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Literature & Literary StudiesSeptember 2025Love and anti-Judaism in medieval English romance
Typologies of violence and desire
by Hope Doherty-Harrison
Love and anti-Judaism is a new examination of medieval romance for the questions it poses of the most significant events in Christian history. Providing new readings of Sir Gawain and the Green Knight, Sir Orfeo, Sir Gowther and Sir Amadace, the book argues that romance explores depictions of love-and the sacrifices it may necessitate-in the Hebrew Bible, especially where they do not easily fit into interpretations asserting that this history must prefigure Christ and the crucifixion. An examination of anti-Judaism as a discourse of violence and desire that could be turned inwardly to expose the irresolution in Christianity, this book will provoke new investigations into the religious crises of medieval romance.
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Humanities & Social SciencesJune 2021Emotional monasticism
Affective piety in the eleventh-century monastery of John of Fécamp
by Lauren Mancia
Medievalists have long taught that highly emotional Christian devotion, often called 'affective piety', appeared in Europe after the twelfth century and was primarily practiced by communities of mendicants, lay people and women. Emotional monasticism challenges this view. The first study of affective piety in an eleventh-century monastic context, it traces the early history of affective devotion through the life and works of the earliest known writer of emotional prayers, John of Fécamp, abbot of the Norman monastery of Fécamp from 1028-78. Exposing the early medieval monastic roots of later medieval affective piety, the book casts a new light on the devotional life of monks in Europe before the twelfth century and redefines how medievalists should teach the history of Christianity.
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Humanities & Social SciencesNovember 2023Rethinking Norman Italy
Studies in honour of Graham A. Loud
by Joanna Drell, Paul Oldfield
This volume on Norman Italy (southern Italy and Sicily, c. 1000-1200) honours and reflects the pioneering scholarship of Graham A. Loud. An international group of scholars reassesses and recasts the paradigm by which Norman Italy has been conventionally understood, addressing varied subjects across four key themes: historiographies, identities and communities, religion and Church, and conquest. The chapters revise and refine our understanding of Norman Italy in the eleventh and twelfth centuries, demonstrating that it was not just a parochial Norman or Mediterranean entity but also an integral player in the medieval mainstream.
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The ArtsJune 2021Medieval film
by Anke Bernau, Bettina Bildhauer
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
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The ArtsJanuary 2019Medieval film
by Anke Bernau, Bettina Bildhauer
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in unexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval film will be of interest to medievalists working in disciplines including literature, history, art history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
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Literature & Literary StudiesMay 2024Medieval afterlives
Transforming traditions in Shakespeare and early English drama
by Daisy Black, Katharine Goodland
A collection of essays which show how early drama traditions were transformed, recycled, re-used and reformed across time to form new relationships with their audiences. Medieval afterlives brings new insight to the ways in which peoples in the sixteenth century understood, manipulated and responded to the history of their performance spaces, stage technologies, characterisation and popular dramatic tropes. In doing so, this volume advocates for a new understanding of sixteenth-seventeenth century theatre makers as highly aware of the medieval traditions that formed their performance practices, and audiences who recognised and appreciated the recycling of these practices between plays.
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Literature & Literary StudiesJune 2026
The politics of Middle English parables
Fiction, theology, and social practice
by Mary Raschko
The politics of Middle English parables examines the dynamic intersection of fiction, theology and social practice in late-medieval England. Parables occupy a prominent place in Middle English literature, appearing in dream visions and story collections as well as in lives of Christ and devotional treatises. While most scholarship approaches the translated stories as stable vehicles of Christian teaching, this book highlights the many variations and points of conflict across Middle English renditions of the same story. In parables related to labour, social inequality, charity and penance, the book locates a creative theological discourse through which writers attempted to re-construct Christian belief and practice. Analysis of these diverse retellings reveals not what a given parable meant in a definitive sense but rather how Middle English parables inscribe the ideologies, power structures and cultural debates of late-medieval Christianity.
