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      • Dalcò Edizioni S.r.l. / DE Publishing

        Dalcò Edizioni is an independent publishing house based in Parma, Milano and New York. For over twenty years we have been specialized in gastronomic and lifestyle books, which we publish with the Food Editore brand. As a packager we design and create general non-fiction and illustrated books for children with a strong educational component. All our projects are designed both for the Italian and international market.   Visit www.dalco-online.com to discover more or contact us: rights@dalcoedizioni.it

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      • XO Editions - OH ! Editions

        Publication of works geared toward a mass-market audience An intentionally small number of titles (15 to 20 titles per year) so as to give a maximum of attention and means to each work and thus optimise their sales potential, both in France and abroad. An ambitious strategy aiming to discover new talent and put French authors back at the top of bestseller lists around the world. In 20 years: 421 titles published, 302 made it on the best-seller lists, 250 have been widely sold abroad.

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        Humanities & Social Sciences
        January 2007

        The East German revolution of 1989

        by Gareth Dale

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        September 2023

        Planet. Ein Liebeslied an unsere Erde

        by Deniz Jaspersen, Gareth Ryans, Julia Wenzel

        Das Buch zum Song von Unter meinem Bett. »Mach mal lauter, lass mal gucken!« Ganz genau: Dies ist das Bilderbuch zu dem Song Planet von Singer-Songwriter Deniz Jaspersen. Deniz kennt ihr bestimmt von Deniz und Ove und Unter meinem Bett, der coolen Kindermusik mit tollen Kinderliedern, die auch Erwachsene mögen. Darin singt er über unseren Planeten, die Erde: »Viel zu viele Menschen nehmen dich für selbstverständlich«. Dabei lieben wir doch alle unseren blauen Planeten, besonders die Jüngeren, weshalb Natur- und Umweltschutz auch schon für Kinder ein Thema ist, das sie beschäftigt. Das Buch Planet ist eine wunderbare Reise um die Erde, die Kindern nahe bringt, wie schön und wertvoll sie ist. Große atmosphärische Illustrationen, mit ein paar Figuren, die ihr vielleicht von den UMB-Alben kennt, machen es zu einem Liebeslied an die Erde. Es lädt zum Mitsingen, Träumen und miteinander Reden ein. Alle mal herhören: Schütze mit Deniz unseren Planeten. Für alle, die den Song Planet von Deniz Jaspersen (Herrenmagazin) feiern. Bekannt aus der coolen Kindermusik-Reihe Unter meinem Bett. Sensibilisiert liebevoll und kindgerecht für Umweltzerstörung und Klimawandel. Text von Deniz Jaspersen und großformatig sowie detailverliebt illustriert von Gareth Ryans. Als Fans der Unter meinem Bett-Alben werdet ihr in den Illustrationen sicher ein paar Figuren wiedererkennen.

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        November 2018

        Spielarten der Bezugnahme

        by Gareth Evans, John McDowell, Joachim Schulte, Catrin Misselhorn, Ulrike Ramming

        Gareth Evans, einer der brillantesten Philosophen seiner Generation, starb 1980 im Alter von nur 34 Jahren. In seinem unvollendeten Meisterwerk Die Vielfalt der Referenz entwickelt Evans im Ausgang von Frege und Russell eine Theorie des Bezugs und der Bezugnahme im Rahmen einer umfassenderen Theorie des Verstehens und Denkens. John McDowell hat das Manuskript nach Evans' Tod für die Publikation vorbereitet und mit einem Vorwort versehen. Nun ist es erstmals in deutscher Übersetzung zu entdecken: ein Meilenstein der jüngeren Philosophiegeschichte!

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        Humanities & Social Sciences
        January 2007

        The East German revolution of 1989

        by Gareth Dale, Rebecca Mortimer

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        January 2018

        Echte Bären fürchten sich nicht

        by Elizabeth Dale, Paula Metcalf, Paul Maar

        In "Echte Bären fürchten sich nicht" von Elizabeth Dale, erforscht der kleine Bär Bobo nachts die Geräusche, die seine Angst vor Monstern wecken. Um zu beweisen, dass keine Monster im Wald sind, nimmt Papa Bär Bobo und den Rest der Familie auf eine nächtliche Erkundungstour mit. Durch diese abenteuerliche Suche in der Dunkelheit versucht Papa Bär, seinen Kindern Mut zu machen und ihnen zu zeigen, dass es im Wald nichts zu fürchten gibt. Das Buch, mit Reimen von Paul Maar kunstvoll übersetzt, ist eine humorvolle Gute-Nacht-Geschichte, die Kindern hilft, ihre Ängste zu überwinden und die Bedeutung von Mut und Familienzusammenhalt zu verstehen. Kindgerechte Spannung: Ideal für Gute-Nacht-Geschichten, um Kindern ab 4 Jahren auf unterhaltsame Weise Ängste zu nehmen. Bildungsgehalt: Vermittelt wichtige Werte wie Mut und Familienzusammenhalt. Hochwertige Illustrationen: Großformatige und ausdrucksstarke Bilder, die die Nachtatmosphäre lebendig werden lassen. Reime von Paul Maar: Geschickt gereimter Text, der das Vorlesen zum Vergnügen macht und Kinder zum Zuhören animiert. Anerkannte Qualität: Empfohlen von der Stiftung Lesen und ausgezeichnet mit dem Leipziger Lesekompass, garantiert für pädagogisch wertvolle Inhalte. Attraktive Buchgestaltung: Mit speziellen Elementen wie Goldfolie auf dem Cover, die das Buch auch visuell ansprechend machen.

