August 2009
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Humanities & Social SciencesJuly 2018Mapping European security after Kosovo
by Peter Van Ham, Sergei Medvedev
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Humanities & Social SciencesJune 2021Armed non-state actors and the politics of recognition
by Anna Geis, Maéva Clément, Hanna Pfeifer, Emmanuel Pierre Guittet, Peter Lawler
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Demonstrations & protest movementsJuly 2014Worker protests in post-communist Romania and Ukraine
Striking with tied hands
by Mihai Varga
Worker protests in post-communist Romania and Ukraine is a book about strategies of trade unions confronting employers in difficult conditions. The book's main idea is to study why and how successful forms of workers' interest representation could emerge in a hostile context. The post-communist context makes it difficult for workers and trade unions to mobilise, pose threats to employers, and break out of their political isolation, but even under such harsh conditions strategy matters for defending workers' rights and living standards. The cases studied in this book are 18 conflict episodes at 10 privatised plants in the Romanian steel industry and Ukraine's civil machine-building sector in the 2000s. This book should be relevant for anyone taking interest in how and to what extent workers can reassert their influence over the conditions of production in regions and economic sectors characterised by disinvestment (of which outsourcing and 'lean' methods of production are instances).
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Business, Economics & LawFebruary 2021International organisations, non-state actors and the formation of customary international law
by Sufyan Droubi, Jean D'Aspremont
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Film theory & criticismFebruary 2014The Encyclopedia of British Film
Fourth edition
by Edited by Brian McFarlane
With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.
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Humanities & Social SciencesMarch 2025
Hand of the prince
How diplomacy writes subjects, territory, time, and norms
by Pablo de Orellana
This book is dedicated to how diplomacy makes, develops, and trades in knowledge. It proposes an approach to examine how diplomatic knowledge production describes what diplomats see, how these descriptions develop, and whether they were convincing to one's own policymakers or even those of other actors. These descriptions are vital: actors can be inserted into global categories Communism or Terrorism that beget significant security, relational and policy consequences. Diplomacy and policy constitute the world we inhabit based on what policymakers made of descriptions, assessments, and analysis. Such is the power of knowing who we and the others are.
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November 2021The Forest of the Future – A New Reality
Understanding the ecosystem
by Hans Jürgen Böhmer
What happened with forest dieback? The predictions of the 1980s that forests would be in decline across Europe have not come true. Currently, attention again focuses on the doom scenarios of the loss of entire forests and cultural landscapes in an emotional and sometimes hysterical debate. Biogeographer Hans Jürgen Böhmer refers to updated case studies and his 30 years of research experience on global ecosystems to demonstrate extremely complex interrelations of the natural world that various actors monitor in contrasting ways and characterized by different times and ideologies. Böhmer advocates to embed the sustainability debate more strongly in the living environment, rather than relying exclusively on model calculations.
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Humanities & Social SciencesJuly 2024Coup in Damascus
Husni al-Za'im and the birth of Syrian military rule
by Carl Rihan
Coup in Damascus is a history of Syria's first military regime. It plots the the fall of Syria's democracy and the rise of its military rulers, particularly Husni al-Zaim, whose brief rule in 1949 represented a profoundly transformative moment for the Syrian nation. It is a history of the thoughts, intentions and motives of political actors underpinning the events that have marked Syria's history after the first Arab-Israeli war, and focuses mainly on the interaction between local, regional and international actors. Unlike most histories of the modern Middle East that tackle broad intervals and that focus on the sequences of events, this history seeks to reconstruct the thought processes behind the events, and anchor them within the epoch's existing political and socioeconomic conditions. It draws on several methodological influences, particularly R.G. Collingwood's 'history as re-enactment of the past'.
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Children's & YAThe Soccer Gang (4). A Strong Player For The Team
by Frauke Nahrgang/ Nikolai Renger
Even the best team can’t win if the defence is weak. And that’s not surprising, because Finn the attacker now has to play as a defender. The Soccer Gang urgently needs to get a boost! Of all people, it’s Gregor – who knows nothing whatsoever about football – who knows somebody: Leo, a defender, has moved to the town. Could Leo be the answer to the Soccer Gang’s problem?
