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Pastrengo Agenzia Letteraria
Pastrengo is a Milan-based literary agency founded on September 2016 by Francesco Sparacino and Michele Turazzi. Pastrengo represents Italian authors of fiction (commercial and literary, young adult) and non fiction.
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Literature & Literary StudiesMay 2023Pasts at play
Childhood encounters with history in British culture, 1750–1914
by Rachel Bryant Davies, Barbara Gribling
This collection brings together scholars from disciplines including Children's Literature, Classics, and History to develop fresh approaches to children's culture and the uses of the past. It charts the significance of historical episodes and characters during the long nineteenth-century (1750-1914), a critical period in children's culture. Boys and girls across social classes often experienced different pasts simultaneously, for purposes of amusement and instruction. The book highlights an active and shifting market in history for children, and reveals how children were actively involved in consuming and repackaging the past: from playing with historically themed toys and games to performing in plays and pageants. Each chapter reconstructs encounters across different media, uncovering the cultural work done by particular pasts and exposing the key role of playfulness in the British historical imagination.
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Humanities & Social SciencesNovember 2007Making peace with the past?
Memory, trauma and the Irish troubles
by Graham Dawson
This book explores the psychic, cultural and political ramifications of memory within the Irish Troubles. It investigates the traumatic impact of the violence perpetrated since 1969; the antagonistic cultural narratives of memory fashioned and mobilised in this context within public and private arenas; and the conflicts, paradoxes and contradictions involved in 'coming to terms with the past' both before and during the Irish peace process initiated in 1993-94. The study focuses on personal and collective remembrance within two particular locations: the Unionist communities along the Irish Border, and nationalist Derry. It traces the formation from below of competing public narratives, one concerned with the 'ethnic cleansing' of Protestants by the Irish Republican Army, the other with British state violence on Bloody Sunday; and analyses their subjective roots in specific experiences of fear and loss, their role in ideological struggle, and their complicated relation to private, familial and individual remembering. ;
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Literature & Literary StudiesSeptember 2020Pasts at play
by Rachel Bryant Davies, Barbara Gribling, Anna Barton
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Humanities & Social SciencesJanuary 2023Troubles of the past?
by James McAuley, Máire Braniff, Graham Spencer
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Humanities & Social SciencesOctober 2022Migrants shaping Europe, past and present
by Helen Solterer, Vincent Joos
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Humanities & Social SciencesOctober 2020Representative democracy?
by Ron Johnston, Charles Pattie, David Rossiter
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Museums & museologyNovember 2017Disturbing pasts
Memories, controversies and creativity
by Edited by Leon Wainwright
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September 2018The Past, Present, and Future of Tontines.
A Seventeenth Century Financial Product and the Development of Life Insurance.
by Herausgegeben von Hellwege, Phillip
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Film theory & criticismJuly 2013Memory and popular film
by Edited by Paul Grainge
One of the first books to put memory at the centre of analysis when exploring the relationship between film culture and the past. Provides a sustained, interdisciplinary perspective on memory and film from early cinema to the present, drawing from film studies, American studies and cultural studies. Adopts a resolutely cultural perspective and unlike psychoanalytic or formalist approaches to memory, explores questions of culture, power and identity. Contributes to the growing debate about the status and function of the past in cultural life and discourse, discussing issues of memory in film, and of film as memory. Considers such well known films as Forrest Gump, Pleasantville, and Jackie Brown.
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TelevisionNovember 2007Time and Relative Dissertations in Space
Critical Perspectives on Doctor Who
by Edited by David Butler
Time and relative dissertations in space takes the reader on a rich and varied study of one of the greatest television programmes of all time: Doctor Who. This book is the first study of Doctor Who to explore the Doctor's adventures in all their manifestations: on television, audio, in print and beyond. Although focusing on the original series (1963-89), the collection recognises that Doctor Who is a cultural phenomenon that has been 'told' in many ways through a myriad of texts. Combining essays from academics as well as practitioners who have contributed to the ongoing narrative of Doctor Who, the collection encourages debate with contrasting opinions on the strengths (and weaknesses) of the programme, offering a multi-perspective view of Doctor Who and the reasons for its endurance.
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Folk & traditional musicApril 2005The Kiss in history
by Edited by Karen Harvey
Writers have previously placed the action of kissing into categories: kisses of love, affection, peace, respect and friendship. Each of the essays in this fascinating book take a single kind of kiss and uses it as an index to the past. For rather than offering a simple history of the kiss, this book is about the kiss in history. In this collection, an eminent group of cultural historians have explored this subject using an exceptionally wide range of evidence. They explore the kiss through sources as diverse as canonical religious texts, popular prints, court depositions, periodicals, diaries and poetry. In casting the net so wide, these authors demonstrate how cultural history has been shaped by a broad concept of culture, encompassing more than simply the canons of art and literature, and integrating apparently 'historical' and 'non-historical' sources. Furthermore, this collections shows that by analyzing the kiss and its position - embedded as it is as part of our culture - history can use small gestures to take us to big issues concerning ourselves and others, the past and the present. With an afterword by Sir Keith Thomas, this book will be fascinating reading for cultural historians working on a wide range of different societies and periods.
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History of religionJuly 2016Making and remaking saints in nineteenth-century Britain
by Edited by Gareth Atkins
This book examines the place of 'saints' and sanctity in a self-consciously modern age, and argues that Protestants were as fascinated by such figures as Catholics were. Long after the mechanisms of canonisation had disappeared, people continued not only to engage with the saints of the past but continued to make their own saints in all but name. Just as strikingly, it claims that devotional practices and language were not the property of orthodox Christians alone. Making and remaking saints in the nineteenth-century Britain explores for the first time how sainthood remained significant in this period both as an enduring institution and as a metaphor that could be transposed into unexpected contexts. Each of the chapters in this volume focuses on the reception of a particular individual or group, and together they will appeal to not only historians of religion, but those concerned with material culture, the cult of history, and with the reshaping of British identities in an age of faith and doubt.
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First World WarNovember 2015The silent morning
Culture and memory after the Armistice
by Edited by Trudi Tate and Kate Kennedy
Now available in paperback, this study of the cultural impact of the Armistice of 11 November 1918 contains fourteen new essays from scholars working in literature, music, art history and military history. The Armistice brought hopes for a better future, as well as sadness, disappointment and rage. Many people in all the combatant nations asked hard questions about the purpose of the war. These questions are explored in complex and nuanced ways in the literature, music and art of the period. This book revisits the silence of the Armistice and asks how its effect was to echo into the following decades. The essays are genuinely interdisciplinary and are written in a clear, accessible style.
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Politics & governmentFebruary 2017The political aesthetics of the Armenian avant-garde
The journey of the ‘painterly real', 1987–2004
by Series edited by Amelia Jones, Marsha Meskimmon, Angela Harutyunyan
This book addresses late-Soviet and post-Soviet art in Armenia in the context of turbulent transformations from the late 1980s to 2004. It explores the emergence of 'contemporary art' in Armenia from within and in opposition to the practices, aesthetics and institutions of Socialist Realism and National Modernism. This historical study outlines the politics (liberal democracy), aesthetics (autonomous art secured by the gesture of the individual artist), and ethics (ideals of absolute freedom and radical individualism) of contemporary art in Armenia and points towards its limitations. Through the historical investigation, a theory of post-Soviet art historiography is developed, one that is based on a dialectic of rupture and continuity in relation to the Soviet past. As the first English-language study on contemporary art in Armenia, the book is of prime interest for artists, scholars, curators and critics interested in post-Soviet art and culture and in global art historiography.