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        Non-graphic art forms
        May 2012

        The 'do-it-yourself' artwork

        Participation from Fluxus to New Media

        by Edited by Anna Dezeuze

        Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.

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        Film theory & criticism
        February 2014

        The Encyclopedia of British Film

        Fourth edition

        by Edited by Brian McFarlane

        With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.

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        Humanities & Social Sciences
        November 2007

        Videogame, player, text

        by Edited by Barry Atkins and Tanya Krzywinska

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        Plays, playscripts
        November 2016

        The Tragedy of Antigone, The Theban Princesse

        by Thomas May

        by Edited by Matteo Pangallo. Series edited by Paul Dean

        Thomas May's The Tragedy of Antigone (1631), edited by Matteo Pangallo, is the first English treatment of the story made famous by Sophocles. This edition contains a facsimile of the copy held at the Beinecke Library of Yale University, making the play commercially available for the first time since its original publication. The extensive introduction discusses, among other things, the ownership history of existing copies and their marginal annotations, and of the play's topical political implications in the light of May's wavering between royalist and republican sympathies. Writing during the contentious early years of Charles I's reign, May used Sophocles' Antigone to explore the problems of just rule and justified rebellion. He also went beyond the scope of the original, adding content from a wide range of other classical and contemporary plays, poems and other sources, including Shakespeare's Romeo and Juliet and Macbeth. This volume will be essential reading for advanced students, researchers and teachers of early English drama and seventeenth-century political history.

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        Literary studies: c 1500 to c 1800
        November 2011

        The Humorous Magistrate (Arbury)

        by Edited by Margaret Jane Kidnie

        The Humorous Magistrate is a seventeenth-century satiric comedy extant in two highly distinctive manuscripts. This, the earliest and clearly working draft of the play is bound with three other plays (including The Emperor's Favourite, published by the Malone Society in 2010) in a volume in the library of the Newdigate family of Arbury Hall, Nuneaton, Warwickshire. The second version, showing yet another stage of revision not found in the Arbury manuscript and orientated towards performance, was purchased by the University of Calgary from the English antiquarian Edgar Osborne in 1972. The relationship between the manuscripts was discovered in 2005. The anonymous play has been attributed to John Newdigate III (1600-1642). Like The Emperor's Favourite, it takes aim at the court; its particular object of satire is governmental strategies under the Personal Rule of Charles I. The play appears in print for the first time in these separate editions. The volumes are illustrated with several plates, some provided for comparative purposes.

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        Museums & museology
        November 2017

        Disturbing pasts

        Memories, controversies and creativity

        by Edited by Leon Wainwright

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        Exhibition catalogues & specific collections
        March 2011

        Mary Kelly

        Projects, 1973–2010

        by Edited by Dominique Heyes-Moore

        Mary Kelly, we are told, was not a feminist artist, but a feminist who made art. Designed to accompany a major retrospective at the Whitworth Art Gallery, this book contains essays and interviews which show the implications of that distinction and also the legacy of feminists and feminism in relation to art. Challenging and beautiful, Kelly's artworks address questions of sexuality, identity and historical memory in the form of large-scale narrative installations. The works are agilely discussed in contributions by some of the luminary feminist art scholars of our time, including Janet Wolff, Laura Mulvey, Carol Mavor and Amelia Jones, making this collection an essential new text in the discourse on art, feminism, psychoanalysis and representation.

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        Cultural studies
        November 2014

        Are the Irish different?

        by Edited by Tom Inglis

        This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area. The topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics. The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society.

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        Folk & traditional music
        April 2005

        The Kiss in history

        by Edited by Karen Harvey

        Writers have previously placed the action of kissing into categories: kisses of love, affection, peace, respect and friendship. Each of the essays in this fascinating book take a single kind of kiss and uses it as an index to the past. For rather than offering a simple history of the kiss, this book is about the kiss in history. In this collection, an eminent group of cultural historians have explored this subject using an exceptionally wide range of evidence. They explore the kiss through sources as diverse as canonical religious texts, popular prints, court depositions, periodicals, diaries and poetry. In casting the net so wide, these authors demonstrate how cultural history has been shaped by a broad concept of culture, encompassing more than simply the canons of art and literature, and integrating apparently 'historical' and 'non-historical' sources. Furthermore, this collections shows that by analyzing the kiss and its position - embedded as it is as part of our culture - history can use small gestures to take us to big issues concerning ourselves and others, the past and the present. With an afterword by Sir Keith Thomas, this book will be fascinating reading for cultural historians working on a wide range of different societies and periods.

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        Sociology: work & labour
        July 2015

        The sociology of unemployment

        by Edited by Tom Boland and Ray Griffin

        The sociology of unemployment is an analysis of the experience and governance of unemployment. By considering unemployment as more than just the absence of work; the book explores unemployment as a distinctive experience created by the welfare state. Each chapter explores an aspect of the experience or governance of unemployment; beginning with how people talk about their experience of being unemployed individually and collectively, to the places of unemployment, and on to the processes, policies and forms of the social welfare system. Clear explanations of classic theories are explored and extended, all against the backdrop of new primary research. Chapter by chapter, The sociology of unemployment challenges the 'deprivation theory of unemployment' which dominates sociology, psychology and social policy, by focusing on how governmental power forms the experience of unemployment. As a result, the book is both an introductory text on the sociology of unemployment and a fresh, critical perspective.

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