Stories Imagined was created to have a voice in woman's fiction. Writing about an age group of women who are on their second wind. Ready to take on the world how they see fit. The juggle and struggle of womanhood, sexuality, motherhood and coming back to self.
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Welcome to Sea of Stories™, an intellectual rights agency specializing in literary foreign rights. Sea of Stories was created in 2001. One of our first clients was Tara Books, who only had one book in their catalogue at the time! We like to start with new publishers and grow along them over time. We like funky and innovative styles and illustrations and represent quirky adult titles and fun children books. Sea of Stories is about bridging the gap between countries and cultures, finding the best of each and sharing it with a broader audience. We hope to add to the mix, offering you some of the best in Brazilian, Dutch, English, French, and Spanish literature! We’re delighted to work with the following houses: A Buen Paso Blue Apple Blue Cat Emily McDowell & Friends Knock Knock Loopvis Uitgeverij Monoblock Pencil Planta Editora Primerose Productions Quirk Publishing Snor Uitgeverij WMF Martins Fontes
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In 'Digging up stories', James Thompson explores the problems of theatre practice in communities affected by war and exclusion. Each chapter or 'story' is written in a lively and accessible style and draws on a range of contemporary performance theories. The chapters discuss: - participatory theatre in refugee camps - theatre workshop and stories of a massacre - traditional dance-dramas in an insurgent controlled village - 'Forum' theatre with the Mahabharata - ethical issues - the struggle to teach the author to dance 'Digging up stories' documents a range of theatre practice and includes project reports, ethnographic accounts, performance analysis and diary-style reflection. Taken from Thompson's research and practice in Sri Lanka, these diverse examples question the link between applied theatre, traditional performance and performances in everyday life. The book blurs lines between research and travel writing to create rich and provocative accounts of applying theatre in a troubled setting. ;
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The Island Book of Records brings the early years of this iconic record label to life. A fifteen-year labour of love, the volumes will fully document the analogue era of Island. Offering a comprehensive archive of album cover design and photography, together with the voices of the musicians, designers, photographers, producers, studio engineers and record company personnel that worked on each project, the volumes show in unique depth the workings of the label, covering every LP. Featuring material from recent interviews and from media interviews of the time, and each including a comprehensive discography of 45s, the books are lavishly illustrated with gig adverts (very many at venues which no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera. These LP-sized editions are a collector's dream, offering a truly unparalleled resource for those interested in music history and a perfect gift for any music lover.
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This volume explores a range of premodern rulers and their depictions in historiography, literature, art and material culture to gain a broader understanding of their sexualities. It considers the methodologies and motivations of premodern writers and rulers when fashioning royal and elite sexualities and offers new analyses of an array of texts and artwork from across Europe and the wider Mediterranean.
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The second volume of this highly collectable series, covering the pivotal years of 1969-70. The Island Book of Records Volume II documents the years 1969-70, during which Island sought to build on its success with the Spencer Davis Group by seeking out new British rock talent. By the end of the period, Island was emerging as a major British label, one that could boast releases from Jethro Tull, Nick Drake, King Crimson, John and Beverley Martyn, Fairport Convention and Cat Stevens. Featuring material from recent interviews and from media interviews of the time, and including a comprehensive discography of 45s, The Island Book of Records Volume II is lavishly illustrated with gig adverts (very many at venues that no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera collector's dream.
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The age of Charlemagne was a crucible for change in the history of Europe, bridging the divide between the medieval and the classical worlds and setting the political and cultural tone for centuries to come. This book focuses directly on the reign of Charlemagne, bringing together a wide range of approaches and sources from the diverse voices of fifteen of the top scholars of early medieval Europe. The contributors have taken a number of original aproaches to the subject, from the fields of archaeology and numismatics to thoroughly-researched essays on key historical texts. The essays are embedded in the scholarship of recent decades but also offer insights into new areas and new approaches for research. A full bibliography of works in English as well as key reading in European languages is provided, making the volume essential reading for experienced scholars as well as students new to the history of the early middle ages. ;
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— True crime stories from the morgue — Famous deaths and autopsy stories resolved, such as Antarctic explorer Sir Ernest Shackleton and the case of Anne Greene, who survived her execution by hanging The post-mortem examination. A glimpse inside the interior of the human being. Many find the idea fascinating; for others it is creepy or even repugnant. There are still numerous myths and horror stories surrounding the autopsy, many of them associated with primal human fears such as that of being buried alive, which have existed since Antiquity. It is precisely for this reason that it is important to carry out the post-mortem examination with the utmost conscientiousness. Pathologist Roland Sedivy provides an exciting insight into his profession. Profound and with tremendous humour, he tells us about the early days of the autopsy, and shares with us some macabre and some mysterious cases.
