Dutch - to address the themes of global-local relations, capital, patronage, morality, contestation, sustainability and knowledge exchange. The result is a milestone of collaboration from diverse global settings of the Caribbean and its diaspora, including Jamaica, the Bahamas, Barbados, Suriname, Curaçao, the Netherlands, United Kingdom, Germany and the United States.
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Humanities & Social SciencesJune 2016Curating empire
Museums and the British imperial experience
by Sarah Longair, Andrew Thompson, John McAleer, John Mackenzie
Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of 'museum networks' in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire. ;
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Museums & museologyApril 2010The Alderley Sandhills Project
An archaeology of community life in (post-) industrial England
by Eleanor Conlin Casella, Sarah K. Croucher
How did the rise of consumer society impact the domestic lives of ordinary workers? Funded by English Heritage, this study offers the first book-length archaeology of a 17th through 20th century household site in Great Britain. Adopting a multi-disciplinary approach, the volume situates the results of traditional archaeological excavations within a broader spectrum of archival sources, family photographs and personal memories of former site residents to consider the dramatic influences of industrialization and subsequent de-industrialisation on the material world of a rural community in the North-West of England. Organised as a series of thematic chapters, the book emphasizes the social nature of household archaeology, drawing the reader from excavated artifacts into domestic spaces, historic events, community identities, and family memories. It will be of interest to a wide range of scholars and students, in addition to those interested in local history, archaeology, and family genealogies.
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Teaching, Language & ReferenceDecember 2018Curatopia
Museums and the future of curatorship
by Philipp Schorch, Conal McCarthy
What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.
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Humanities & Social SciencesMarch 2007‘Chords of freedom’
Commemoration, ritual and British transatlantic slavery
by J. R. Oldfield
How should we as Britons remember transatlantic slavery? How has slavery been remembered in the past? 'Chords of freedom' sets out to answer these questions and, in doing so, traces the way in which British transatlantic slavery has been absorbed into the nation's collective memory. By combining two current historiographical preoccupations - the construction of public memory and British transatlantic slavery - this fascinating book focuses on the way in which the British traditionally have been taught to view transatlantic slavery through the moral triumph of abolition. The author traces the construction of this national history through a number of case studies, including visual images, literary memorials (the competing accounts of the anti-slavery movement produced by Thomas Clarkson and Robert and Samuel Wilberforce), monument-memorials, galleries and museums, and commemorative rituals from the nineteenth century to the present day. A separate chapter also considers how Britain's example in abolishing first the slave trade (1807) and then colonial slavery (1833-34) impacted on the rituals of the American anti-slavery movement, and served as a convenient symbol of the potential of freedom in the British West Indies. 'Chords of freedom' offers valuable new insights into the way in which a 'culture of abolition' took root in Britain, and how our views of transatlantic slavery and figures like William Wilberforce have been revised and amended to reflect the changing demands of a series of 'present days'. Its cross-disciplinary approach will appeal to a broad spectrum of specialists, as well as to undergraduates and postgraduates. ;
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Teaching, Language & ReferenceDecember 2018Curatopia
Museums and the future of curatorship
by Philipp Schorch, Conal McCarthy
What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.
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The ArtsApril 2018Windows for the world
Nineteenth-century stained glass and the international exhibitions, 1851–1900
by Jasmine Allen, Bill Sherman, Christopher Breward
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The ArtsApril 2018Windows for the world
Nineteenth-century stained glass and the international exhibitions, 1851–1900
by Jasmine Allen, Bill Sherman, Christopher Breward
Introduction 1. Exhibiting stained glass: classification, organisation and status 2. A multitude of displays 3. Stylistic eclecticism in nineteenth-century stained glass 4. Competition and exchange: exhibitors and their networks 5. Stained glass as propaganda Conclusion: Reappraising nineteenth-century stained glass Appendix Bibliography Index
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Teaching, Language & ReferenceDecember 2018Curatopia
Museums and the future of curatorship
by Philipp Schorch, Conal McCarthy
What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.
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The ArtsApril 2018Windows for the world
Nineteenth-century stained glass and the international exhibitions, 1851–1900
by Jasmine Allen, Bill Sherman, Christopher Breward
Windows for the world focuses on the display and reception of nineteenth-century British stained glass in a secular exhibition context. International in scope, the book focuses on the global development of stained glass in this period as showcased at, and influenced by, these exhibitions. The book recognises those who made and exhibited stained glass for display at the international exhibitions, and demonstrates the long-lasting impact of the classification and modes of displaying stained glass at these events. A number of stained glass exhibits are illustrated in colour and are analysed in relation to stylistic developments, techniques and material innovations, as well as the broader iconographies of nation and empire in the nineteenth century. Windows for the world will appeal to those interested in the history of stained glass as well as nineteenth-century history, art and architecture.
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The ArtsOctober 2020Development, architecture and the formation of heritage in late-twentieth century Iran
A vital past
by Ali Mozaffari, Nigel Westbrook
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The ArtsOctober 2020Development, architecture and the formation of heritage in late-twentieth century Iran
A vital past
by Ali Mozaffari, Nigel Westbrook
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Teaching, Language & ReferenceSeptember 2020Dividing the spoils
Perspectives on military collections and the British empire
by Henrietta Lidchi, Stuart Allan, Alan Lester
At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. Combining approaches from the fields of material anthropology, imperial and military history, this book argues for a deeper examination of these collections within a range of intercultural histories that include alliance, diplomacy, curiosity and enquiry, as well as expropriation and cultural hegemony. As museums across Europe reckon with the post-colonial legacies of their collections, Dividing the Spoils explores how the amassing of objects was understood and governed in British military culture, and considers how objects functioned in museum collections thereafter, suggesting new avenues for sustained investigation in a controversial, contested field.