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Humanities & Social SciencesMay 2023
Medieval women and urban justice
Commerce, crime and community in England, 1300–1500
by Teresa Phipps
This book provides a detailed analysis of women's involvement in litigation and other legal actions within their local communities in late-medieval England. It draws upon the rich records of three English towns - Nottingham, Chester and Winchester - and their courts to bring to life the experiences of hundreds of women within the systems of local justice. Through comparison of the records of three towns, and of women's roles in different types of legal action, the book reveals the complex ways in which individual women's legal status could vary according to their marital status, different types of plea and the town that they lived in. At this lowest level of medieval law, women's status was malleable, making each woman's experience of justice unique.
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Literature & Literary StudiesMay 2026Translating hell
Vernacular theology and apocrypha in the medieval North Sea
by Stephen C. E. Hopkins
In the Middle Ages, hell was useful because it was vaguely defined. Canonical scriptures scarcely mention hell, leaving much to the imaginations of early Christians, who used it to sort out who belonged within the faith. This book explores how hell became a place for literary experiments with local challenges in theology and identity. Following the reception and transformations of two popular hell apocrypha, it argues that they served as this role because of their liminal textual authority. As noncanonical scriptures, apocrypha afforded medieval writers space to revise their hells (since they were not actually scripture), while also encouraging readers to revere those experiments as valid (since they seemed like scripture). The book brings together adaptations from early medieval England, Iceland, Ireland, and Wales, placing the early vernacular theologies of the North Sea in comparative conversation.
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Literature & Literary StudiesMarch 2020Enacting the Bible in medieval and early modern drama
by Chanita Goodblatt, Eva von Contzen, David Matthews
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2025Why Be a Christian Today?
by Elisabeth Zoll / Thomas Seiterich (eds.)
The exciting texts and reports by professing Christians offer a fresh perspective for all those who have cultivated a Christian spirituality for many years. However, the book also provides easy access for those who are newly interested in the Christian faith. There are probably as many professions of Christian faith as there are believers in the world. But what do Christians think and how have they been moulded? Elisabeth Zoll and Thomas Seiterich have compiled very personal ideas about the Christian faith in this book. When selecting the contributors, the editors deliberately chose not to include people with church offices or specialised theologians. Irrespective of church policy issues and church scandals, the contributors have provided insights into their path to faith.
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Literature & Literary StudiesJanuary 2023The gift of narrative in medieval England
by Nicholas Perkins
This invigorating study places medieval romance narrative in dialogue with theories and practices of gift and exchange, opening new approaches to questions of storytelling, agency, gender and materiality in some of the most engaging literature from the Middle Ages. It argues that the dynamics of the gift are powerfully at work in romances: through exchanges of objects and people; repeated patterns of love, loyalty and revenge; promises made or broken; and the complex effects that time works on such objects, exchanges and promises. Ranging from the twelfth century to the fifteenth, and including close discussions of poetry by Chaucer, the Gawain-Poet and romances in the Auchinleck Manuscript, this book will prompt new ideas and debate amongst students and scholars of medieval literature, as well as anyone curious about the pleasures that romance narratives bring.
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Literature & Literary StudiesJanuary 2013Popular protest in late-medieval Europe
Italy, France and Flanders
by Samuel Kline Cohn
The documents in this stimulating volume span from 1245 to 1424 but focus on the 'contagion of rebellion' from 1355 to 1382 that followed in the wake of the plague. They comprise a diversity of sources and cover a variety of forms of popular protest in different social, political and economic settings. Their authors range across a wide political and intellectual horizon and include revolutionaries, the artistocracy, merchants and representatives from the church. They tell gripping and often gruesome stories of personal and collective violence, anguish, anger, terror, bravery, and foolishness. Of over 200 documents presented here, most have been translated into English for the first time, providing students and scholars with a new opportunity to compare social movements across Europe over two centuries, allowing a re-evaluation of pre-industrial revolts, the Black Death and its consequences for political culture and action. This book will be essential reading for those seeking to better understand popular attitudes and protest in medieval Europe.
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Humanities & Social SciencesNovember 2025Serfdom in medieval England
Theory and practice 1200 to 1500
by Mark Bailey
Serfdom was a coercive relationship between a landowner and peasant, which was widespread across medieval and early modern Europe. Itfeatures prominently in major historical debates, such as the origins of capitalism and the divergent pathways of western and eastern Europe to modernity. Scholars have paid particular attention to English serfdom, which is usually portrayed as highly oppressive and a major cause of the Peasants' Revolt in 1381. This comprehensive survey draws on a vast scholarship and new research to show how, in reality, English serfdom was weak, casting new light on the nature of its society and economy when the Black Death struck in 1348-9. The pandemicnow assumesa central role in the rapid decline of serfdom, as illustrated in a case study of the estate of one of England's harshest landowners, St Albans abbey.
