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View Rights PortalThe first and only book length study of British screenwriter, director and producer Sally Wainwright. Authors Gorton and Johnson brings together Wainwright's key television series and television films with theoretical work on the concept of emotion and feminist television criticism, exploring Wainwright's contributions to British television through the heroic female characters she creates. The book covers a wide range of theoretical work on melodrama, genre and emotion to explore Wainwright's televisual texts, offering analysis of globally recognised television series such as Happy Valley, Last Tango in Halifax, and Gentleman Jack.
Richard Wainwright, the Liberals and Liberal Democrats: Unfinished Business now available in paperback, offers new research on familiar themes involving loyalties of politics, faith and locality. Richard Wainwright was a Liberal MP for seventeen years during the Party's recovery, but his life tells us about much more than this. Wainwright grew up in prosperity, but learned from voluntary work about poverty; he refused to fight in World War Two, but saw war at its cruellest; he joined the Liberal Party when most had given up on it, but gave his fortune to it; lost a by-election but caused the only Labour loss in Harold Wilson's landslide of 1966. He then played a key role in the fall of Jeremy Thorpe, the Lib-Lab Pact and the formation of the SDP-Liberal Alliance and the Liberal Democrats; he represented a unique Yorkshire constituency which reflected his pride and hope for society; and though he gave his life to the battle to be in the Commons, he refused a seat in the Lords. Richard Wainwright's story is central to the story of the Liberal Party and sheds light on the reasons for its survival and the state of its prospects. At the same time this book is a parable of politics for anyone who wants to represent an apparently lost cause, who wants to motivate people who have been neglected, and who wants to follow their convictions at the highest level. ;
Scotland's past and future collide in this engaging journey through climate change, fossil capitalism and the struggle for a sustainable world. Scotland's history and future are entangled with climate change and the story of the modern world. This small country on the fringes of northern Europe pioneered fossil capitalism and played a key role in its spread across the planet. It is a living museum of the crisis of the west, of deindustrialisation, stagnation and the struggle to build a better future from the ashes. Journalist and sociologist Dominic Hinde travels from the treeless Highlands to the lowland cities, struggling to balance memories with aspiration. Through this journey he finds that his own sensory turmoil, shaped by recovery from a near fatal accident, mirrors the disarray of the fossil fuel transition - an uncertain passage between what was and what must be. Part memoir, part environmental history, part travelogue, this is a compelling narrative of connections - to place, energy and the possibility of renewal. Through the lens of one country, it asks a vital question: can the lessons of the past help us build a more sustainable future?
Ein außergewöhnlicher Autor: Dara McAnulty, Preisträger des renommierten Wainwright Prize for Nature Writing mit nur 16 Jahren! Sein erstes Naturbuch für Kinder: f aktenreich, leidenschaftlich, grandios! Das modern gestaltete Geschenkbuch für die ganze Familie voller Fakten, voller Poesie und mit Naturprojekten zum Mitmachen will bezaubern und zum Naturschutz aufrufen. Wer mit Dara McAnulty durch den Wald streift, den Hügel hinaufsteigt und bis zum Bach wandert, versteht, wie die Natur funktioniert mit ihren Tierwanderungen und Metamorphosen. Ein großer Wissensschatz und der Appell an uns alle: „Die Natur braucht deinen Schutz. Bewahre und erforsche sie.“ Dara McAnulty hat eine Sprache gefunden, die zu Herzen geht: Ich sehe dich. Ich sehe deine Augen leuchten, wenn die Dinge Gestalt annehmen, wenn das Licht flimmert, wenn es in der Luft summt und flattert. Ich sehe dich, wie du diese Feder aufheben willst. Diesen Kieselstein. Dieses Blatt. Fühlst du den Drang, auf eine Eiche zu klettern, die Welt aus der Sicht eines Vogels zu betrachten und den Wind in den Blättern zu spüren? Darf ich dich an die Hand nehmen? Dir den Zauber der Natur zeigen? Komm mit mir auf eine Reise. Lass uns wild umherstreifen. Eine faszinierende Welt erwartet dich. Anfangs musst du gar nicht in die Ferne schweifen. Du kannst aus dem Fenster schauen … und euren Garten entdecken. Wenn du dann vor Aufregung ein Kribbeln spürst, wirst du den Wunsch haben weiterzugehen, immer weiter. Vergiss nicht: Die Natur braucht deinen Schutz. Sei stets achtsam. Bewahre und erforsche sie.Darf ich dich mitnehmen? Dein Freund, ein Freund der Natur,Dara Ein hochwertiges Geschenk und so viel mehr als ein Naturführer! Ein Appell an uns alle, die Natur zu schützen, denn wir sind ein Teil von ihr.
