Al Masriah Al Lubnaniah
Al-Masriah Al-Lubnaniahwas established to create and maintain a high status in the publishing field and the Arab world,andalways has the aim of producing quality books in its content and shape.
View Rights PortalAl-Masriah Al-Lubnaniahwas established to create and maintain a high status in the publishing field and the Arab world,andalways has the aim of producing quality books in its content and shape.
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View Rights PortalMaterial Masculinities examines the material and consumer practices of over 1000 men from the middling and upper ranks of eighteenth-century society, c.1650-1850. It draws upon evidence from over 35 archives and museum collections to detail how material objects were integral for men in forming identities and shaping experiences. For men of all social ranks, ages, and geographic locations, material knowledge was imperative for masculine social identities to operate in a commercial society. Before the centralised factory and widespread mass-produced goods, men personalised and repaired their goods; products were shaped by men's attitudes and concerns. Objects were tools in men's identity formation and the exercise of social and gendered power. There was a reciprocal relationship between men and goods in this period; men were active agents of material and commercial change driving product and aesthetic innovation.
Enthusiastically praised by Charles Lamb and A. C. Swinburne but unjustly neglected since the early twentieth century, Thierry and Theodoret dramatizes events from medieval French history. With its disenchanted depiction of royalty, its eerie instability in terms of genre, and its black comic overtones, Thierry and Theodoret strikes as a distinctive specimen of tragic drama in the Jacobean mould and ranks as one of the most powerful plays in the canon of John Fletcher and his collaborators. This Revels Plays volume is the first fully annotated critical edition of the play, and the first to attribute it to Nathan Field alongside Fletcher and Philip Massinger. It provides a thorough introduction reassessing the play's engagement with its sources - including Shakespeare - and discusses the dating, authorship, and reception of this bizarrely captivating play, pointing the way for future scholarship, especially of a historical or gender-based nature.
Imperial cities explores the influence of imperialism in the landscapes of modern European cities including London, Paris, Rome, Vienna, Marseilles, Glasgow and Seville. Examines large-scale architectural schemes and monuments, including the Queen Victoria Memorial in London and the Vittoriano in Rome. Focuses on imperial display throughout the city, from spectacular exhibitions and ceremonies, to more private displays of empire in suburban gardens. Cconsiders the changing cultural and political identities in the imperial city, looking particularly at nationalism, masculinity and anti-imperialism.
This book explores how and why Scottish Highlanders, Punjabi Sikhs, and Nepalese Gurkhas became identified as the British Empire's fiercest, most manly soldiers in nineteenth century discourse. As 'martial races' these men were believed to possess a biological or cultural disposition to the racial and masculine qualities necessary for the arts of war. Because of this, they were used as icons to promote recruitment in British and Indian armies - a phenomenon with important social and political effects in India, in Britain, and in the armies of the Empire. Martial Races bridges regional studies of South Asia and Britain while straddling the fields of racial theory, masculinity, imperialism, identity politics, and military studies. Of particular importance is the way it exposes the historical instability of racial categories based on colour and its insistence that historically specific ideologies of masculinity helped form the logic of imperial defence, thus wedding gender theory with military studies in unique ways. Moreover, Martial Races challenges the marginalisation of the British Army in histories of Victorian popular culture, and demonstrates the army's enduring impact on the regional cultures of the Highlands, the Punjab and Nepal. This unique study will make fascinating reading for higher level students and experts in imperial history, military history and gender history.
»Poison Artist ist eine elektrisierende Lektüre, die sich von Schock zu Schock steigert. Ich habe die letzten 100 Seiten in einem Rutsch gelesen. Das letzte Kapitel ist ein absoluter Knaller. Ich habe seit Roter Drache nichts so Furchterregendes mehr gelesen.« Stephen King Der brillante Toxikologe Caleb Maddox lernt in einer Bar die verführerische Emmeline kennen. Sie flüstert ihm beim Absinth etwas zu, bekommt sein Blut an ihre Finger und streift dann zum Abschied mit ihren Lippen sein Ohr. Er muss sie wiedersehen ... Auf der Suche nach ihr wird Caleb von der Gerichtsmedizin San Francisco um seine Expertise gebeten, denn aus der Bay werden immer mehr Männer geborgen, die unter unbeschreiblichen Schmerzen gestorben sein müssen. Die Suche nach dem Mörder verschränkt sich bald mit Calebs Jagd nach Emmeline, und je näher er beiden kommt, desto gefährlicher wird es für ihn ...
Popular culture is invariably a vehicle for the dominant ideas of its age. Never was this truer than in the late-nineteenth and early twentieth centuries, when it reflected the nationalist and imperialist ideologies current throughout Europe. It both reflects popular attitudes, ideas and preconceptions and it generates support for selected views and opinions. This book examines the various media through which nationalist ideas were conveyed in late-Victorian and Edwardian times: in the theatre, "ethnic" shows, juvenile literature, education and the iconography of popular art. It seeks to examine in detail the articulation and diffusion of imperialism in the field of juvenile literature by stressing its pervasiveness across boundaries of class, nation and gender. It analyses the production, distribution and marketing of imperially-charged juvenile fiction, stressing the significance of the Victorians' discovery of adolescence, technological advance and educational reforms as the context of the great expansion of such literature. An overview of the phenomenon of Robinson Crusoe follows, tracing the process of its transformation into a classic text of imperialism and imperial masculinity for boys. The imperial commitment took to the air in the form of the heroic airmen of inter-war fiction. The book highlights that athleticism, imperialism and militarism become enmeshed at the public schools. It also explores the promotion of imperialism and imperialist role models in fiction for girls, particularly Girl Guide stories.
