Books

Dalcò Edizioni S.r.l. / DE Publishing

Dalcò Edizioni is an independent publishing house based in Parma, Milano and New York. For over twenty years we have been specialized in gastronomic and lifestyle books, which we publish with the Food Editore brand. As a packager we design and create general non-fiction and illustrated books for children with a strong educational component. All our projects are designed both for the Italian and international market. Visit www.dalco-online.com to discover more or contact us: rights@dalcoedizioni.it
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XO Editions - OH ! Editions

Publication of works geared toward a mass-market audience An intentionally small number of titles (15 to 20 titles per year) so as to give a maximum of attention and means to each work and thus optimise their sales potential, both in France and abroad. An ambitious strategy aiming to discover new talent and put French authors back at the top of bestseller lists around the world. In 20 years: 421 titles published, 302 made it on the best-seller lists, 250 have been widely sold abroad.
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Social & political philosophy

July 2016

Karl Polanyi

The Hungarian writings

by Edited by Gareth Dale

This is the first work to offer a collection of Polanyi's texts never before published in English. The book presents articles, papers, lectures, speeches, notes, and draft manuscripts, mostly written between 1907 and 1923, with the exception of a few later texts. Organised thematically around religion, ethics, ideology, world politics and Hungarian politics, the topics include contemporary thinkers, the Galilei Circle, the Tisza government, the Aster and the Bolshevik Revolutions, the Councils Republic, the Radical Citizens' Party, Hungarian democracy, the national question, political conviction, fatalism, British socialism, political theory and violence, and more. Each section includes a discussion of the political and intellectual contexts in which the texts were written. Karl Polanyi: The Hungarian writings is an outstanding and essential resource that brings to light for the first time the works of a key thinker who is relevant to today's study of globalisation, neoliberalism, social movements, and international social policy.

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History of religion

July 2016

Making and remaking saints in nineteenth-century Britain

by Edited by Gareth Atkins

This book examines the place of 'saints' and sanctity in a self-consciously modern age, and argues that Protestants were as fascinated by such figures as Catholics were. Long after the mechanisms of canonisation had disappeared, people continued not only to engage with the saints of the past but continued to make their own saints in all but name. Just as strikingly, it claims that devotional practices and language were not the property of orthodox Christians alone. Making and remaking saints in the nineteenth-century Britain explores for the first time how sainthood remained significant in this period both as an enduring institution and as a metaphor that could be transposed into unexpected contexts. Each of the chapters in this volume focuses on the reception of a particular individual or group, and together they will appeal to not only historians of religion, but those concerned with material culture, the cult of history, and with the reshaping of British identities in an age of faith and doubt.

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November 2017

Mit Dale Carnegie durchs Jahr

by Carnegie, Dale

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March 2002

365 Tage mit Dale Carnegie

by Carnegie, Dale

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Humanities & Social Sciences

January 2007

The East German revolution of 1989

by Gareth Dale

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November 2018

Spielarten der Bezugnahme

by Gareth Evans, John McDowell, Joachim Schulte, Catrin Misselhorn, Ulrike Ramming

Gareth Evans, einer der brillantesten Philosophen seiner Generation, starb 1980 im Alter von nur 34 Jahren. In seinem unvollendeten Meisterwerk Die Vielfalt der Referenz entwickelt Evans im Ausgang von Frege und Russell eine Theorie des Bezugs und der Bezugnahme im Rahmen einer umfassenderen Theorie des Verstehens und Denkens. John McDowell hat das Manuskript nach Evans' Tod für die Publikation vorbereitet und mit einem Vorwort versehen. Nun ist es erstmals in deutscher Übersetzung zu entdecken: ein Meilenstein der jüngeren Philosophiegeschichte!

