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      • Dar Al-Rowad (Pioneers) Publishers

        Pioneers (Al Rowad) Publishing House was established in 1986 as a bookstore and a distributor. In 2006 it moved into the world of publishing and started new business as a publisher. It has 120 titles for the family, young adults, children and has recently started publishing novels. It has the Arabic copyrights of some American Publishers such as Adams Media and some German copyrights from Wissenmedia. AlRowad Publishes in Arabic and English. Kassem Al Tarras, owner and director of Al Rowad Publishers. He has a BA in English Literature from Damascus University. He is certified as a Teacher Trainer of English from the University of Delaware, USA and he is certified in ISBN from the International ISBN Agency in London. He works now as a director of Al Rowad Publishers, he is an English teacher and a member of new Curricula of English committe in the Ministery of Awqaf in Damascus and he is the directory of the ISBN Syrian Agency in the Syrian Publishers Association.

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        Find your focus and strengths in times of crisis.

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      • Trusted Partner
        Ida Lupino
        The Arts
        July 2025

        Ida Lupino

        Multifaceted performer and cinematic pioneer

        by Gillian Kelly

        This book contributes to a welcome new wave focusing on the importance of female filmmakers, providing a reappraisal of Ida Lupino, a cinematic figure of significant importance. Given her ability to move between popular and independent cinemas and her status as both a Hollywood star and director/writer/producer of socially relevant films overlooked by the mainstream, Lupino is a particularly interesting case study. Employing a range of critical approaches, including feminist theory, auteur theory and critical theory, this book investigates key themes and motifs that developed across Lupino's unusual and unique career as one of the most significant female players in film history. Investigating her oeuvre as actress, director, writer and producer, it discusses Lupino as a complex and important filmmaker whose career, on both sides of the camera, requires substantially more critical attention than it has been awarded thus far.

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        Addressing the other woman
        The Arts
        December 2024

        Addressing the other woman

        Textual correspondences in feminist art and writing

        by Kimberly Lamm

        This book analyses how three artists - Adrian Piper, Nancy Spero and Mary Kelly - worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of 'the other woman', a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork's aspirations more concrete, it places the artists in correspondence with three writers - Angela Davis, Valerie Solanas, and Laura Mulvey - who also addressed the limited range of images through which women are allowed to become visible.

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        The new woman
        Humanities & Social Sciences
        July 1997

        The new woman

        by Sally Ledger

        Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers. ;

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        Contemporary French cinema
        The Arts
        January 2019

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        Contemporary French cinema
        The Arts
        June 2021

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        The return of the housewife
        Humanities & Social Sciences
        April 2025

        The return of the housewife

        Why women are still cleaning up

        by Emma Casey

        An illuminating look at the world of cleanfluencers that asks why the burden of housework still falls on women. Housework is good for you. Housework sparks joy. Housework is beautiful. Housework is glamorous. Housework is key to a happy family. Housework shows that you care. Housework is women's work. Social media is flooded with images of the perfect home. TikTok and Instagram 'cleanfluencers' produce endless photos and videos of women cleaning, tidying and putting things right. Figures such as Marie Kondo and Mrs Hinch have placed housework, with its promise of a life of love and contentment, at the centre of self-care and positive thinking. And yet housework remains one of the world's most unequal institutions. Women, especially poorer women and women of colour, do most low-paid and unpaid domestic labour. In The return of the housewife, Emma Casey asks why these inequalities matter and why they persist after a century of dramatic advances in women's rights. She offers a powerful call to challenge the prevailing myths around housework and the 'naturally competent' woman homemaker.

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        Horizontal together
        The Arts
        December 2024

        Horizontal together

        Art, dance, and queer embodiment in 1960s New York

        by Paisid Aramphongphan

        Horizontal together tells the story of 1960s art and queer culture in New York through the overlapping circles of Andy Warhol, underground filmmaker Jack Smith and experimental dance star Fred Herko. Taking a pioneering approach to this intersecting cultural milieu, the book uses a unique methodology that draws on queer theory, dance studies and the analysis of movement, deportment and gesture to look anew at familiar artists and artworks, but also to bring to light queer artistic figures' key cultural contributions to the 1960s New York art world. Illustrated with rarely published images and written in clear and fluid prose, Horizontal together will appeal to specialists and general readers interested in the study of modern and contemporary art, dance and queer history.

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        Queer cinema in contemporary France
        The Arts
        October 2024

        Queer cinema in contemporary France

        Five directors

        by Todd Reeser

        Jacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma. The films of these five major French directors exemplify queer cinema in the twenty-first century. Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors' careers, from their earliest, often unknown films to their later, major films with wide international release. Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring. Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject.

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        Bertrand Tavernier
        The Arts
        February 2019

        Bertrand Tavernier

        by Lynn Anthony Higgins

        Bertrand Tavernier is widely recognized as the leading French filmmaker of his generation. Both a consummate artist and a controversial public figure, he is a passionate advocate for social causes and also a tireless defender of world cinema in general and the French cinematic heritage in particular. Lynn Higgins' book offers a guided tour through Tavernier's oeuvre, taking into account both its prodigious diversity and its unifying themes. It explores his use of genre and adaptation, his work with actors and his affection for characters, his treatment of France's colonial history, his explorations of the powers of art and the complexities of intergenerational relations, both among fictional characters and within French cinema history. This is the most comprehensive and up-to-date scholarly book about Tavernier. Original and lively, sophisticated and engaging, the book will appeal to anyone interested in film studies, gender studies, and French cultural studies including academics, students, cinema enthusiasts, and Tavernier fans.

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        From Perversion to Purity
        The Arts
        January 2019

        From Perversion to Purity

        The stardom of Catherine Deneuve

        by Lisa Downing, Sue Harris

        Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.