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Humanities & Social SciencesMarch 2010Negotiating sovereignty and human rights
International society and the International Criminal Court
by Sibylle Scheipers
Negotiating sovereignty and human rights takes the transatlantic conflict over the International Criminal Court as a lens for an enquiry into the normative foundations of international society. The author shows how the way in which actors refer to core norms of the international society such as sovereignty and human rights affect the process and outcome of international negotiations. The book offers an innovative take on the long-standing debate over sovereignty and human rights in international relations. It goes beyond the simple and sometimes ideological duality of sovereignty versus human rights by showing that sovereignty and human rights are not competing principles in international relations, as is often argued, but complement each other. The way in which the two norms and their relationship are understood lies at the core of actors' broader visions of world order. The author shows how competing interpretations of sovereignty and human rights and the different visions of world order that they imply fed into the transatlantic debate over the ICC and transformed this debate into a conflict over the normative foundations of international society. ;
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Literature & Literary StudiesMarch 2004Macbeth
Second edition
by Bernice Kliman, Jim Bulman, Carol Chillington Rutter
This title explores the myriad decisions directors and actors make to produce a version of Shakespeare's play. It's full discussions of eighteen productions from the UK, Italy, Japan and the US empower readers to appreciate the many choices Shakespeare's text supports. ;
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Literature & Literary StudiesJune 2012The Théâtre des Variétés in 1852
by David Hillery, Mike Thompson
This book gives a picture of a year's activities at the Théâtre des Variétés. It includes an account of the financial side of the Theatre and impressions of the principal actors and actresses, as well as a month-by-month overview of what was actually performed. ;
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Trade unionsApril 2009Trade unions and democracy
Strategies and perspectives
by Edited by Mark Harcourt and Geoffrey Wood
Available for the first time in paperback, this book explores the role of trade unions as products of, and agents for, democracy. The crisis facing established democratic institutions in the advanced societies has been widely noted. In response, there has been increasing interest in the role of civil society actors, ranging from established socio-political collectives to new grassroots organisations. On the one hand, conventional wisdom holds that organised labour in the advanced societies has remained locked in a cycle of political marginalisation and decline. On the other hand, unions continue to represent a significant component of society within most industrialised countries. Indeed, in many cases, they have demonstrated a capacity for effective renewal and for co-ordinating their efforts with other civil society actors as part and parcel of the current groudswell of public opinion against the neo-liberal orthodoxy. The book brings together a distinguished panel of leading and emerging scholars in the field, and provides a critical assessment of the current role of unions in society, their capacity to impact on state policies in such a manner as to ensure greater accountability and fairness, and the nature and extent of internal representative democracy within the labour movement. This volume will be of interest to students and academics in the fields of industrial relations, critical management studies, political studies and sociology, as well as trade union and community activists.
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November 2011The Honest Man's Fortune
by Grace Ioppolo
This edition of The Honest Man's Fortune, a play co-written by John Fletcher, Nathan Field, and Philip Massinger for the Lady Elizabeth's Men in 1613 and revived for the King's Men in 1625, is the first diplomatic edition of one of the most remarkable dramatic manuscripts of the early modern period. Almost uniquely, the fair-copy manuscript records the entire process of the circular transmission of the text from authors to censor to bookkeeper to actors to playhouse, as well as the types of revision each required. In the hand of Edward Knight, the King's Men's book-keeper, this manuscript's title-page notes that it was '/Plaide In the yeare 1613/' and contains one of the few surviving complete licences by Master of the Revels Sir Henry Herbert who states, 'This Play. Being an olde One and the Originall Lost was reallowd by mee. This: 8 febru. 1624 [i.e., 1625]'. In fact, Herbert accepted as payment for the new licence a printed edition of Sir Philip Sidney's /Arcadia/. More excitingly, the many cuts, deletions, and marginal and interlinear additions and revisions as well as the names of three actors in its stage directions show us two transmissions of this text: the first in 1613, when it was composed and licensed and then adjusted by the authors, and the second in 1625, when it went through almost the same process for revival. With a full discussion of the manuscript's material properties, provenance, transcription history, and the play's composition and performance history, this new edition of /The Honest Man's Fortune/ puts the play where it belongs: at the centre of the canon of Jacobean drama. ;
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Literature & Literary StudiesJuly 2010The Winter's Tale
by Judith Dunbar, Jim Bulman, Carol Chillington Rutter
This illuminating study of The Winter's Tale in performance in the twentieth and early twenty-first centuries contributes to understanding the growth during that time of high critical esteem forwhat is now one of Shakespeare's frequently performed plays. Writing about performance as a richly collaborative living art, the author learns from and gives voice to the work of actors, directors, designers and other theatre professionals whose labor and interpretive discoveries have made it possible for audiences to experience the play's multiple potentialities in the theatre. She does this in part by citing from her interviews with directors like Trevor Nunn and Peter Hall and with actors engaged in some of the most significant twentieth-century productions of The Winter's Tale. Dunbar connects her scholarly research, including fresh use of materials in theatrical archives, to her direct experience of those productions she has able to see in performance and, at times, to see develop in rehearsal. Her in-depth analysis of selected significant twentieth-century productions, including cross-cultural productions of The Winter's Tale by the Royal Dramatic Theatre of Sweden (directed by Ingmar Bergman), and the Maly Drama Theatre of Europe, in St. Petersburg (directed by Declan Donnellan), explores how theatre artists have approached the play's most crucial theatrical and interpretive challenges. The book's last chapter, by distinguishedtheatre scholar and performance critic Carol Chillington Rutter, contributes a richly layered and highly engaging comparative analysis of eight of the most important recent British productions of the play. Dunbar makes a significant contribution to understanding The Winter's Tale which will be of great interest to scholars, teachers, and students of Shakespeare, to theatre lovers, and to all involved in productions of the play. ;
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The ArtsDecember 2000Theatre under the Nazis
by John London
This is the first book to appear in English about theatre from the entire Nazi period (1933-45). It is based on detailed statistical analysis, contemporary press reports, research in German archives and interviews with surviving playwrights, actors and musicians. The volume has an extensive bibliography and is fully illustrated. It forms a much needed guide to this neglected area of European culture and will be of interest to historians, Germanists and theatre specialists. The international contributors are William J. Niven, Glen Gadberry, Erik Levi, Rebecca Rovit, William Abbey and Katharina Havekamp. ;
