Editorial Leonard Levy
Venezuelan gastronomic literature.
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Museums & museologyNovember 2017Disturbing pasts
Memories, controversies and creativity
by Edited by Leon Wainwright
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Humanities & Social SciencesFebruary 2013Richard Wainwright, the Liberals and Liberal Democrats
Unfinished business
by Frances Babbage, Matt Cole
Richard Wainwright, the Liberals and Liberal Democrats: Unfinished Business now available in paperback, offers new research on familiar themes involving loyalties of politics, faith and locality. Richard Wainwright was a Liberal MP for seventeen years during the Party's recovery, but his life tells us about much more than this. Wainwright grew up in prosperity, but learned from voluntary work about poverty; he refused to fight in World War Two, but saw war at its cruellest; he joined the Liberal Party when most had given up on it, but gave his fortune to it; lost a by-election but caused the only Labour loss in Harold Wilson's landslide of 1966. He then played a key role in the fall of Jeremy Thorpe, the Lib-Lab Pact and the formation of the SDP-Liberal Alliance and the Liberal Democrats; he represented a unique Yorkshire constituency which reflected his pride and hope for society; and though he gave his life to the battle to be in the Commons, he refused a seat in the Lords. Richard Wainwright's story is central to the story of the Liberal Party and sheds light on the reasons for its survival and the state of its prospects. At the same time this book is a parable of politics for anyone who wants to represent an apparently lost cause, who wants to motivate people who have been neglected, and who wants to follow their convictions at the highest level. ;
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Teaching, Language & ReferenceDecember 2017Sustainable art communities
Contemporary creativity and policy in the transnational Caribbean
by Leon Wainwright, Kitty Zijlmans
This collection sets out a range of perspectives on the challenges that the Caribbean is facing today, showing how the arts hold a crucial role in forging a more sustainable Caribbean community. It forcefully attests to the view that visual art in particular has a specific contribution to make and that this in turn means striving to foster a sustainable arts community that can contend with an environment of uneven infrastructure, opportunity and public awareness. Spanning the scholarly, artistic and professional fields of arts and heritage, this book compares two of the Caribbean's key linguistic regions - the Anglophone and the Dutch - to address the themes of global-local relations, capital, patronage, morality, contestation, sustainability and knowledge exchange. The result is a milestone of collaboration from diverse global settings of the Caribbean and its diaspora, including Jamaica, the Bahamas, Barbados, Suriname, Curaçao, the Netherlands, United Kingdom, Germany and the United States.
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June 1991Armenische Märchen und Volkserzählungen
Gesammelt und herausgegeben von Leon Surmelian. Aus dem Englischen übertragen von Zora Shaked
by Leon Surmelian, Zora Shaked
Leon Surmelian, der Herausgeber und Sammler der »Armenischen Märchen«, die in der englischsprachigen Erstausgabe mit dem Titel »Äpfel der Unsterblichkeit« erschienen sind, hat die Sammlung von bisher nur mündlich überlieferten Märchen in Gesprächen mit den Bauern aus der Region um den Berg Ararat zusammengestellt. Er wuchs mit diesen Geschichten als armenischer Junge auf. Ob es sich nun um realistische Märchen aus dem Alltag handelt oder um Wundermärchen, sie vermitteln uns stets einen Einblick in die armenische Lebensweise, in die Welt der Bauern, Handwerker und Kaufleute, in die Freuden, Träume und Leiden, und geben den Blick frei auf eine Volkstradition, die geprägt ist von dem Bemühen, ihre kulturelle Identität zu bewahren als Puffer zwischen Asien und Europa.
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Non-graphic art formsMay 2012The 'do-it-yourself' artwork
Participation from Fluxus to New Media
by Edited by Anna Dezeuze
Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.
