ZNN Network Literary and Illustrator Agency
- International Copyright, Licensing, and Literary Agency - International Illustrator Agency and Management Services - Creative Content Development Services
View Rights Portal- International Copyright, Licensing, and Literary Agency - International Illustrator Agency and Management Services - Creative Content Development Services
View Rights PortalAn innovative & different princess story! • The three princesses love to quarrel • Original and incredibly witty • Written by Ursula Poznanski and stunning illustrations by Sabine Büchner • Translation Grant! Bianca, Violetta and Rosalind are three adorable princesses. But they share a tiny quirk: they love to argue! One day a visitor asks for entrance into the castle. Prince Waldomir doesn’t enjoy hunting dragons anymore and rather prefers to get married know. Of course each princess is convinced to be the best choice and the prince’s one and only. So a rat race is launched before they have even met the puny prince for the first time…
Help the animals to find their letters ... easy as ABC!• By best-selling author Ursula Poznanski• Get a first feeling for letters and words!• Humorously illustrated, with funny details!After a big storm in the jungle, the little monkey collects many funny-looking things. “That are letters,” knows the smart parrot. “Somebody must have lost them”. And indeed, monkey and parrot come across strange animals that seem like something is missing. A "iger", a "nake", a "at" … An exciting letter story for reading aloud and early reading, guessing and poetizing by yourself!
Ruby Fairygale and the Island of Magic Ruby Fairygale's first adventure - lovingly and excitingly told, with many atmospheric illustrations• Feel-good fantasy for Story Time, Early Readers and Fans of "Ruby Fairygale"!• Written by Marlene Jablonski (“Liliane Susewind” Chapter book series), based on a synopsis by Kira Gembri• Strong female protagonist and lovingly developed characters, with a high sympathy factor8-year-old Ruby Fairygale lives on a small island near the west coast of Ireland. After school, she always helps her grandmother, who works as a veterinarian. But the two of them have a big secret: they know that there are not only animals on the island, but also magical mythical creatures that need their help.Summer vacation at last! Now Ruby can spend the whole day helping her grandma. The two of them not only take care of animals, but also fairies, goblins and other mythical creatures! It's not easy to keep this secret - especially from Briana, the most unfriendly girl in Ruby's class. When Bri's father's fishing nets are destroyed, Briana suspects a pack of seals and is determined to drive them away. But Ruby suspects that something else is behind this. Something completely magical ... And indeed: a little mermaid had become entangled in the fishing net! Can Ruby still stop Bri without revealing her secret?
Offering a major contribution to the field of American culture and aesthetics in an interdisciplinary frame, this collection assembles the cutting-edge research of renowned and emerging scholars in literature and the visual arts, with a foreword by Miles Orvell. The volume represents the first of its kind: an intervention in current interdisciplinary approaches to the intersections of the written word and the visual image that moves beyond standard theoretical approaches to consider the written and visual artwork in embodied, cognitive and experiential terms. Tracing a strong lineage of pragmatism, romanticism, surrealism and dada in American intermedial works through the nineteenth century to the present day, the editors and authors of this volume chart a new and vital methodology for the study and appreciation of the correspondences between visual and verbal practices.
The basis for successful advice is having a sound knowledge of the effect and application of medicines, but also an instinct for the individual needs and characteristics of the person asking for your help. This skill can be trained! Entertaining explanations and numerous case examples taken from everyday pharmacy practice help with this. They show how pharmacy staff can react empathetically, avoid misunderstandings, and manage delicate situations with confidence. The 5th edition has become more colourful! This applies not only to the illustrations, but also to the team and customers of our model pharmacy. A personality model with distinctive colours representing the different characters promises exciting insights. Good communication creates satisfied customers who want to come back again and again!
The fifteen groundbreaking essays contained in this book address the concept of adaptation in relation to horror cinema. Adaptation is not only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The history of the genre is full of adaptations that have drawn from fiction or folklore, or that have assumed the shape of remakes of pre-existing films. The horror genre itself also abounds with its own myriad transformations and transmutations. The essays within this volume engage with an impressive range of horror texts, from the earliest silent horror films by Thomas Edison and Jean Epstein through to important contemporary phenomena, such as the western appropriation of Japanese horror motifs. Classic works by Alfred Hitchcock, David Cronenberg and Abel Ferrara receive cutting-edge re-examination, as do unjustly neglected works by Mario Bava, Guillermo del Toro and Stan Brakhage.
Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.
Writing otherwise is a collection of essays by established feminist and cultural critics interested in experimenting with new styles of expression. Leading figures in their field, such as Marianne Hirsch, Lynne Pearce, Griselda Pollock, Carol Smart, Jackie Stacey and Janet Wolff, all risk new ways of writing about themselves and their subjects. Aimed at both general and academic readers interested in how scholarly writing might be more innovative and creative, this collection introduces the personal, the poetic and the experimental into the frame of cultural criticism. This collection of essays is highly interdisciplinary and contributes to debates in sociology, history, anthropology, art history, cultural and media studies and gender studies.