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February 2007

Wie du Freunde gewinnst. Dale Carnegie für Mädchen

by Carnegie, Donna Dale / Englisch Becker, Astrid; Englisch Kappel, Marion

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Humanities & Social Sciences

January 2007

The East German revolution of 1989

by Gareth Dale, Rebecca Mortimer

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Non-graphic art forms

May 2012

The 'do-it-yourself' artwork

Participation from Fluxus to New Media

by Edited by Anna Dezeuze

Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.

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Humanities & Social Sciences

November 2007

Videogame, player, text

by Edited by Barry Atkins and Tanya Krzywinska

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Plays, playscripts

November 2016

The Tragedy of Antigone, The Theban Princesse

by Thomas May

by Edited by Matteo Pangallo. Series edited by Paul Dean

Thomas May's The Tragedy of Antigone (1631), edited by Matteo Pangallo, is the first English treatment of the story made famous by Sophocles. This edition contains a facsimile of the copy held at the Beinecke Library of Yale University, making the play commercially available for the first time since its original publication. The extensive introduction discusses, among other things, the ownership history of existing copies and their marginal annotations, and of the play's topical political implications in the light of May's wavering between royalist and republican sympathies. Writing during the contentious early years of Charles I's reign, May used Sophocles' Antigone to explore the problems of just rule and justified rebellion. He also went beyond the scope of the original, adding content from a wide range of other classical and contemporary plays, poems and other sources, including Shakespeare's Romeo and Juliet and Macbeth. This volume will be essential reading for advanced students, researchers and teachers of early English drama and seventeenth-century political history.

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Literary studies: c 1500 to c 1800

November 2011

The Humorous Magistrate (Arbury)

by Edited by Margaret Jane Kidnie

The Humorous Magistrate is a seventeenth-century satiric comedy extant in two highly distinctive manuscripts. This, the earliest and clearly working draft of the play is bound with three other plays (including The Emperor's Favourite, published by the Malone Society in 2010) in a volume in the library of the Newdigate family of Arbury Hall, Nuneaton, Warwickshire. The second version, showing yet another stage of revision not found in the Arbury manuscript and orientated towards performance, was purchased by the University of Calgary from the English antiquarian Edgar Osborne in 1972. The relationship between the manuscripts was discovered in 2005. The anonymous play has been attributed to John Newdigate III (1600-1642). Like The Emperor's Favourite, it takes aim at the court; its particular object of satire is governmental strategies under the Personal Rule of Charles I. The play appears in print for the first time in these separate editions. The volumes are illustrated with several plates, some provided for comparative purposes.

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Museums & museology

November 2017

Disturbing pasts

Memories, controversies and creativity

by Edited by Leon Wainwright

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Film theory & criticism

February 2014

The Encyclopedia of British Film

Fourth edition

by Edited by Brian McFarlane

With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.

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Exhibition catalogues & specific collections

March 2011

Mary Kelly

Projects, 1973–2010

by Edited by Dominique Heyes-Moore

Mary Kelly, we are told, was not a feminist artist, but a feminist who made art. Designed to accompany a major retrospective at the Whitworth Art Gallery, this book contains essays and interviews which show the implications of that distinction and also the legacy of feminists and feminism in relation to art. Challenging and beautiful, Kelly's artworks address questions of sexuality, identity and historical memory in the form of large-scale narrative installations. The works are agilely discussed in contributions by some of the luminary feminist art scholars of our time, including Janet Wolff, Laura Mulvey, Carol Mavor and Amelia Jones, making this collection an essential new text in the discourse on art, feminism, psychoanalysis and representation.

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Cultural studies

November 2014

Are the Irish different?

by Edited by Tom Inglis

This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area. The topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics. The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society.

