Como grupo editorial, estamos orgullosos de decir que somos creadores de best-sellers, que pasan de ser éxitos locales a éxitos nacionales. Apostamos tanto por autores reconocidos como por autores noveles y nos interesamos en ampliar y renovar nuestro catálogo de manera constante. Como actores activos de la cultura, nuestro horizonte es ofrecer libros que participen de la construcción colectiva de contenidos de calidad.
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City University of Hong Kong Press was founded in 1996 as the publishing arm of the City University of Hong Kong. Overseen by the University Press Committee, the continuing mission of the Press is, by way of publishing high quality titles, to promote scholarship; to enhance knowledge transfer; and to disseminate knowledge and creative works to society at large.The Press publishes mainly three types of publication: academic works, professional books and books of general interest and social concern. These cover a wide range of fields including business, history, cultural studies, education, law, political science, social sciences, sciences and engineering, with a focus on China studies, Hong Kong studies, Asian studies, politics and public policy. The Press endeavours to produce works of social impact, regional and international significance, and lasting value.
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The dream of the ideal city is as old as the city itself. Since real cities often develop chaotically, the idea of perfecting them, even tearing them down if necessary, and rebuilding them according to the prevailing patterns of thought is an obvious one. The latest manifestation of this utopia is the smart city - the intelligent city, packed with the latest technology and extensively digitised. But will air taxis and hyperloops, ubiquitous sensors, access control systems and data-driven management really make the city of the future a better place to live? Are they the answer to the enormous challenges facing today's fast-growing metropolises? Or will the supposed administrative paradise ultimately mutate into a digital juggernaut?
From the late eighteenth century to the early twentieth century, Liverpool was frequently referred to as the 'second city of the empire'. Yet, the role of Liverpool within the British imperial system and the impact on the city of its colonial connections remain underplayed in recent writing on both Liverpool and the empire. However, 'inconvenient' this may prove, this specially-commissioned collection of essays demonstrates that the imperial dimension deserves more prevalence in both academic and popular representations of Liverpool's past. Indeed, if Liverpool does represent the 'World in One City' - the slogan for Liverpool's status as European Capital of Culture in 2008 - it could be argued that this is largely down to Merseyside's long-term interactions with the colonial world, and the legacies of that imperial history. In the context of Capital of Culture year and growing interest in the relationship between British provincial cities and the British empire, this book will find a wide audience amongst academics, students and history enthusiasts generally.
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As human and machine agency become increasingly intermingled and digital media is overlaid onto the urban landscape, The machinic city argues that performance art can help us to understand contemporary urban living. Dias analyses interventions from performance artists such as Blast Theory, Rafael Lozano-Hemmer and Rimini Protokoll, which draw from a rich history of avant-garde art movements to create spaces for deliberation and reflection on urban life, and speculation on its future. While cities are increasingly controlled by autonomous processes mediated by technical machines, Dias analyses the performative potential of the aesthetic machine, as it assembles with media, capitalist, human and urban machines. The aesthetic machine of performance art in urban space is examined through its different components - design, city and technology actants. This unveils the unpredictable nature and emerging potential of performance art as it unfolds in the machinic city.
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This book offers the first English translation of the Chronicle of the city of Genoa by the thirteenth-century Dominican Jacopo da Varagine, an author best known for his monumental book of saints' lives, the Golden legend. Jacopo's Chronicle presents a coherent vision of Genoa's place in history, the cosmos and Creation as written by the city's own archbishop - mixing eyewitness accounts with scholarly research about the city's origins and didactic reflections on the proper conduct of public and private life. Accompanied by an extensive introduction, this complete translation provides a unique perspective on a dynamic medieval city-state from one of its most important officials, broadening the available literature in English on medieval Italian urban life.
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This book offers the first English translation of the Chronicle of the city of Genoa by the thirteenth-century Dominican Jacopo da Varagine, an author best known for his monumental book of saints' lives, the Golden legend. Jacopo's Chronicle presents a coherent vision of Genoa's place in history, the cosmos and Creation as written by the city's own archbishop - mixing eyewitness accounts with scholarly research about the city's origins and didactic reflections on the proper conduct of public and private life. Accompanied by an extensive introduction, this complete translation provides a unique perspective on a dynamic medieval city-state from one of its most important officials, broadening the available literature in English on medieval Italian urban life.
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This book offers the first English translation of the Chronicle of the city of Genoa by the thirteenth-century Dominican Jacopo da Varagine, an author best known for his monumental book of saints' lives, the Golden legend. Jacopo's Chronicle presents a coherent vision of Genoa's place in history, the cosmos and Creation as written by the city's own archbishop - mixing eyewitness accounts with scholarly research about the city's origins and didactic reflections on the proper conduct of public and private life. Accompanied by an extensive introduction, this complete translation provides a unique perspective on a dynamic medieval city-state from one of its most important officials, broadening the available literature in English on medieval Italian urban life.