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Humanities & Social SciencesNovember 2007Videogame, player, text
by Edited by Barry Atkins and Tanya Krzywinska
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October 1975Der Fall Rivière herausgegeben von Michel Foucault
Materialien zum Verhältnis von Psychiatrie und Strafjustiz
by Michel Foucault, Wolf Heinrich Leube
Michel Foucault und seine Mitarbeiter sind im Zusammenhang von Untersuchungen zur Geschichte der Beziehungen zwischen Psychiatrie und Strafjustiz auf den Fall Rivière gestoßen, über den 1836 eine ungewöhnlich umfangreiche Dokumentation publiziert worden war, u. a. ein Memoire Pierre Rivières über die Beweggründe zu seiner Tat: der Ermordung seiner Mutter, seiner Schwester und seines Bruders. Warum hat sich über diese Dokumentation – und insbesondere über das Memoire Pierre Rivières –, nachdem sie einmal das lebhafte Interesse der Ärzte erregt hatte, alsbald wieder absolutes Schweigen gebreitet? Die Autoren der »Anmerkungen« zu den im ersten Teil des vorliegenden Bandes abgedruckten Dokumenten analysieren einige auf den ersten Blick verdeckte Funktionen der vielfach sich überlagernden, sich kreuzenden und gegeneinander gerichteten Diskurse, die scheinbar alle von derselben Sache sprechen – einem Fall von Verwandtenmord –, gleichzeitig aber Gefechte sind. So kämpfen die Ärzte gegeneinander, gegen die Justiz und gegen Rivière; so kämpft die Justiz u. a. um die Anerkennung medizinischer Gutachten und die Zuerkennung mildernder Umstände; so sind die Zeugenaussagen von Dorfbewohnern auch Versuche, mit dem in ihrer Mitte begangenen Verbrechen fertig zu werden … Das Dossier wurde zusammengestellt, bearbeitet und mit Anmerkungen versehen im Rahmen einer Kollektivarbeit am Collège de France von: Blandine Berret-Kriegel, Gilbert Burlet-Torvic, Robert Castel, Jeanne Favret, Alexandre Fontana, Michel Foucault, Georgette Legée, Patricia Moulin, Jean-Pierre Peter, Philippe Riot, Maryvonne Saison.
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Plays, playscriptsNovember 2016The Tragedy of Antigone, The Theban Princesse
by Thomas May
by Edited by Matteo Pangallo. Series edited by Paul Dean
Thomas May's The Tragedy of Antigone (1631), edited by Matteo Pangallo, is the first English treatment of the story made famous by Sophocles. This edition contains a facsimile of the copy held at the Beinecke Library of Yale University, making the play commercially available for the first time since its original publication. The extensive introduction discusses, among other things, the ownership history of existing copies and their marginal annotations, and of the play's topical political implications in the light of May's wavering between royalist and republican sympathies. Writing during the contentious early years of Charles I's reign, May used Sophocles' Antigone to explore the problems of just rule and justified rebellion. He also went beyond the scope of the original, adding content from a wide range of other classical and contemporary plays, poems and other sources, including Shakespeare's Romeo and Juliet and Macbeth. This volume will be essential reading for advanced students, researchers and teachers of early English drama and seventeenth-century political history.
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Literary studies: c 1500 to c 1800November 2011The Humorous Magistrate (Arbury)
by Edited by Margaret Jane Kidnie
The Humorous Magistrate is a seventeenth-century satiric comedy extant in two highly distinctive manuscripts. This, the earliest and clearly working draft of the play is bound with three other plays (including The Emperor's Favourite, published by the Malone Society in 2010) in a volume in the library of the Newdigate family of Arbury Hall, Nuneaton, Warwickshire. The second version, showing yet another stage of revision not found in the Arbury manuscript and orientated towards performance, was purchased by the University of Calgary from the English antiquarian Edgar Osborne in 1972. The relationship between the manuscripts was discovered in 2005. The anonymous play has been attributed to John Newdigate III (1600-1642). Like The Emperor's Favourite, it takes aim at the court; its particular object of satire is governmental strategies under the Personal Rule of Charles I. The play appears in print for the first time in these separate editions. The volumes are illustrated with several plates, some provided for comparative purposes.
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Humanities & Social SciencesMarch 2017'The better class' of Indians
Social rank, Imperial identity, and South Asians in Britain 1858–1914
by A. Wainwright
This is the first book-length study to focus primarily on the role of class in the encounter between South Asians and British institutions in the United Kingdom at the height of British imperialism. In a departure from previous scholarship on the South Asian presence in Britain, 'The better class' of Indians emphasizes the importance of class as the register through which British polite society interpreted other social distinctions such as race, gender, and religion. Drawing mainly on unpublished material from the India Office Records, the National Archives, and private collections of charitable organizations, this book examines not only the attitudes of British officials towards South Asians in their midst, but also the actual application of these attitudes in decisions pertaining to them. This fascinating book will be of particular interest to scholars and general readers of imperialism, immigration as well as British and Indian social history.