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Folk & traditional music

April 2005

The Kiss in history

by Edited by Karen Harvey

Writers have previously placed the action of kissing into categories: kisses of love, affection, peace, respect and friendship. Each of the essays in this fascinating book take a single kind of kiss and uses it as an index to the past. For rather than offering a simple history of the kiss, this book is about the kiss in history. In this collection, an eminent group of cultural historians have explored this subject using an exceptionally wide range of evidence. They explore the kiss through sources as diverse as canonical religious texts, popular prints, court depositions, periodicals, diaries and poetry. In casting the net so wide, these authors demonstrate how cultural history has been shaped by a broad concept of culture, encompassing more than simply the canons of art and literature, and integrating apparently 'historical' and 'non-historical' sources. Furthermore, this collections shows that by analyzing the kiss and its position - embedded as it is as part of our culture - history can use small gestures to take us to big issues concerning ourselves and others, the past and the present. With an afterword by Sir Keith Thomas, this book will be fascinating reading for cultural historians working on a wide range of different societies and periods.

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Sociology: work & labour

July 2015

The sociology of unemployment

by Edited by Tom Boland and Ray Griffin

The sociology of unemployment is an analysis of the experience and governance of unemployment. By considering unemployment as more than just the absence of work; the book explores unemployment as a distinctive experience created by the welfare state. Each chapter explores an aspect of the experience or governance of unemployment; beginning with how people talk about their experience of being unemployed individually and collectively, to the places of unemployment, and on to the processes, policies and forms of the social welfare system. Clear explanations of classic theories are explored and extended, all against the backdrop of new primary research. Chapter by chapter, The sociology of unemployment challenges the 'deprivation theory of unemployment' which dominates sociology, psychology and social policy, by focusing on how governmental power forms the experience of unemployment. As a result, the book is both an introductory text on the sociology of unemployment and a fresh, critical perspective.

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$Refractions of Bob Dylan$

Individual composers & musicians, specific bands & groups

July 2015

Refractions of Bob Dylan

Cultural appropriations of an American icon

by Edited by Eugen Banauch

Bob Dylan's cultural production in the second half of the twentieth century, his songs, but also his changing images and self-fashionings have informed and productively re/shaped certain images of America from outside and within. Refractions of Bob Dylan collects scholarly essays which thoroughly investigate the routes of Bob Dylan's cultural appropriations. The collection looks at how Dylan has been used and interpreted by others, and how his work has been reworked into cultural expressions in culturally and regionally divergent spaces. Additionally, a number of essays look at what Dylan has appropriated and incorporated in his own work, focusing on questions of plagiarism, tribute, allusion, love and theft. Some of the essays originate from the Refractions of Bob Dylan conference in Vienna (www.dylanvienna.at) which took place around the 70th birthday of Bob Dylan, and included Dylan experts such as Clinton Heylin, Stephen Scobie and Michael Gray.

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August 2008

Five Directors

Auteurism from Assayas to Ozon

by Edited by Kate Ince

Auteurism - the idea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies' most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris. Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne borthers, Michael Haneke and Francois Ozon, this book looks into how the meaning of 'auteur' has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism. This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts.

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The Hungarian writings

by Edited by Gareth Dale

by Edited by Gareth Atkins

by Carnegie, Dale

by Carnegie, Dale

by Gareth Dale

by Gareth Evans, John McDowell, Joachim Schulte, Catrin Misselhorn, Ulrike Ramming

by Carnegie, Donna Dale / Englisch Becker, Astrid; Englisch Kappel, Marion

by Gareth Dale, Rebecca Mortimer

Participation from Fluxus to New Media

by Edited by Anna Dezeuze

by Edited by Barry Atkins and Tanya Krzywinska

by Thomas May

by Edited by Matteo Pangallo. Series edited by Paul Dean

by Edited by Margaret Jane Kidnie

Memories, controversies and creativity

by Edited by Leon Wainwright

Fourth edition

by Edited by Brian McFarlane

Projects, 1973–2010

by Edited by Dominique Heyes-Moore

by Edited by Tom Inglis

by Edited by Karen Harvey

by Edited by Tom Boland and Ray Griffin

Cultural appropriations of an American icon

by Edited by Eugen Banauch

Auteurism from Assayas to Ozon

by Edited by Kate Ince

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