Pastrengo is a Milan-based literary agency founded on September 2016 by Francesco Sparacino and Michele Turazzi. Pastrengo represents Italian authors of fiction (commercial and literary, young adult) and non fiction.
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The Gilam Agency – founded by Giovanni Lamanna – is based in Italy and is specialized in Italian Fiction and Non-Fiction, and Children's Books. We represent about 25 authors, some already established (such as Attilio Del Giudice, Francesco Forlani, Peppe Lanzetta, Gianfranco Pecchinenda, Felice Piemontese, Elena Starace, Giulia Bracco, Roger Salloch), some beginners. We also hold the rights to Non-Fiction books (books about Maria Montessori, pedagogy, sport, social science, philosophy...) The Gilam Agency is partner of some Italian publishers (Neo Edizioni, Lavieri, Funambolo, Dalia, Fefé) in selling translation rights on foreign market. We are also going to represent foreign publishers for selling translation rights in Italy. The Gilam Agency takes part in the most important book fairs and exhibitions in Italy and in Europe. In 2020 the Agency has created a new brand (with its own dedicated staff) for Children's and Illustrated Book Rights (the Wrong Cat Rights Agency).
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Contains number of previously unpublished letters which were not included in the hardback edition. Completes the project of publishing the correspondence of one of the greatest nineteeth-century novelists - J. A. V. Chapple edited not only the letters of Elizabeth Gaskell (1966), but also published Elizabeth Gaskell: The early years in 1997. The influence and appreciation of Mrs Gaskell is undergoing a renaissance, with the recent BBC adaptation of Wives and Daughters and the forthcoming North and South. The authors are two of the acknowledged world experts on Elizabeth Gaskell - both of whom have helped the BBC in compiling the 1999 Omnibus programme.. This collection illustrates once more the richness and diversity of her involvement in a remarkable range of social and literary activities, making her letters an important source for scholars of Victorian literature and culture 6. Includes correspondence. ;
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Roman Yos' preisgekrönte Untersuchung über die Ursprünge eines der einflussreichsten Werke der jüngeren Geistesgeschichte zeigt auf originelle Weise, wie Jürgen Habermas seine bereits in jungen Jahren ausgeprägten philosophisch-politischen Denkmotive allmählich in die Bahnen eines tragfähigen Systems überführte. Diese Entwicklung lässt sich als ein Lernprozess begreifen, in dessen Verlauf konträre intellektuelle Einflüsse aufeinandertrafen und der aufwändigen Vermittlung bedurften. Yos rekonstruiert die spannungsreiche Entstehung von Habermas‘ Denken aus dem Zusammenhang frühester Schriften und gibt zugleich einen Einblick in deren zeit- und ideengeschichtliche Hintergründe.
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Naturwissenschaftliche Forschungen zu den Themen Leben, Intelligenz und Materie erzielen derzeit revolutionäre Ergebnisse, die unsere Auffassung von der Natur des menschlichen Körpers und Geistes herausfordern. Der Erfinder und Autor Ray Kurzweil leitet aus möglichen technologischen Anwendungen dieser Erkenntnisse die Vision einer nahen Zukunft ab, in der Künstliche Intelligenz die menschliche auf allen Gebieten übertrifft, in der der Mensch mit intelligenter Technologie verschmilzt, Krankheiten und Altern durch den Einsatz von Gentechnik und Nanomedizin bekämpft werden und schließlich niemand mehr eines natürlichen Todes sterben muß. Was an diesen Visionen ist Wissenschaft, was Heilsversprechen religiöser Art, was reine Science Fiction? Der Schriftsteller Tobias Hülswitt und der Physiker Roman Brinzanik haben Interviews mit herausragenden Wissenschaftlern geführt, darunter der Chemie-Nobelpreisträger Jean-Marie Lehn, der Stammzellforscher Hans R. Schöler und der Hirnforscher Wolf Singer, um herauszufinden, was der heutige Stand der Naturwissenschaften ist und wie seriöse Zukunftsszenarien aussehen. Daneben werden in Gesprächen mit dem Präsidenten der Max-Planck-Gesellschaft Peter Gruss, dem Demografen James W. Vaupel und dem Ethiker Bert Gordijn die sozialen Konsequenzen bevorstehender Technologien und einer möglichen radikalen Lebensverlängerung ausgelotet. Mit Pater Friedhelm Mennekes SJ, dem Schriftsteller Hans-Ulrich Treichel, dem Philosophen Aaron Ben-Ze’ev u. a. sprechen die Autoren über die Plastizität menschlicher Identität und das Verhältnis der Künste zu Technik, Melancholie und Vergänglichkeit. Zitat: »Könnten wir also den Tod überwinden? Jean-Marie Lehn: Wen? Den Tod. Jean-Marie Lehn: Bestimmte Aspekte davon wahrscheinlich schon. Es kommt darauf an, was Sie mit Tod meinen.« Jean-Marie Lehn, Chemie-Nobelpreis 1987
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False profits of ethical capital is a thought-provoking approach to understanding stakeholder capitalism. Rather than focusing on the inadequacies of corporate responsibility, sustainable investment and consumer politics, this book grapples with the technical and rhetorical functions of ethical capital for profit and accumulation. It provides a unique and eclectic analysis of the political dynamics between finance, capital and labour, offering a refreshing perspective on struggles interlocking social, ecological and economic crises, and suggesting new ways of thinking about sustainability politics.