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The streetscape - the closely observed, faithfully rendered view of the city's streets, squares, canals, buildings and people - was a new artistic genre of the early modern era, a period in which the city itself was assuming new forms and taking on new roles in Europe and America. This unique book reopens the window of the early city view makers by tracing earlier forms of urban representation in European art into the sudden coalescence of the new genre in Italy and the Low Countries during the middle years of the seventeenth century. It explores the rapid expansion and diffusion of the genre through the eighteenth century, its appeal to such artists as Canaletto, Bernardo Bellotto, Francesco Guardi, and Giovanni Battista Piranesi, and its embrace of a culture of secular improvement more commonly understood through the writings of Enlightenment philosophes. To examine the long history of the genre is to learn much about the early modern city, and to rediscover many beautiful and long-forgotten works of art. ;
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»In welchem Käfig man sich auch befindet, man muß ihn verlassen«, lautete das Credo von John Cage (1912 bis 1992), dem international bekanntesten experimentellen Komponisten des 20. Jahrhunderts. Weniger bekannt ist sein literarisches Werk, das gleichberechtigt neben dem musikalischen steht. Cage ließ sich von Erik Satie, Robert Rauschenberg, James Joyce, Merce Cunningham und Marcel Duchamp inspirieren − verwandten Geistern, mit denen er Zeit seines Lebens täglich umging. Indem er seine poetisch-philosphischen Versuche musikalischen Verfahren unterwarf, verwandelte er Vorträge über das Komponieren, über den Zufall oder die Kategorie der Unbestimmtheit in Ereignisse, schwebend, der Festlegung entzogen – nicht anders als die Musik der Absichtslosigkeit, von der er träumte. John Cage als Wortkünstler harrt hierzulande noch der Entdeckung. »Empty Mind« versammelt eine Auswahl poetischer Schlüsseltexte, an denen sich die unerschöpfliche Freude, neue Wege zu gehen, Grenzen zu überschreiten, ablesen läßt. Eine Freude, die ansteckend wirkt − auch auf all jene, die sich noch nie mit seinem Werk beschäftigt haben.
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The book provides a 'flâneur's eye view' of Parisian life in the first half of the nineteenth century: dress, cafés and restaurants, but also shops and passages, the omnibus, bals publics and carnival. The author provides general conclusions about the private and public spheres in 'le vieux Paris'. Like the flâneur, the author concentrates less on factual information for its own sake - which may be found in the secondary works cited in the text and footnotes - than on the 'semiological' or anthropological significance of the cultural forms in question. Links are drawn between cultural institutions and class relations in pre-1850 Paris, with particular emphasis on cultural inequality, on the persistence of cross-class contacts, and the growing differences between classes as reflected in behaviour and attitudes. ;
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The imperatives of public health shaped our understanding of the cities of the global north in the first industrial revolutions of the nineteenth and twentieth centuries. They are doing so again today, reflecting new geographies of the urban age of the twenty-first. Emergent cities in parts of the globe experiencing most profound urban growth face major problems of economic, ecological and social sustainability when making sense of new health challenges and designing policy frameworks for public health infrastructures. The rapid evolution of complex 'systems of systems' in today's cities continually reconfigure the urban commons, reshaping how we understand urban public health, defining new problems and drawing on new data tools for analysis that work from the historical legacies and geographical variations that structure public health systems.
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The so-called Investiture Conflict was a watershed moment in the political life of the Latin West and the history of the papacy. Occurring at a time of rapid social change and political expansion, the eleventh-century reform movement became a debate centered on a ritual: the investment of bishops with the signs of their sacred and secular authority. The consecration of bishops, however, was only one of several contemporaneous conflicts over the significance of consecrations. Less well known is that which occurred over the dedication of churches. This book provides an examination of the consecration, placing the fundamental questions of the Gregorian Reform and Investiture Conflict back into their original liturgical framework. This context allows us to consider the symbolic richness of the liturgy that attracted large numbers of people. ;
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Provides a critical account of one of Europe's most celebrated examples of urban transformation, getting beneath the hype to ask what has really changed in the 'new' Manchester.. The first comprehensive account of contemporary political and economic change in Manchester.. Explores the costs and consequences of making the transition from an industrial to a post-industrial or 'entrepreneurial' city, with broad implications for other major cities. ;
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This groundbreaking volume brings together scholars from across the globe to discuss the infrastructure, energy, housing, safety and sustainability of African cities, as seen through local narratives of residents. Drawing on a variety of fields and extensive first-hand research, the contributions offer a fresh perspective on some of the most pressing issues confronting urban Africa in the twenty-first century. At a time when the future of the region as a whole will be determined in large part by its cities, the implications of these developments are profound. With case studies from cities in Ethiopia, Kenya, Malawi, Niger, Nigeria, South Africa and Tanzania, this volume explores how the rapid growth of African cities is reconfiguring the relationship between urban social life and its built forms. While the most visible transformations in cities today can be seen as infrastructural, these manifestations are cultural as well as material, reflecting the different ways in which the city is rationalised, economised and governed. How can we 'see like a city' in twenty-first-century Africa, understanding the urban present to shape its future? This is the central question posed throughout this volume, with a practical focus on how academics, local decision makers and international practitioners can collaborate to meet the challenge of rapid growth, environmental pressures and resource gaps.
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In the middle of the woods, in the middle of Germany: Wolfgang Büscher‘s fascinating journey into its very core. Night after night, a boy stands at the window of his parents’ house and watches the sun as it disappears from view behind the rolling hills in the west. He roams through the woods with his friends, building wooden shacks which the foresters destroy. It’s the early sixties. Decades later, Wolfgang Büscher makes his childhood dream come true. He moves to the woods and experiences spring, summer and autumn there. An aristocratic family on the border of Hessen and Westphalia where Büscher grew up allows him to stay in a hunting lodge in the middle of the woods, in the middle of Germany. This is where he puts up his camp bed. He has no electricity or running water. He prepares himself for quiet times alone, chopping wood and making fires, the odd hunting expedition, hiking, a marksmen’s festival, extreme loneliness and a nighttime blackness never seen in the city. The year takes an unexpectedly dramatic turn as storms, heat and plagues of beetles kill half of the woods. And something else happens which turns everything on its head: Büscher’s mother dies that summer, meaning the house he grew up in is left empty, but full of memories. This is a homecoming more existential than he could have imagined. A book far removed from the deafening din of today‘s world. An exploration of a nation, floods of memories and a “sentimental education” all rolled into one - literary, perceptive and overwhelming.
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