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One wrong word, one perceived insult – a small matter may begin a chain of events resulting in tragedy. This was the case with Anothai S., who died in a brawl in Hamburg in September 2014. A quote from the circumstances of this death, reconstructed by Bruno Schrep for the SPIEGEL magazine, has given this book its title. “At Night, Everyone is an Enemy” compiles true stories of people who have been torn from their normal lives and plunged into despair from one moment to the next. In one case, it is a rumour that destroys all plans – the accusation of having abused children. Likewise, the information that your father and mother, who raised you, are not your biological parents, can turn your life upside down. And many an accident destroys not only the life of the victim, but also that of the person who caused the accident. As an accurate observer, Bruno Schrep describes human tragedies with empathy, but also with a keen eye for structural problems.
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A bold, new history of British Jewish life since the Second World War. Historian Gavin Schaffer wrestles Jewish history away from the question of what others have thought about Jews, focusing instead on the experiences of Jewish people themselves. Exploring the complexities of inclusion and exclusion, he shines a light on groups that have been marginalised within Jewish history and culture, such as queer Jews, Jews married to non-Jews, Israel-critical Jews and even Messianic Jews, while offering a fresh look at Jewish activism, Jewish religiosity and Zionism. Weaving these stories together, Schaffer argues that there are good reasons to consider Jewish Britons as a unitary whole, even as debates rage about who is entitled to call themselves a Jew. Challenging the idea that British Jewish life is in terminal decline. An unorthodox history demonstrates that Jewish Britain is thriving and that Jewishness is deeply embedded in the country's history and culture.
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Even at a primary school age, children can suffer from anxiety and stress with symptoms ranging from feeling tense to problems concentrating or sleeping. The stories of Captain Nemo help children relax and learn to let go of their anxiety and restlessness. The relaxation stories, written for children ages 5-12, can be either read aloud to the child or by the children themselves. The main character, Captain Nemo, invites the children to come along for his adventures on his submarine the Nautilus. The stories take the children to visit a coral forest, ride a giant tortoise, or explore the lost city of Atlantis. Through the stories, the children learn strategies to calm themselves and relax which they can then re-use in difficult situations in their daily lives. This widely successful book can be used at home, by teachers, social workers, school psychologists, child and adolescentpsychotherapists, and psychiatrists. For:• child and adolescent psycho-therapistsand psychiatrists,social workers, school psychologists,teachers, parents
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Narrative art Narrating is an art that is gifted to everyone. Narrative, for Hermann Bausinger, begins from the moment we wait together for the bus. When we complain of it being late again and the stories that emerge about travel by bus. The well-known cultural academic is also luckily a gifted narrator. His book is an extremely vivid and descriptive account of the multiple varieties of narrative. He takes us into the rich world of storytelling of fairy tales and fables, invoking the wit of language, focusing on narrative theory and the special significance of narrative in the online age. Full of variety and wonderful examples, Bausinger lets the narrative, and the stories shine. Because for him storytelling, our relationship with language, is what defines us as human beings.
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The short fiction that flourished in nineteenth-century France has attracted relatively little critical attention compared with the novel. This study focuses on some key stories by major authors of contes and nouvelles from the late 1820s to the 1890s, taking as a starting-point, aspects of narrative technique as a way of exploring not just characteristic strategies of short fiction, but also the ends to which they were put: recurrent themes, and the vision of mankind. Each chapter looks in some detail at three or four stories, referring briefly to other tales for illustration. The underlying point that emerges from this study is that the interest of a tale lies in the telling, not the events. ;
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I'm not a good mother - not what Dr. Spock calls a "slow mother" who leaves her chores to make sure junior gets the right treatment. (Dorothy Wright, 1961) I must admit that I am no longer the same person who was tied to the kitchen sink at home. (Phyllis Cave, 1973) This book represents a unique collaboration between a historian and four ordinary women who were extraordinary letters-writers, family photographers and memoirists. As British migrants to Australia these women recorded in intimate detail aspects of everyday life and women's experience that are often lost to history: childcare and housework, housing and domestic appliances, friendship, family and married life. Taken together, their stories enrich and complicate our understanding of key themes in twentieth century women's history. This book will appeal to students and academics interested in British and Australian social history, oral history, women's studies and the lived experience of migration. ;