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Gothic television is the first full length study of the Gothic released on British and US television. An historical account, the book combines detailed archival research with analyses of key programmes, from Mystery and Imagination and Dark Shadows, to The Woman in White and Twin Peaks, and uncovers an aspect of television drama history which has, until now, remained critically unexplored. While some have seen television as too literal or homely a medium to successfully present Gothic fictions, Gothic television argues that the genre, in its many guises, is, and has always been, well-suited to television as a domestic medium, given the genre's obsessions with haunted houses and troubled families. This book will be of interest to lecturers and students across a number of disciplines including television studies, Gothic studies, and adaptation studies, as well as to the general reader with an interest in the Gothic, and in the history of television drama.
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Nordic Gothic traces Gothic fiction in the Nordic region from its beginnings in the nineteenth century, with a main focus on the development of Gothic from the 1990s onwards in literature, film, TV and new media. The volume gives an overview of Nordic Gothic fiction in relation to transnational developments and provides a number of case studies and in-depth analyses of individual narratives. It creates an understanding of this under-researched cultural phenomenon by showing how the narratives make visible cultural anxieties haunting the Nordic countries, their welfare systems, identities and ideologies. Nordic Gothic examines how figures from Nordic folklore function as metaphorical expressions of Gothic themes and Nordic settings are explored from perspectives such as ecocriticism and postcolonialism. The book will be of interest to researchers and post- and- undergraduate students in various fields within the Humanities.
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»Die Straßen in Havanna«, schrieb der kubanische Schriftsteller Alejo Carpentier, »bieten ein fortwährendes Schauspiel: Theater, Karikatur, Drama, Komödie oder was auch immer.« So verwundert es nicht, daß gerade Künstler und Intellektuelle sich von der pulsierenden Atmosphäre der Hafenstadt inspirieren ließen. In den prächtigen Hotels der Altstadt logierten Jean-Paul Sartre, Ry Cooder und Albert Einstein. Ernest Hemingway erkor Havanna sogar zu seinem ständigen Wohnsitz. Den Soundtrack zu dem Treiben auf den Straßen liefern bis heute Rumba und Son Cubano – die mit dem Buena Vista Social Club unvergeßlich wurden. Auf den Spuren bedeutender Autoren entdeckt der Leser die verborgenen, magischen Orte der »Perle der Karibik«.
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Graveyard Gothic is the first sustained consideration of the graveyard as a key Gothic locale. This volume examines various iterations of the Gothic graveyard (and other burial sites) from the eighteenth century to the twenty-first, as expressed in numerous forms of culture and media including poetry, fiction, TV, film and video games. The volume also extends its geographic scope beyond British traditions to accommodate multiple cultural perspectives, including those from the US, Mexico, Japan, Australia, India and Eastern Europe. The seventeen chapters from key international Gothic scholars engage a range of theoretical frameworks, including the historical, material, colonial, political and religious. With a critical introduction offering a platform for further scholarship and a coda mapping potential future critical and cultural developments, Graveyard Gothic is a landmark volume defining a new area of Gothic studies.
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