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Humanities & Social SciencesMarch 2005Charlemagne
Empire and society
by Edited by Joanna Story
The age of Charlemagne was a crucible for change in the history of Europe, bridging the divide between the medieval and the classical worlds and setting the political and cultural tone for centuries to come. This book focuses directly on the reign of Charlemagne, bringing together a wide range of approaches and sources from the diverse voices of fifteen of the top scholars of early medieval Europe. The contributors have taken a number of original aproaches to the subject, from the fields of archaeology and numismatics to thoroughly-researched essays on key historical texts. The essays are embedded in the scholarship of recent decades but also offer insights into new areas and new approaches for research. A full bibliography of works in English as well as key reading in European languages is provided, making the volume essential reading for experienced scholars as well as students new to the history of the early middle ages. ;
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March 1990Vereinsstrafen als Vertragsstrafen.
Ein Beitrag zum inneren Vereinsrecht.
by Look, Frank van
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Humanities & Social SciencesFebruary 2009Catholic communities in Protestant states
by Benjamin Kaplan, Joseph Bergin, Bob Moore, Penny Roberts, Henk Van Nierop, Bill Naphy, Judith Pollmann
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Humanities & Social SciencesFebruary 2009
Catholic communities in Protestant states
by Benjamin Kaplan, Joseph Bergin, Bob Moore, Penny Roberts, Henk Van Nierop, Bill Naphy, Judith Pollmann, Rebecca Mortimer
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Literature & Literary StudiesJune 2022The early modern English sonnet
Ever in motion
by Laetitia Sansonetti, Rémi Vuillemin, Enrica Zanin
This volume questions and qualifies commonly accepted assumptions about the early modern English sonnet: that it was a strictly codified form, most often organised in sequences, which only emerged at the very end of the sixteenth century and declined as fast as it had bloomed, and that minor poets merely participated in the sonnet fashion by replicating established conventions. Drawing from book history and relying on close reading and textual criticism, this collection offers a more nuanced account of the history of the sonnet. It discusses how sonnets were written, published and received in England as compared to mainland Europe, and explores the works of major (Shakespeare, Sidney, Spenser) and minor (Barnes, Harvey) poets alike. Reflecting on current editorial practices, it also provides the first modern edition of an early seventeenth-century Elizabethan miscellany including sonnets presumably by Sidney and Spenser.
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Literature & Literary StudiesApril 2020The early modern English sonnet
by Laetitia Sansonetti, Rémi Vuillemin, Enrica Zanin, Tamsin Badcoe
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Humanities & Social SciencesOctober 2020A global history of early modern violence
by Erica Charters, Marie Houllemare, Peter H. Wilson
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The ArtsJune 2025
Death in modern theatre
Stages of mortality
by Adrian Curtin
Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
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Literature & Literary StudiesOctober 2025Early modern drama and the theatre of war
Militarism, conflict and disruption in the plays of Shakespeare and his contemporaries
by Bronwen Price, Hilary Hinds
This volume explores the disruptive effects of militarism, war and social unrest in early modern drama. Engaging with Simon Barker's seminal work on dramatic representations of war and militarism, contributors highlight what often lies hidden beneath the surface of martial narratives, treating them as formative interventions in contemporary discourses, whether in justifying war, excluding dissident voices or shaping cultural identities. Discussions include new examinations of militarism, the figure of the soldier and early modern theories of war in Shakespearean tragedy, history and comedy, alongside antimasque and dramatic satire by lesser-known playwrights. The essays investigate how ideas of war underpin emerging concepts of gender, leadership, marriage and the family, as well as the continuing mobilisation of Shakespearean drama in the context of modern armed conflict. Together, they offer rich new contributions to the current lively critical debates on this topic.