Politics and war are crucial to the history of masculinity, yet have been neglected in the emergent historiography of masculinity. This book opens up new avenues in gender history by mapping masculinity's part in making revolution, waging war, building nations, and constructing welfare states. Preceded by extensive historical and theoretical introductions, the volume is clearly divided into sections on revolution, nation, politics and subjectivity. An innovative collection with contributions from an international group of eminent historians who are recognised experts in their fields, with essays on Europe, the United States, Latin America, Australia, Africa and Asia. Written in a highly accessible style, targeted at both students, professional historians and the interested general reader. ;
Many early modern plays use poison, most famously Hamlet, where the murder of Old Hamlet showcases the range of issues poison mobilises. Its orchard setting is one of a number of sinister uses of plants which comment on both the loss of horticultural knowledge resulting from the Dissolution of the Monasteries and also the many new arrivals in English gardens through travel, trade, and attempts at colonisation. The fact that Old Hamlet was asleep reflects unease about soporifics troubling the distinction between sleep and death; pouring poison into the ear smuggles in the contemporary fear of informers; and it is difficult to prove. This book explores poisoning in early modern plays, the legal and epistemological issues it raises, and the cultural work it performs, which includes questions related to race, religion, nationality, gender, and humans' relationship to the environment.
This fascinating book looks at the phenomenon of murder and poisoning in the nineteenth century. Focusing on the case of William Palmer, a medical doctor who in 1856 was convicted of murder by poisoning, it examines how his case baffled toxicologists, doctors, detectives and judges. The investigation commences with an overview of the practice of toxicology in the Victorian era, and goes on to explore the demands imposed by legal testimony on scientific work to convict criminals. In addressing Palmer's trial, Burney focuses on the testimony of Alfred Swaine Taylor, a leading expert on poisons, and integrates the medical, legal and literary evidence to make sense of the trial itself and the sinister place of poison in wider Victorian society. Ian Burney has produced an exemplary work of cultural history, mixing a keen understanding of the contemporary social and cultural landscape with the scientific and medical history of the period. ;
Victorian demons provides the first extensive exploration of largely middle-class masculinities in crisis at the fin de siècle. It analyses how ostensibly controlling models of masculinity became demonised in a variety of literary and medical contexts, revealing the period to be much more ideologically complex than has hitherto been understood, and makes a significant contribution to Gothic scholarship. Andrew Smith demonstrates how a Gothic language of monstrosity, drawn from narratives such as 'The Strange Case of Dr Jekyll and Mr Hyde' and 'Dracula', increasingly influenced a range of medical and cultural contexts, destabilising these apparently dominant masculine scripts. He provides a coherent analysis of a range of examples relating to masculinity drawn from literary, medical, legal and sociological contexts, including Joseph Merrick ('The Elephant Man'), the Whitechapel murders of 1888, Sherlock Holmes's London, the writings and trials of Oscar Wilde, theories of degeneration and medical textbooks on syphilis.
Practicing shame investigates how the literature of medieval England encouraged women to safeguard their honour by cultivating hypervigilance against the possibility of sexual shame. A combination of inward reflection and outward comportment, this practice of 'shamefastness' was believed to reinforce women's chastity of mind and body, and to communicate that chastity to others by means of conventional gestures. The book uncovers the paradoxes and complications that emerged from these emotional practices, as well as the ways in which they were satirised and reappropriated by male authors. Working at the intersection of literary studies, gender studies and the history of emotions, it transforms our understanding of the ethical construction of femininity in the past and provides a new framework for thinking about honourable womanhood now and in the years to come.
This collection explores the role of martial masculinities in shaping nineteenth-century British culture and society in a period framed by two of the greatest wars the world had ever known. It offers a fresh, interdisciplinary perspective on an emerging field of study and draws on historical, literary, visual and musical sources to demonstrate the centrality of the military and its masculine dimensions in the shaping of Victorian and Edwardian personal and national identities. Focusing on both the experience of military service and its imaginative forms, it examines such topics as bodies and habits, families and domesticity, heroism and chivalry, religion and militarism, and youth and fantasy. This collection will be required reading for anyone interested in the cultures of war and masculinity in the long nineteenth century.
'Independence' was an important ideal for men in Georgian England. In this period, however, the word meant much more than simply the virtues of self-sufficiency and impartiality. Most people believed that obligations absolutely compromised freedom and conscience, whereas 'independence' was associated with manly virtue and physical vigour. Fundamentally, the political world was thought to consist of 'independent men', exercising their consciences and standing up for the general good. As such, Georgians thought about political action and masculine virtue very differently to the ways in which we do today. In study, newly available in paperback, Matthew McCormack establishes the links between the histories of masculinity and politics, highlighting the centrality of 'manly' ideals in the political world and - conversely - the role of politics in the operation of gender ideology. ;
This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality. Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press? Building on extensive archival research, the book examines how African and Mexican American men have been constructed as 'racial problems', investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.
This book provides a novel analysis of the conceptual sources and ideological contours of the Assad regime. The book documents the Baathists' fascination with Romanticised and 'muscular' ideas of the nation that emerged in eighteenth- and nineteenth-century European social philosophy, and traces the implementation and impacts of these ideologies in the Syrian context. Emphasising the emergence of new forms of public gendered identity in Syria as a unifying feature of nationalism bound closely with the stability of the regime, the book shows how Romantic, muscular nationalism first rose to hegemony and then was shattered by its inherent violence, contradictions and inequalities. The final chapter closes by considering how a new vision of pluralism and civic belonging is today challenging the Romanticised Baathist ideal in contention for Syria's future.