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Film theory & criticismFebruary 2014The Encyclopedia of British Film
Fourth edition
by Edited by Brian McFarlane
With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.
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Exhibition catalogues & specific collectionsMarch 2011Mary Kelly
Projects, 1973–2010
by Edited by Dominique Heyes-Moore
Mary Kelly, we are told, was not a feminist artist, but a feminist who made art. Designed to accompany a major retrospective at the Whitworth Art Gallery, this book contains essays and interviews which show the implications of that distinction and also the legacy of feminists and feminism in relation to art. Challenging and beautiful, Kelly's artworks address questions of sexuality, identity and historical memory in the form of large-scale narrative installations. The works are agilely discussed in contributions by some of the luminary feminist art scholars of our time, including Janet Wolff, Laura Mulvey, Carol Mavor and Amelia Jones, making this collection an essential new text in the discourse on art, feminism, psychoanalysis and representation.
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Cultural studiesNovember 2014Are the Irish different?
by Edited by Tom Inglis
This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area. The topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics. The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society.
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Folk & traditional musicApril 2005The Kiss in history
by Edited by Karen Harvey
Writers have previously placed the action of kissing into categories: kisses of love, affection, peace, respect and friendship. Each of the essays in this fascinating book take a single kind of kiss and uses it as an index to the past. For rather than offering a simple history of the kiss, this book is about the kiss in history. In this collection, an eminent group of cultural historians have explored this subject using an exceptionally wide range of evidence. They explore the kiss through sources as diverse as canonical religious texts, popular prints, court depositions, periodicals, diaries and poetry. In casting the net so wide, these authors demonstrate how cultural history has been shaped by a broad concept of culture, encompassing more than simply the canons of art and literature, and integrating apparently 'historical' and 'non-historical' sources. Furthermore, this collections shows that by analyzing the kiss and its position - embedded as it is as part of our culture - history can use small gestures to take us to big issues concerning ourselves and others, the past and the present. With an afterword by Sir Keith Thomas, this book will be fascinating reading for cultural historians working on a wide range of different societies and periods.
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Sociology: work & labourJuly 2015The sociology of unemployment
by Edited by Tom Boland and Ray Griffin
The sociology of unemployment is an analysis of the experience and governance of unemployment. By considering unemployment as more than just the absence of work; the book explores unemployment as a distinctive experience created by the welfare state. Each chapter explores an aspect of the experience or governance of unemployment; beginning with how people talk about their experience of being unemployed individually and collectively, to the places of unemployment, and on to the processes, policies and forms of the social welfare system. Clear explanations of classic theories are explored and extended, all against the backdrop of new primary research. Chapter by chapter, The sociology of unemployment challenges the 'deprivation theory of unemployment' which dominates sociology, psychology and social policy, by focusing on how governmental power forms the experience of unemployment. As a result, the book is both an introductory text on the sociology of unemployment and a fresh, critical perspective.
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Individual composers & musicians, specific bands & groupsJuly 2015Refractions of Bob Dylan
Cultural appropriations of an American icon
by Edited by Eugen Banauch
Bob Dylan's cultural production in the second half of the twentieth century, his songs, but also his changing images and self-fashionings have informed and productively re/shaped certain images of America from outside and within. Refractions of Bob Dylan collects scholarly essays which thoroughly investigate the routes of Bob Dylan's cultural appropriations. The collection looks at how Dylan has been used and interpreted by others, and how his work has been reworked into cultural expressions in culturally and regionally divergent spaces. Additionally, a number of essays look at what Dylan has appropriated and incorporated in his own work, focusing on questions of plagiarism, tribute, allusion, love and theft. Some of the essays originate from the Refractions of Bob Dylan conference in Vienna (www.dylanvienna.at) which took place around the 70th birthday of Bob Dylan, and included Dylan experts such as Clinton Heylin, Stephen Scobie and Michael Gray.
