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      • Mainstream United

        I'm representing modern Israeli Russian-speaking writer Jonathan Vidgop. This author's first book was granted fund of Israeli president and received recognition in Israel in 1999. The author writes rarely. There are two very different books offered. One, a result of 20 years of collecting historical material, is a collection of more than 100 very funny short stories of sexuality and attitude to Jews of famous personalities of different countries and times. The other book, very recent, is a a grotesque phantasmagoria, novel "Testimony", whose style, if any, can be compared to Susskind's Perfume. See description of the books below.

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      • Guangdong Petrel Electronic & Audio-Visual Publishing House

        Founded in 1996 as an affiliate of Southern Publishing & Media Co.Ltd.(SPM),Guangdong Petrel Electronic & Audio-Visual Publishing House (PEPH) has now become an all-media publisher specializing in online publishing, as well as creating, publishing and distributing audio-visual products, electronic reading materials, and books,etc.                                                                               PEPH has designed and produced lots of electronic &audio-visual publications and hundreds of books related to social,science,education,language,science and technology, culture,art,among which several series of books were oriented toward international copyright exchanges.                                                                                                             Till now, PEPH has already established cooperative relationships with publishers from South-East Asia and North America, totally exporting more than 200 titles.

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        The Arts
        June 2026

        Borderline bodies in art and visual culture

        Unsettling identity and place since 1800

        by Keren Hammerschlag, Natasha Ruiz-Gómez, Tania Anne Cleaves

        Borderline bodies offers original interpretations of visual representations of human bodies as bounded and unbounded, fortified and permeable, mobile and static-subject to borders and able to traverse and challenge them. It also takes as its focus images and objects that might be considered 'borderline' because they sit at the intersection of disciplines or sit outside accepted notions of what constitutes serious 'art.' By mapping the ways human bodies traverse borders and straddle-even dismantle-categories, this volume's essays approach afresh the relationship of bodies to traditional modes of representation, especially in art and medicine, and encourage us to think anew about how we understand the relationship between human corporeality, identity and place. Critical transdisciplinary and transnational analyses of objects and images from a range of geographies shed new light on the themes of: bodies and identity; typologies of the body; racialised bodies; 'normal' and 'abnormal' bodies; encounters between bodies; bodies in transition; bodies and mobility; and the bounded and unbounded human body. The outcome is a fresh approach to depictions of the human body produced for the purposes of artistic and medical education, aesthetic edification, and scientific and professional advancement, which disrupts assumptions about the normative human body perpetuated through Western image-making traditions.

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        Films, cinema
        November 2006

        Spanish visual culture

        by Paul Julian Smith

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        Humanities & Social Sciences
        February 2023

        Politics, performance and popular culture

        Theatre and society in nineteenth-century Britain

        by Peter Yeandle, Katherine Newey, Jeffrey Richards

        This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.

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        Humanities & Social Sciences
        November 2025

        The right in Latin America

        by Ariel Goldstein

        This book provides an in-depth analysis of the rise and influence of both radical and mainstream right-wing movements across Latin America. Through country-specific case studies, it explores the evolution of these groups and their impact on politics, culture, and governance, highlighting key figures and strategies shaping the political landscape in the region.

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        Humanities & Social Sciences
        January 2006

        Gentry culture in late-medieval England

        by Raluca Radulescu, Steve Rigby, Alison Truelove

        Essays in this fascinating and important collection examine the lifestyles and attitudes of the gentry in late medieval England. They consider the emergence of the gentry as a group distinct from the nobility, and explore the various available routes to gentility. Through surveys of the gentry's military background, administrative and political roles, social behaviour, and education, the reader is provided with an overview of how the group's culture evolved, and how it was disseminated. Studies of the gentry's literacy, creation and use of literature, cultural networks, religious activities and their experiences of music and the visual arts more directly address the practice and expression of this culture, exploring the extent to which the gentry's activities were different from those of the wider population. Joining the editors in contributing essays to this collection is an impressive array of eminent scholars, all specialists in their respective fields: Christine Carpenter, Peter Fleming, Maurice Keen, Philippa Maddern, Nicholas Orme, Tim Shaw, Thomas Tolley and Deborah Youngs. As a whole, the book offers a broad view of gentry culture that explores, reassesses, and sometimes even challenges the idea that members of the gentry cultivated their own distinctive cultural identity. It will appeal to students looking for a comprehensive introduction to late medieval gentry culture, as well as to researchers interested in gentry studies more generally. ;

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        Humanities & Social Sciences
        January 2026

        Understanding displacement aesthetics

        History, art and museums

        by Ana Carden-Coyne, Charles Green, Chrisoula Lionis, Angeliki Roussou

        Since the Second World War and the formalisation of the international refugee regime, forced displacement has been marked by a set of aesthetic, practical, and institutional concerns. Understanding Displacement Aesthetics examines how visual culture and art practice constructs and challenges ideas about forced displacement and refugees. The novel framework for 'displacement aesthetics' moves beyond conventional understandings of aesthetics as merely representational, demonstrating the entanglement of visual culture, art practices, and forced displacement in postmigrant contexts. Bringing together the fields of cultural history, art history, and curatorial studies, Understanding Displacement Aesthetics identifies four areas for consideration: visual tropes of refugeedom; language and identity; institutional and artistic responses to displacement; and lived experiences of artists with backgrounds of displacement. Through archival research, visual culture and art, interviews, and collaborative curatorship, Understanding Displacement Aesthetics offers new insight into overcoming the limitations that contexts of displacement can present for artists, art galleries and institutions addressing refugeedom and its legacies.