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Humanities & Social SciencesMarch 2020Medieval women and urban justice
by Teresa Phipps, Cordelia Beattie
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Humanities & Social SciencesJune 2021Rethinking Norman Italy
by Joanna Drell, Paul Oldfield, C. E. Beneš
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Business, Economics & LawFebruary 2009Christianity and democratisation
From pious subjects to critical participants
by John Anderson
This book examines the contribution of different Christian traditions to the waves of democratisation that have swept various parts of the world in recent decades. It offers a historical overview of Christianity's engagement with the development of democracy, before focusing in detail on the period since the 1970s. Successive chapters deal with: the Roman Catholic conversion to democracy and the contribution of that church to democratisation; the Eastern Orthodox 'hesitation' about democracy; the alleged threat to American democracy posed by the politicisation of conservative Protestantism; and the likely impact on democratic development of the global expansion of Pentecostalism. The author draws out several common themes from the analysis of these case studies, the most important of which is the 'liberal-democracy paradox'. This ensures that there will always be tensions between faiths that proclaim some notion of absolute truth and political orders that are rooted in the idea of compromise, negotiation and bargaining. Written in an accessible style, this book will appeal to students of politics, sociology and religion, and prove useful on a range of advanced undergraduate and postgraduate courses. ;
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The ArtsJune 2017Gothic television
by Helen Wheatley
Gothic television is the first full length study of the Gothic released on British and US television. An historical account, the book combines detailed archival research with analyses of key programmes, from Mystery and Imagination and Dark Shadows, to The Woman in White and Twin Peaks, and uncovers an aspect of television drama history which has, until now, remained critically unexplored. While some have seen television as too literal or homely a medium to successfully present Gothic fictions, Gothic television argues that the genre, in its many guises, is, and has always been, well-suited to television as a domestic medium, given the genre's obsessions with haunted houses and troubled families. This book will be of interest to lecturers and students across a number of disciplines including television studies, Gothic studies, and adaptation studies, as well as to the general reader with an interest in the Gothic, and in the history of television drama.
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Literature & Literary StudiesJuly 2022Nordic Gothic
by Maria Holmgren Troy, Johan Hõglund, Yvonne Leffler, Sofia Wijkmark
Nordic Gothic traces Gothic fiction in the Nordic region from its beginnings in the nineteenth century, with a main focus on the development of Gothic from the 1990s onwards in literature, film, TV and new media. The volume gives an overview of Nordic Gothic fiction in relation to transnational developments and provides a number of case studies and in-depth analyses of individual narratives. It creates an understanding of this under-researched cultural phenomenon by showing how the narratives make visible cultural anxieties haunting the Nordic countries, their welfare systems, identities and ideologies. Nordic Gothic examines how figures from Nordic folklore function as metaphorical expressions of Gothic themes and Nordic settings are explored from perspectives such as ecocriticism and postcolonialism. The book will be of interest to researchers and post- and- undergraduate students in various fields within the Humanities.
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Humanities & Social SciencesMarch 2025Emotional contagion
The Aristotelian compassio in medieval medicine and philosophy
by Béatrice Delaurenti, Graham Robert Edwards
Yawning makes one yawn, crying makes one cry. In the same way, a shiver, appetite, sexual desire and confidence are transmitted from one person to another. These examples capture the contagion-like dimension of emotion, spreading rapidly among people with tangible behavioural manifestations. Emotional contagion still challenges scientific explanation, and philosophical, scientific and anthropological topics converge around this issue. In Medieval Latin, there is a specific name for this contagion: compassio ('compassion'). Etymologically, 'compassion' means the co-experience of a 'passion', involving an involuntary reaction of the soul or the body imitating the reactions of others. The book investigates how these topics were treated in medieval learned texts, and illuminates the twofold enigma, that of the trajectory of the term compassio, and that of explaining the phenomenon it denoted.
