Polperro Heritage Press
Polperro Heritage Press is an independent British publisher, established in 1995. Recent titles from Polperro Press have included biographies, guides and a growing list of Cornish local history titles.
View Rights PortalPolperro Heritage Press is an independent British publisher, established in 1995. Recent titles from Polperro Press have included biographies, guides and a growing list of Cornish local history titles.
View Rights PortalLa Pollera's catalog includes narrative, essay, and chronicle of contemporary and classic authors.
View Rights PortalThis book explores what to do with heritage that has been destroyed in conflict. It charts a path through the colonial histories and traumatic wars of Syria and Iraq to examine the projects and responses currently on offer and assess their flaws and limitations, including issues of digital colonialism, technological solutionism, geopolitical manoeuvring, media bias and community exclusion. Drawing on current research into the psychology and neuroscience of trauma and trauma recovery, and taking inspiration from artists and creative thinkers who challenge the status quo, this book envisages gentler, creative and ethically-driven ways to respond to heritage damaged in conflict that recentre people and their hopes, dreams and needs at the heart of these debates.
Performing Heritage is the first book to bring together the range of voices, debates and practices that constitute the fields of museum theatre and live interpretation. Inspiring and challenging in its scope and level of debate, Performing Heritage crosses the disciplines of performance and museum/heritage studies and offers remarkable and timely insights into the processes, outcomes and potential of this rich and rapidly developing practice - and in a variety of international contexts. The book productively brings together academic research and professional practice, and will be essential reading for all those interested in, and concerned with the future of, 'heritage' and its interpretation. ;
This book analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities. The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.
Written by an interdisciplinary team of scholars, this authoritative text presents an engaging narrative of the way politics features in heritage conservation and management. New international case studies illustrate how notions of identity, social class and nationhood may be woven into the provision of official heritage, and how heritage may be seen to be less about upholding truth or authenticity and more about delivering political objectives. Aimed primarily at students in heritage studies and professionals in heritage industries, this book is one of three in the Understanding Global Heritage series.
Written by an interdisciplinary team of scholars, this authoritative text explores how heritage is delivered and consumed in a global world, and the ever-increasing ways in which heritage is actively valued. New international case studies see heritage as social action, as performance, and as a vehicle for innovations in tourism, challenging the notion that only official heritage practices can successfully select and interpret our links with the past. Aimed primarily at students in heritage studies and professionals in heritage industries, this book is one of three in the Understanding Global Heritage series.
Written by an interdisciplinary team of scholars, this authoritative text explores the emotive issues surrounding the commemoration of war and atrocity, and the profound challenges for conservators posed by 'virtual', 'intangible' and 'multicultural' heritage. New international case studies demonstrate that while interest in the memorialisation of the great national upheavals of the last century has never been more acute, many of the problems of conserving the past in diverse and disparate societies remain to be resolved. Aimed primarily at students in heritage studies and professionals in heritage industries, this book is one of three in the Understanding Global Heritage series.
In 1994 the Arts Council of Great Britain brought together a number of theatre directors as part of the City of Drama celebrations. This is a collection of interviews and discussions with directors who have helped shape the development of theatre in the last 20 years. They include Peter Brook, Peter Stein, Augusto Boal, Jorge Lavelli, Lluis Pasqual, Lev Dodin, Maria Irene Fornes, Jonathan Miller, Jatinder Verma, Peter Sellars, Declan Donnellan, Ariane Mnouchkine, Ion Caramitru, Yukio Ninagawa and Robert Wilson. In addition to the art and craft of directing, there are discussions on multiculturalism; the "classical" repertoire; theatre companies and institutions; working in a foreign language; opera; Shakespeare; new technologies; the art of acting; design; international festivals; politics and aesthetics; the audience; and theatre and society. Finally, there is an epilogue by Peter Brook, Jonathan Miller and Oliver Sacks. ;
This book aims to examine the nature of and resistance to gendered urban violence among Brazilian women in London and in the favelas of Maré, Rio de Janeiro. Drawing on the conceptualisation of translocational gendered urban violence framework, it highlights the importance of examining direct forms of gender-based violence across private, public and transnational spheres as interlinked with structural, symbolic and infrastructural violence. The book also explores the embodied and spatialised nature of gendered urban violence, explored through artistic engagements and arts-based methods. In developing a translocational feminist tracing methodological and epistemological approach across the social sciences and the arts, the book argues for the importance of a collaborative approach among academic, civil society organisations, artists and creative researchers with a view to engendering empathetic transformation to address gendered urban violence in the long-term.
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
Is deafness a disability to be prevented or the uniting trait of a cultural community to be preserved? Combining the history of eugenics and genetics with deaf and disability history, this book traces how American heredity researchers moved from trying to eradicate deafness to embracing it as a valuable cultural diversity. It looks at how deafness came to be seen as a hereditary phenomenon at all, how eugenics became part of progressive reform at schools for the deaf, and how, from the 1950s on, more sociocultural approaches to disability and minority led to new cooperative projects between professionals and local signing deaf communities. Analysing the transformative effects of exchange between researchers and objects of research, this book offers new insight to changing ideas about medical ethics, reproductive rights, the meaning of scientific progress and cultural diversity.
How did the rise of consumer society impact the domestic lives of ordinary workers? Funded by English Heritage, this study offers the first book-length archaeology of a 17th through 20th century household site in Great Britain. Adopting a multi-disciplinary approach, the volume situates the results of traditional archaeological excavations within a broader spectrum of archival sources, family photographs and personal memories of former site residents to consider the dramatic influences of industrialization and subsequent de-industrialisation on the material world of a rural community in the North-West of England. Organised as a series of thematic chapters, the book emphasizes the social nature of household archaeology, drawing the reader from excavated artifacts into domestic spaces, historic events, community identities, and family memories. It will be of interest to a wide range of scholars and students, in addition to those interested in local history, archaeology, and family genealogies.