This is the first book-length study to focus primarily on the role of class in the encounter between South Asians and British institutions in the United Kingdom at the height of British imperialism. In a departure from previous scholarship on the South Asian presence in Britain, 'The better class' of Indians emphasizes the importance of class as the register through which British polite society interpreted other social distinctions such as race, gender, and religion. Drawing mainly on unpublished material from the India Office Records, the National Archives, and private collections of charitable organizations, this book examines not only the attitudes of British officials towards South Asians in their midst, but also the actual application of these attitudes in decisions pertaining to them. This fascinating book will be of particular interest to scholars and general readers of imperialism, immigration as well as British and Indian social history.
This collection sets out a range of perspectives on the challenges that the Caribbean is facing today, showing how the arts hold a crucial role in forging a more sustainable Caribbean community. It forcefully attests to the view that visual art in particular has a specific contribution to make and that this in turn means striving to foster a sustainable arts community that can contend with an environment of uneven infrastructure, opportunity and public awareness. Spanning the scholarly, artistic and professional fields of arts and heritage, this book compares two of the Caribbean's key linguistic regions - the Anglophone and the Dutch - to address the themes of global-local relations, capital, patronage, morality, contestation, sustainability and knowledge exchange. The result is a milestone of collaboration from diverse global settings of the Caribbean and its diaspora, including Jamaica, the Bahamas, Barbados, Suriname, Curaçao, the Netherlands, United Kingdom, Germany and the United States.
— By the expert in ethical business — Once you have finished this, you will never fall for green financial lies again — Global Ethic Institute (Weltethos- Institut) network And suddenly every bank is sustainable. This truly necessary "debate book" explains in a wellfounded way what green-washing means in the financial sector, and why banks, insurance companies, asset managers, stockbrokers and other financial players clothe themselves in their allegedly so green-and-friendly cloak. It provides an easy-to-understand explanation of the various forms of greenwashing, how we can recognise the different "varieties" and – above all – how we can avoid them. This is also important because the entire financial and capital system is an important part of a sustainable future – and this can only succeed if it is honest, transparent and impact-orientated.
Freya and the Fearless - Plundering is a Skill! (Vol. 2) All Vikings are fearless? Not quite ... They call themselves "The Fearless" and they want to rob, plunder and pillage for all they're worth. The only problem is that the sight of a little girl makes them wet their pants. Freya has had enough of plundering Vikings and gives Heinar's people a good scare.What happens in Vol. 2:The sea is getting narrower and narrower, with land in sight to the right and left. So this must be England. Finally, our brave Vikings can once again plunder, rob and pillage to their heart's content. Heinar and his men sail leisurely up the Thames, until something blocks their way: Unfortunately, the British king's architects built the new bridge much too low. Now no ship can get out or back in and the English have to do without their beloved hot drink: tea. Freya and the Fearless turn Tower Bridge into a suspension drawbridge, bring back tea to the British, and casually invent the bearskin cap along the way.• A little girl shows the despondent Vikings what a real guy is• Funny sidekicks: The Odin family is watching from heaven• Innovative 90:10 text-image ratio, illustrated in b/w• For fans of ‘Vicky the Viking’ and ‘Asterix & Obelix’.• To be continued with Vol. 3 and 4