The first anthology of its kind, this timely collection brings together a diverse range of black British literatures, essays and documents from across the post-war period within a single volume.. Spanning half a century, this rich archive of representations includes South Asian, African and Caribbean cultural production by both leading and lesser-known artists, critics and commentators:. Sam Selvon Salman Rushdie George Lamming Hanif Kureishi Stuart Hall Linton Kwesi Johnson Caryl Phillips Paul Gilroy Meera Syal Kobena Mercer James Berry E. R. Braithwaite Wilson Harris Farrukh Dhondy V. S. Naipaul Ben Okri Wole Soyinka Hazel Carby Kamau Braithwaite Isaac Julien C. L. R. James Dick Hebdige A. Sivanandan Buchi Emecheta Louise Bennett Grace Nichols Jackie Kay. Directed at a truly interdisciplinary market, accommodating popular and 'high' cultural materials from across the disciplines of literature, film, photography, history, sociology, politics, Marxism, feminism, cultural and communications studies.. Situated and contextualised within accessible historical and cultural frameworks and incorporating lucid introductions, a detailed chronology and extensive bibliography.
Intervening at the crossroads of philosophy, politics, and cinema, this book argues that the career of Robert Guédiguian, director of Marius et Jeannette (1997) and other popular auteurist films, can be read as an original and coherent project: to make a committed, historically-conscious cinema with friends, in a local space, and over a long period of time. Illustrated with comprehensive readings of all of Guédiguian's films.
August Drach wächst in einem Haus am Dorfrand auf, das Hölle und Paradies zugleich ist. Der Vater, von sich und dem Leben enttäuscht, misshandelt seinen Sohn, Zärtlichkeit hat er nur für die Hunde übrig. Trost findet August bei seiner Mutter, die ihn liebevoll umsorgt. Doch als der Vater die Familie verlässt, verwandelt sich die Zuwendung der Mutter: Sie mischt August heimlich Medikamente ins Essen, schwächt das Kind, macht es krank; von seiner Pflege verspricht sie sich Aufmerksamkeit und Bewunderung. Erst Jahre später gelingt es August, sich aus den Fängen der Mutter zu befreien, ein unabhängiges Leben zu führen, erste Liebe zu erfahren. Doch wie lernt ein erwachsener Mensch, das Rätsel einer Kindheit zu lösen, in der Grausamkeit und Liebe untrennbar zusammengehören? Wie durchbricht er den Kreislauf von Lügen und Betrügen? Und was passiert, wenn sich dieser Mensch, Jahre später, an den Ursprung des Schmerzes zurückwagt? Sprachgewaltig, in packenden Bildern und Episoden erzählt Valerie Fritsch in ihrem neuen Roman von der Ungeheuerlichkeit einer Liebe, die hilflos und schwach macht, die den anderen in mentaler und körperlicher Abhängigkeit hält. Ein Entkommen ist nicht vorgesehen, es sei denn um den Preis, selbst schuldig zu werden.
The Humorous Magistrate is a seventeenth-century satiric comedy extant in two highly distinctive manuscripts. This, the earliest and clearly working draft of the play is bound with three other plays (including The Emperor's Favourite, published by the Malone Society in 2010) in a volume in the library of the Newdigate family of Arbury Hall, Nuneaton, Warwickshire. The second version, showing yet another stage of revision not found in the Arbury manuscript and orientated towards performance, was purchased by the University of Calgary from the English antiquarian Edgar Osborne in 1972. The relationship between the manuscripts was discovered in 2005. The anonymous play has been attributed to John Newdigate III (1600-1642). Like The Emperor's Favourite, it takes aim at the court; its particular object of satire is governmental strategies under the Personal Rule of Charles I. The play appears in print for the first time in these separate editions. The volumes are illustrated with several plates, some provided for comparative purposes.
Ranging from eyebaths and compression stockings to electronic cigarettes, the variety of medical aids available is huge. Every day, expert advice on these is needed at the pharmacy. The authors have summarised these aids in a practically oriented way. They provide background information, specifics about the materials, application descriptions, practical tips and product examples. Colourful illustrations show how they are used on or by the patient. Fully updated, the new edition of the book contains not only conventional medical devices but also those asked for at a contemporary community pharmacy. This 11th edition, which has been completely revised, contains: - definitions enabling rapid familiarisation with the topic, - tables that provide an overview, - illustrations and advice tips to help with practical use, - mnemonics and practice questions which help reinforce the knowledge Bonus: QR codes take the user to additional digital material! The ideal companion in training and on the job!
This innovative and exciting volume celebrates the career of Janet Wolff: a highly influential voice in the literature of sociology, cultural studies, visual studies and art history, as well as dance and modernism for several decades. Her work has significantly contributed to the way we view issues as diverse as modernism, the flâneur, British and American art in the early twentieth century, and the gendered literature of modernity. The volume contains contributions from a number of Janet Wolff's collaborators and others who are associated with the fields in which she has worked, including Zygmunt Bauman, Walid Raad and Griselda Pollock. The book includes original artworks, memoir and essays inspired by her example and which deal with questions she has discussed. The book will be of interest to academics and postgraduate students in any of these disciplines, as well as those interested by the form of a transatlantic academic career.