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Teaching, Language & ReferenceSeptember 2020Dividing the spoils
Perspectives on military collections and the British empire
by Henrietta Lidchi, Stuart Allan, Alan Lester
At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. Combining approaches from the fields of material anthropology, imperial and military history, this book argues for a deeper examination of these collections within a range of intercultural histories that include alliance, diplomacy, curiosity and enquiry, as well as expropriation and cultural hegemony. As museums across Europe reckon with the post-colonial legacies of their collections, Dividing the Spoils explores how the amassing of objects was understood and governed in British military culture, and considers how objects functioned in museum collections thereafter, suggesting new avenues for sustained investigation in a controversial, contested field.
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Teaching, Language & ReferenceMay 2020Curatopia
Museums and the future of curatorship
by Philipp Schorch, Conal McCarthy
What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.
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Humanities & Social SciencesJanuary 2021Remaking the urban
Heritage and transformation in Nelson Mandela Bay
by Naomi Roux
After the end of the apartheid regime in the 1990s, South Africa experienced a boom in new heritage and commemorative projects. These ranged from huge new museums and monuments to small community museums and grassroots memory work. At the same time, South African cities have continued to grapple with the difficulties of overcoming entrenched inequalities and divisions. Urban spaces are deep repositories of memory, and also sites in need of radical transformation. Remaking the Urban examines the intersections between post-apartheid urban transformation and the politics of heritage-making in divided cities, using the Nelson Mandela Bay Metro in South Africa's Eastern Cape as a case study. Roux unpacks the processes by which some narratives and histories become officially inscribed in public space, while others are visible only through alternative, ephemeral or subversive means. Including discussions of the history of the Red Location Museum of Struggle; memorialisation of urban forced removals; the heritage politics and transformative potential of public art; and strategies for making visible memories and histories of former anti-apartheid youth activist groups in the city's townships, Roux examines how these twin processes of memory-making and change have played out in Nelson Mandela Bay.
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Humanities & Social SciencesJanuary 2021Remaking the urban
Heritage and transformation in Nelson Mandela Bay
by Naomi Roux
After the end of the apartheid regime in the 1990s, South Africa experienced a boom in new heritage and commemorative projects. These ranged from huge new museums and monuments to small community museums and grassroots memory work. At the same time, South African cities have continued to grapple with the difficulties of overcoming entrenched inequalities and divisions. Urban spaces are deep repositories of memory, and also sites in need of radical transformation. Remaking the Urban examines the intersections between post-apartheid urban transformation and the politics of heritage-making in divided cities, using the Nelson Mandela Bay Metro in South Africa's Eastern Cape as a case study. Roux unpacks the processes by which some narratives and histories become officially inscribed in public space, while others are visible only through alternative, ephemeral or subversive means. Including discussions of the history of the Red Location Museum of Struggle; memorialisation of urban forced removals; the heritage politics and transformative potential of public art; and strategies for making visible memories and histories of former anti-apartheid youth activist groups in the city's townships, Roux examines how these twin processes of memory-making and change have played out in Nelson Mandela Bay.
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Trusted Partner
Humanities & Social SciencesJanuary 2021Remaking the urban
Heritage and transformation in Nelson Mandela Bay
by Naomi Roux
After the end of the apartheid regime in the 1990s, South Africa experienced a boom in new heritage and commemorative projects. These ranged from huge new museums and monuments to small community museums and grassroots memory work. At the same time, South African cities have continued to grapple with the difficulties of overcoming entrenched inequalities and divisions. Urban spaces are deep repositories of memory, and also sites in need of radical transformation. Remaking the Urban examines the intersections between post-apartheid urban transformation and the politics of heritage-making in divided cities, using the Nelson Mandela Bay Metro in South Africa's Eastern Cape as a case study. Roux unpacks the processes by which some narratives and histories become officially inscribed in public space, while others are visible only through alternative, ephemeral or subversive means. Including discussions of the history of the Red Location Museum of Struggle; memorialisation of urban forced removals; the heritage politics and transformative potential of public art; and strategies for making visible memories and histories of former anti-apartheid youth activist groups in the city's townships, Roux examines how these twin processes of memory-making and change have played out in Nelson Mandela Bay.
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Humanities & Social SciencesMarch 2023Golden Mummies of Egypt
Interpreting identities from the Graeco-Roman period
by Campbell Price, Julia Thorne
Golden Mummies of Egypt presents new insights and a rich perspective on beliefs about the afterlife during an era when Egypt was part of the Greek and Roman worlds (c. 300 BCE-200 CE). This beautifully illustrated book, featuring photography by Julia Thorne, accompanies Manchester Museum's first-ever international touring exhibition. Golden Mummies of Egypt is a visually spectacular exhibition that offers visitors unparalleled access to the museum's outstanding collection of Egyptian and Sudanese objects - one of the largest in the UK.
