Literature & Literary Studies
Description
A profound exploration of the connection between poetry and suicide.
'Suicides have a special language,' Anne Sexton wrote in her 1964 poem 'Wanting to Die'. But is it a language we can learn to read?
In The poetry of suicide, J. T. Welsch interweaves stories of poets who took their own lives with the long history of suicide in his own family, searching for a new way of understanding these difficult deaths. Beginning with Hamlet's 'To be or not to be?', he delves into the work of Dante, Sylvia Plath, Vladimir Mayakovsky and others, asking what it can teach us about suicide's messy reality.
Suicide is more like poetry than we realise, Welsch argues. Both are filled with ambiguities, contradictions and unknowable intentions. Both demand and resist interpretation. Recovering the personal dimension often lost in our medicalised public discourse, Welsch finds practical ways of confronting suicide's poem-like difficulties.
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Endorsements
'Suicides have a special language,' Anne Sexton wrote in her 1964 poem 'Wanting to Die'. But is it a language we can learn to read? In The poetry of suicide, J. T. Welsch interweaves stories of poets who took their own lives with the long history of suicide in his own family, searching for a new way of understanding these difficult deaths. Beginning with Hamlet's 'To be or not to be?', he delves into the work of Dante, Sylvia Plath, Vladimir Mayakovsky and others, asking what it can teach us about suicide's messy reality. Suicide is more like poetry than we realise, Welsch argues. Both are filled with ambiguities, contradictions and unknowable intentions. Both demand and resist interpretation. Recovering the personal dimension often lost in our medicalised public discourse, Welsch finds practical ways of confronting suicide's poem-like difficulties.
Reviews
'Suicides have a special language,' Anne Sexton wrote in her 1964 poem 'Wanting to Die'. But is it a language we can learn to read? In The poetry of suicide, J. T. Welsch interweaves stories of poets who took their own lives with the long history of suicide in his own family, searching for a new way of understanding these difficult deaths. Beginning with Hamlet's 'To be or not to be?', he delves into the work of Dante, Sylvia Plath, Vladimir Mayakovsky and others, asking what it can teach us about suicide's messy reality. Suicide is more like poetry than we realise, Welsch argues. Both are filled with ambiguities, contradictions and unknowable intentions. Both demand and resist interpretation. Recovering the personal dimension often lost in our medicalised public discourse, Welsch finds practical ways of confronting suicide's poem-like difficulties.
Author Biography
J. T. Welsch is a writer and academic born in the US and based in the UK, where he teaches at the University of York. He is the author of several books of and about poetry, including Orchids (2010), The Hell Creek Anthology (2015) and The Selling and Self-Regulation of Contemporary Poetry (2020). He also edited the anthology of migrant poetry Wretched Strangers (2018) with Ágnes Lehóczky. His writing has appeared in Poetry Review, Boston Review and the Guardian.
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View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date April 2026
- Orginal LanguageEnglish
- ISBN/Identifier 9781526191991 / 1526191997
- Publication Country or regionUnited Kingdom
- FormatPrint PDF
- Pages320
- ReadershipGeneral/trade; College/higher education; Professional and scholarly
- Publish StatusPublished
- Dimensions216 X 138 mm
- Biblio NotesDerived from Proprietary 6586
- Reference Code17934
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