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        New woman strategies
        Literature & Literary Studies
        May 2004

        New woman strategies

        Sarah Grand, Olive Schreiner, and Mona Caird

        by Ann Heilmann

        Recent years have seen a rennaissance of scholarly interest in the fin-de-siecle fiction of the New Woman. New Woman Strategies offers a new approach to the subject by focusing on the discursive strategies and revisionist aesthetics of the genre in the writings of three of its key exponents: Sarah Grand, Olive Schreiner and Mona Caird. ;

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        Flappers and the Jazz Age
        Humanities & Social Sciences
        July 2026

        Flappers and the Jazz Age

        Women and leisure in Ireland, 1920s–30s

        by Eileen Hogan, Louise Ryan

        People's ordinary, everyday lives - and more specifically, their leisure activities - are often obscured within existing academic research on 1920s-30s Ireland. This book seeks to redress that neglect by exploring the relationship between identity, recreation, and culture both North and South of the border, with particular attention to women's lived experiences. Leisurely pursuits during this period were commonly overshadowed by religious influence and the nation-building projects in post-partition Ireland. Nevertheless, there existed alternative spaces, where people enjoyed dancing, singing, listening to music, shopping, glamour, reading magazines, swimming, travelling, and going to the cinema. Such activities reflected international trends beyond national borders. This book documents those activities and spaces through a feminist lens and intersectional analysis of gender, class, religion and rural/urban identities. It brings together multi-disciplinary perspectives including cultural studies, architecture, geography, fashion, and musicology. In so doing, we present new insights and advance understanding of this under-researched aspect of Irish history.

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        Tis Pity She's a Whore
        Literature & Literary Studies
        April 1997

        Tis Pity She's a Whore

        John Ford

        by Derek Roper

        John Ford's tragedy, first printed in 1633, is the first major English play to take as its theme a subject still rarely handled: fulfilled incest between brother and sister. It is one of the most studied and performed of all plays of the period, and has been successfully adapted for film and radio. The Revels plays edition by Derek Roper has been the standard scholarly edition since it appeared in 1975. This new edition uses the same authoritative text, but with notes designed for modern undergraduate use. The substantial introduction has been completely rewritten to take account of the studies and new approaches of the last twenty years. It presents the play as an 'interrogative text', in which subversive meanings are inscribed within an apparently orthodox narrative; as a courageous treatment of forbidden love; and as an achieved work of Baroque art. ;

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        Spanish cinema 1973–2010
        The Arts
        January 2019

        Spanish cinema 1973–2010

        Auteurism, politics, landscape and memory

        by Maria M. Delgado, Robin Fiddian

        This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of 'national' cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state. The result is a bold new study of the ways in which film has created new prisms that have determined how Spain is positioned in the global marketplace.

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        The films of Bigas Luna
        The Arts
        December 2025

        The films of Bigas Luna

        by Santiago Fouz-Hernández

        The films of Bigas Luna is the first comprehensive English-language study of the complete filmography of Spanish filmmaker Bigas Luna, spanning from Tatuaje (1976) to DiDi Hollywood (2010). Engaging with theoretical frameworks such as haptic cinema, erotic cinema, auteur theory, and studies of gender, sexuality, and national identity, the book situates close readings of Bigas Luna's films within broader discussions of production and marketing. Fouz Hernández draws on extensive archival research-including original screenplays, press materials, and interviews with industry professionals-while engaging with previous scholarship in multiple languages. Structured into five thematic chapters, the book explores key concerns in Bigas Luna's work, including genre, gender representation, Iberian and Mediterranean identities, and meta-cinematic narratives. It can be read as a cohesive study of his oeuvre or as a reference for specific films.

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        Imagining Caribbean womanhood
        Humanities & Social Sciences
        May 2020

        Imagining Caribbean womanhood

        Race, nation and beauty competitions, 1929–70

        by Pamela Sharpe, Rochelle Rowe, Penny Summerfield, Lynn Abrams, Cordelia Beattie

        Over fifty years after Jamaican and Trinidadian independence, Imagining Caribbean womanhood examines the links between beauty and politics in the Anglophone Caribbean, providing a first cultural history of Caribbean beauty competitions, spanning from Kingston to London. It traces the origins and transformation of female beauty contests in the British Caribbean from 1929 to 1970, through the development of cultural nationalism, race-conscious politics and decolonisation. The beauty contest, a seemingly marginal phenomenon, is used to illuminate the persistence of racial supremacy, the advance of consumer culture and the negotiation of race and nation through the idealised performance of cultured, modern beauty. Modern Caribbean femininity was intended to be politically functional but also commercially viable and subtly eroticised.

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        Shakespeare's cinema of love
        The Arts
        January 2020

        Shakespeare's cinema of love

        by R. S. White

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        Reframing Margaret Thatcher
        The Arts
        May 2026

        Reframing Margaret Thatcher

        Genre, form, and the making of post-Thatcherism in British film and TV

        by Felipe Espinoza Garrido

        Against the backdrop of Britain's historically anti-Thatcherite films of the 1980s and 1990s, Reframing Margaret Thatcher outlines a decisive shift in the collective imagination of Thatcher. Drawing on genre, trauma, and queer studies, it demonstrates how post-Thatcherite films reflect upon their own entanglement in the polarization of the Thatcher years but also rewrite the clichéd Iron Lady. Chapters on The Iron Lady, This is England, Doomsday, 9 Dead Gay Guys, and the Sherlock TV series investigate various Thatcher imaginations, ranging from Thatcher as a lesbian mob boss, as prime minister in apocalyptic England, to Thatcher as an empty bust. This innovative study shows how the apparent depoliticization of British film makes visible new relations between genre, cinematic form, and imaginations of the past and offers fresh perspectives that both critique and reinterpret Thatcher's enduring impact.

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