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        Business, Economics & Law
        June 2025

        Foundations of social ecological economics

        The fight for revolutionary change in economic thought

        by Clive L Spash

        This book explores radical dissent from orthodox mainstream economics, and sets out a theoretically grounded vision for the emerging paradigm of social ecological economics. At the heart of this paradigmatic shift lies an acknowledgement of the inextricable embeddedness of economies in biophysical reality and social structure. The struggle for this transformative vision unfolds through a critical examination of mainstream environmental thought, followed by a nuanced evaluation of contributions from Marxists, socialists, critical institutionalists, feminists and Post-Keynesians grappling with the urgent environmental crisis. Synthesising insights from these diverse and heterodox schools, the book navigates the philosophical underpinnings of science, embracing a critical realist approach that challenges not only mainstream economic thought but also eclectic pluralism, relativism and strong constructionism. The question of what constitutes revolutionary science is explored in light of works by Kuhn, Schumpeter and Neurath, emphasising the pivotal role of values and ideology in works from Marx to Gramsci. Building on these radical and philosophical foundations, the book articulates a preanalytic vision of social ecological economics, dismantling entrenched notions of growth and efficiency in favour of a framework centered on social provisioning and needs embedded in ethics. In a thought-provoking conclusion, the book applies its analytical lens to the multiple crises of modernity within industrialised capital-accumulating economies. An agenda for social ecological transformation toward diverse alternative economies emerges, providing a compelling call to action in the face of contemporary challenges.

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        The Arts
        January 2026

        Stiliagi and Soviet masculinities, 1945–2010

        Fashion as dissent

        by Alla Myzelev

        This book provides an in-depth analysis of the Stiliagi, the Soviet Union's pioneering youth subculture from the late 1940s to the early 1960s. Characterized by their distinctive Western-influenced fashion, affinity for jazz, and resistance to Soviet ideological conformity, the Stiliagi represented a significant cultural shift in post-war Soviet society. The book examines how this subculture, through its embrace of alternative masculinities and nonconformist behaviours, challenged prevailing social norms and influenced Soviet cinema, theatre, and broader cultural discourse. Drawing on rigorous research, the book situates the Stiliagi within the broader context of Soviet and Post-Soviet history, arguing that their legacy persisted well beyond their absorption into mainstream culture. Essential reading for scholars of Soviet history, cultural studies, and subcultural movements, this work offers a nuanced understanding of the Stiliagi's enduring impact on Soviet identity and cultural resistance.

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        The Arts
        January 2026

        Decolonizing images

        by Ronnie Close

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        Humanities & Social Sciences
        December 2024

        British culture after empire

        Race, decolonisation and migration since 1945

        by Josh Doble, Liam Liburd, Emma Parker

        British culture after Empire is the first collection of its kind to explore the intertwined social, cultural and political aftermath of empire in Britain from 1945 up to and beyond the Brexit referendum of 2016, combining approaches from the fields of history, English and cultural studies. Against those who would deny, downplay or attempt to forget Britain's imperial legacy, the various contributions expose and explore how the British Empire and the consequences of its end continue to shape Britain at the local, national and international level. As an important and urgent intervention in a field of increasing relevance within and beyond the academy, the book offers fresh perspectives on the colonial hangovers in post-colonial Britain from up-and-coming as well as established scholars.

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        Humanities & Social Sciences
        July 2023

        A culture of curiosity

        by Leonie Hannan

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        The Arts
        January 2019

        Derek Jarman

        by Rowland Wymer

        This book gives detailed and original critical readings of all eleven of Derek Jarman's feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure. It places particular emphasis on the importance of Renaissance art and literature for Jarman, and emphasises his interest in Jungian psychology. Wymer shows how Jarman used his films to take his audience with him on an inner journey in search of the self, whilst remaining fully aware of the dangers of such a journey. Making substantial use of Jarman's unpublished papers as well as all his published works, Wymer argues that the films are orientated towards a much wider audience than is often supposed. They are addressed to anyone, of whatever gender or sexuality, who is prepared to go on a journey in search of him or her self and to become Jarman's accomplice in 'the dream world of the soul'.

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        Industrial / commercial art & design
        April 2017

        History through material culture

        by Series edited by Simon Trafford, Leonie Hannan, Sarah Longair

        History through material culture is a unique, step-by-step guide for students and researchers who wish to use objects as historical sources. Responding to the significant, scholarly interest in historical material culture studies, this book makes clear how students and researchers ready to use these rich material sources can make important, valuable and original contributions to history. Written by two experienced museum practitioners and historians, the book recognises the theoretical and practical challenges of this approach and offers clear advice on methods to get the best out of material culture research. With a focus on the early modern and modern periods, this volume draws on examples from across the world and demonstrates how to use material culture to answer a range of enquiries, including social, economic, gender, cultural and global history.

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