Major Street Publishing is an independent book publisher based in Melbourne, Australia. Founded in 2009 by Lesley Williams, Major Street specialises in publishing high quality business, leadership, personal finance and motivational books.
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A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.
Focusing on experiential life stories across a range of forms and practices, this book investigates subjectivity, culture and the cultural politics of representation as a neglected dimension of conflict transformation in the Northern Irish peace process. Interdisciplinary critical perspectives from historical cultural studies, oral history and popular-memory theory inform close interpretive engagement with life stories in their cultural, historical and geographical contexts. This enables exploration of the complex temporal dynamics of 'post-conflict' subjectivities in the lengthening 'afterlife' of the Troubles, where feelings attached to conflict experiences are not 'past' but haunt the present, and memory-work carries future-oriented desires for truth, justice and reconciliation. Through case studies responding to the evolving peace process through this prism of life-storytelling, Afterlives maps a contested history of legacy policy-making and approaches to 'dealing with the past', from devolution in 2005-7 through to the Legacy and Reconciliation Act of 2023.
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Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the 'post boys' responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.
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Alain Resnais, director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961), has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the time-image, of trauma, of the senses, this volume sets Resnais' films in the context of important current debates in film theory, and provides a concise account of critical discussions of his work in France and beyond. Yet it also offers a highly personal and detailed engagement with individual images and scenes in Resnais' films. A passionate and partial defence of Resnais' work, old and new, this volume stands apart in its attention to the more tangible and moving pleasures of his films, their pathos, rigour and visual beauty.
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People with complex post-traumatic stress disorder often find themselves in a pattern of loss of control, helplessness, and dependency. A therapy that focuses on individual symptoms such as depression or a “simple” post-traumatic stress disorder often does not do them justice. Even more so when the wrong diagnosis is made due to false assumptions or a lack of information. What all must be ensured for the diagnosis to be made: is there a threat of intrafamilial or external violence? Is existential stability guaranteed during therapy? Are there investigations of legal proceedings in the background? With brilliantly structured overviews, this book helps even experienced diagnosticians to keep track of the variety of diagnostic options to be considered or ruled out and not to overlook anything.Axis I: Personality disordersAxis II: Specific stress-related disordersAxis III: Structural dissociation of personality: dissociativeand partial dissociative identity disorderAxis IV: Dissociative symptomsAxis V: Comorbid disorders For:• psychiatrists• psychologists• psychotherapists specializing in PTSD
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Examining the popular discourse of nerves and stress, this book provides a historical account of how ordinary Britons understood, explained and coped with the pressures and strains of daily life during the twentieth century. It traces the popular, vernacular discourse of stress, illuminating not just how stress was known, but the ways in which that knowledge was produced. Taking a cultural approach, the book focuses on contemporary popular understandings, revealing continuity of ideas about work, mental health, status, gender and individual weakness, as well as the changing socio-economic contexts that enabled stress to become a ubiquitous condition of everyday life by the end of the century. With accounts from sufferers, families and colleagues it also offers insight into self-help literature, the meanings of work and changing dynamics of domestic life, delivering a complementary perspective to medical histories of stress.
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— True crime stories from the morgue — Famous deaths and autopsy stories resolved, such as Antarctic explorer Sir Ernest Shackleton and the case of Anne Greene, who survived her execution by hanging The post-mortem examination. A glimpse inside the interior of the human being. Many find the idea fascinating; for others it is creepy or even repugnant. There are still numerous myths and horror stories surrounding the autopsy, many of them associated with primal human fears such as that of being buried alive, which have existed since Antiquity. It is precisely for this reason that it is important to carry out the post-mortem examination with the utmost conscientiousness. Pathologist Roland Sedivy provides an exciting insight into his profession. Profound and with tremendous humour, he tells us about the early days of the autopsy, and shares with us some macabre and some mysterious cases.
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The United Nations is one of the largest providers of assistance in post-conflict situations in the world. This book considers the human rights standards applicable to the United Nations and applied by the United Nations in post-conflict situations, including East Timor, Kosovo and Afghanistan. It looks at legal principles, peace agreements, support of democracy, human rights protection, development and other forms of reconstruction with which the UN has become involved, including the grandly-named task of "state-building". It deals both with the obligation upon the UN to respect human rights in post-conflict situations, and the obligation upon the UN to ensure that human rights are respected by those in positions of power in post-conflict situations. Written by an internationally renowned list of contributors, this book will be of vital use to anyone studying conflict analysis, international relations, international law and the role of the United Nations on the world stage. ;
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This book is about artists and activists who have embraced mimicry as a subversive tactic. Bringing together the contributions of seventeen writers, it addresses the ways in which artists have responded to power and ideology by imitating its outward forms. These contributors address in particular the current age of fantasy and political deception, and they consider the work of artists who have reacted by using dissimulation and make-believe themselves. Chapters include discussions of mimicry in reference to a number developments and debates: the post-truth era, the neoliberal consensus, the politics of race and gender, online subcultures, and the rise of the new right.