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Humanities & Social SciencesMay 2009Consumerism and the Co-operative movement in modern British history
Taking stock
by Lawrence Black, Nicole Robertson
Despite the abundance and quality of recent historical writing on consumerism, it cannot be said that the modern Co-operative movement (Co-op) has been well served. It has also been by-passed in studies that locate Britons' identity in their consumption. The reasons for this can be found in the widely perceived decline of the Co-op since the 1950s, but also in various historiographical agendas that have resulted in its relative invisibility in modern British history. This book, by demonstrating the variety of broader issues that can be addressed through the Co-op and the vibrancy of new historical research into consumption, seeks to remedy this. Taking stock, both of the Co-op in a broader context and of new approaches to the history of consumption, combines the work of leading authorities on the Co-op with recent scholarly research. It explores the Co-op's distinctive interface between everyday issues and grander idealistic concerns. The chapters intersect to examine a broad range of themes, notably: the politics of consumerism including consumer protection, ethical and fair trading and alternatives to corporate commerce; design and advertising; the Co-op's relations with other components of the labour movement; and its ideology, image and memory. The collection looks at the Co-operative movement locally (through specific case studies), nationally and also in comparison to the European movement. This collection will appeal to academics, researchers, teachers and students of the economic, cultural and political history of twentieth-century Britain. It will also be of interest to academics and students of business studies, and co-operative members themselves. ;
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Humanities & Social SciencesJuly 2026Modernity and philosophy in Max Horkheimer
On the contemporary relevance of critical theory
by Raffaele Carbone
This book shows that Max Horkheimer's program of critical theory and his research throughout his career as a university professor and thinker are rooted in the cogency of philosophical questions and an in-depth knowledge of the historical development of philosophical problems in their close correlation with the socio-economic framework which shaped the 'bourgeois society' and the Modern Era. Indeed, his analyses of modern philosophers allows us to understand how the bourgeoisie seeks legitimisation and consolidation of its position, partly through the voices of its thinkers. In this way, in his investigation of early modern philosophy problems, and through constant dialogue with his colleagues Adorno, Marcuse, Pollock and Fromm, Horkheimer expresses a profound awareness of the critical force inherent in thought which, admittedly, is ever vulnerable to crisis and weakening, but which can always be reactivated.
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Humanities & Social SciencesFebruary 2007Design and the modern magazine
by Christopher Breward, Jeremy Aynsley, Kate Forde, Bill Sherman, Martin Hargreaves
Design and the Modern Magazine provides a thematically arranged set of essays that examine the changing character of the magazine as an important aspect of cultural life from the late nineteenth century until today. In doing so it offers some of the first detailed case-studies of individual titles and analyses how design decisions are made alongside editorial, commercial and technical considerations. The book suggests ways to understand the magazine as a designed object. Among the more significant titles considered are Woman's Home Companion, Design, Woman and Vogue. While largely drawing from British and American sources, the book also covers the impact of modern design ideas from Europe on such publications. The essays present new and original scholarship on the subject and will be of use to students and teachers working on a wide range of art and design history, and literature studies courses. ;
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Humanities & Social SciencesApril 2020Early modern war narratives and the Revolt in the Low Countries
by Raymond Fagel, Leonor Álvarez Francés, William G. Naphy, Beatriz Santiago Belmonte
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Literature & Literary StudiesApril 2021Positive emotions in early modern literature and culture
by Cora Fox, Bradley J. Irish, Cassie M. Miura
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Literature & Literary StudiesNovember 2019Transnational connections in early modern theatre
by Pavel Drábek, M. A. Katritzky
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Literature & Literary StudiesAugust 2025Translating Petrarch in early modern Britain
Canzoniere and Triumphi, c. 1530–1650
by Marie-Alice Belle, Riccardo Raimondo, Francesco Venturi
Translating Petrarch in early modern Britain gathers twelve essays by international scholars focusing on the translation of Petrarch's vernacular verse (Canzoniere and Triumphi) into English, from the Tudor age to the mid-seventeenth century (and beyond). Approaching translation as an interpretive process, but also a mode of literary emulation and cultural engagement with Petrarch's prestigious precedent, the collection explores the complex and interconnected trajectories of both poetic works in English and Scottish literary milieux. While situating each translation in its distinct historical, material, and literary context, the essays trace the reception of Petrarch's works in early modern Britain through the combined processes of linguistic and metric innovation, literary imitation, musical adaptation and cultural and material 'domestication'. The collection sheds light on the origins and development of early modern English Petrarchism as part of wider transnational - and indeed, translational-European literary culture.