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Richard Haass and Mitchell Reiss, as autonomous diplomats in the George W. Bush State Department, were able to alter US intervention in Northern Ireland and play critical roles in the post-1998 peace process. Their contributions have not been fully appreciated or understood. The restoration of Northern Ireland's power-sharing government in 2007 was made possible by State Department-led intervention in the peace process. There are few references to Northern Ireland in work examining the foreign policy legacy of the George W. Bush presidency. Moreover, the ability to control US foreign policy towards the region brought one of George W. Bush's Northern Ireland special envoys into direct diplomatic conflict with the most senior actors inside the British government. This book will uncover the extent of this fall-out and provide original accounts on how diplomatic relations between these old allies became so fraught.
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The Irish writer, Deirdre Madden, has written key novels about the Northern Irish Troubles and about contemporary Ireland. In these works, she weighs up the aftermath of violence and the impact of the shift to a more open but materialist society in the country overall. Memory, trauma, and the abiding but elusive links between the past and the present are central concerns of her fiction. This pioneering set of essays by leading experts in Irish Studies explores the many dimensions of her novels from a wide variety of perspectives. Madden's skill at interweaving novels of ideas with artist novels that draw out the complex inner predicaments of her characters is highlighted. States of dislocation are concentrated on in her texts, but also the quest for a home in the world and a lasting set of values that allows for personal integrity and authenticity. These multifaceted explorations bear out the compelling and enduring aspects of Madden's highly regarded novels.
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This is the definitive study of the Irish general election of 2016 - the most dramatic election in a generation, which resulted in the worst electoral outcome for Ireland's established parties, the most fractionalized party system in the history of the state, and the emergence of new parties and groups. These outcomes follow a pattern seen across a number of Western Europe's established democracies in which the 'deep crisis' of the Great Recession has wreaked havoc on party systems. The objective of this book is to assess this most extraordinary of Irish elections both in its Irish and wider cross-national context. With contributions from leading scholars on Irish elections, and using a unique dataset - the Irish National Election Study 2016 - this volume explores voting patterns at Ireland's first post crisis election and it considers the implications for the electoral landscape and politics in Ireland.
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When you have autism, you probably have to cope with stress on a daily basis. Often, people with autism do not know how to recognize stress, what causes stress, and what they can do to reduce it. More peace, less stress offers a useful step-by-step plan. In seven steps, the reader learns what causes stress, how to recognise stress signals, and what they can do to feel more at ease. The book includes practical exercises so new knowledge can be applied right away. Being more at ease means to be able to: have better relationships with a partner, family, friends and colleagues, focus attention to get things done more easily, have a grip on life, instead of experiencing chaos, restlessness and insecurity and feel more powerful and have more self-esteem.
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People's ordinary, everyday lives - and more specifically, their leisure activities - are often obscured within existing academic research on 1920s-30s Ireland. This book seeks to redress that neglect by exploring the relationship between identity, recreation, and culture both North and South of the border, with particular attention to women's lived experiences. Leisurely pursuits during this period were commonly overshadowed by religious influence and the nation-building projects in post-partition Ireland. Nevertheless, there existed alternative spaces, where people enjoyed dancing, singing, listening to music, shopping, glamour, reading magazines, swimming, travelling, and going to the cinema. Such activities reflected international trends beyond national borders. This book documents those activities and spaces through a feminist lens and intersectional analysis of gender, class, religion and rural/urban identities. It brings together multi-disciplinary perspectives including cultural studies, architecture, geography, fashion, and musicology. In so doing, we present new insights and advance understanding of this under-researched aspect of Irish history.
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Worker protests in post-communist Romania and Ukraine is a book about strategies of trade unions confronting employers in difficult conditions. The book's main idea is to study why and how successful forms of workers' interest representation could emerge in a hostile context. The post-communist context makes it difficult for workers and trade unions to mobilise, pose threats to employers, and break out of their political isolation, but even under such harsh conditions strategy matters for defending workers' rights and living standards. The cases studied in this book are 18 conflict episodes at 10 privatised plants in the Romanian steel industry and Ukraine's civil machine-building sector in the 2000s. This book should be relevant for anyone taking interest in how and to what extent workers can reassert their influence over the conditions of production in regions and economic sectors characterised by disinvestment (of which outsourcing and 'lean' methods of production are instances).
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In the Western cultural production that puts individual or collective fear at its center, East/Central Europe has been portrayed as an othered space of horror - lawless, frightening zones where anything can happen. Incorporating articles on literature, film, visual arts, video games, music videos, and music festivals, Contemporary Slavic horror across media: Cursed zones is a pioneering anthology of academic essays devoted to Slavic horror fiction. The book focuses on works from the mid-20th century through the present, particularly the post-Soviet period. Assessing current trends in Czech, Polish, Russian, Slovak, Ukrainian, and East/Central European horror media, the book looks at similarities and idiosyncrasies of the genre in its Slavic variant. With this anthology we hope to tame 'the Easterner Other' and start exorcising 'monstrous' East/Central Europe.
